The Sound of Paper
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I have mixed feelings about Julie Cameron. I read The Artist's Way and there were parts of that book that really spoke to me. But I cannot get her conception of the morning pages to work for me. (Write three pages longhand every morning, before you get out of bed, about anything, no matter what). She swears that it will Unlock the Font of Creativity within you. I tried, I really did. I did them religiously for months. But as you'll remember, I've been doing a daily journal every night (one page) for going on thirty years. Three pages in the morning seemed redundant (especially since I was doing LiveJournal, too), and I didn't have time. And I couldn't understand what was so magical about them, when I've been doing practically the same thing at night. I wasn't getting the Magical Unlocking of Your Creativity that she swore would happen, and I kept wondering "What's wrong with me?"
Finally, it occurred to me that I had written two perfectly good novels that sold without doing morning pages. (Well, duh.) I stopped doing them immediately and have never resumed, although I still do the night (paper) journal and LiveJournal. I don't miss the morning pages, and it was a relief to cut one other source of guilt out of my life. However, I still remain blocked.
I like her idea of the artist date, though, and I did really like some of the exercises in The Artist's Way. I really must scan the collage I made and post it. She suggested taking pictures and phrases from magazines and pasting them on a page for about an hour. I really got into it and worked on it for about a week. I liked the result so much that I laminated it when I was through. I'm really quite proud of it, and it's still up where I can see it in my office.
So anyway, I'll read and try the exercises in this new book, and try to be open and hopeful.
But no morning pages, dammit.
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Seems to me that the act of writing isn't where you're blocked. You write interesting stuff every day.
K.
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And I wholeheartedly second this.
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This reminds me of an exercise one of my high school English teachers had us do one semester. The first 10 minutes were spent writing as much as we possibly could (longhand, of course), about anything that came to mind. I can only assume it was for a similar purpose. He'd put a phrase, question or keyword on the board at the start of each period, and we could (but weren't obliged to) use it as a jumping off point. I stumbled across that notebook a few years back, and what was immediately noticeable was that I was using that time to write things like "I wonder how much time is left?" and "This is stupid" and "Hmm, what can I say about today's keyword?" and minor things about the day. Very amusing in retrospect, but hardly profound, nor did it have any impact that I could see on my creativity or ability to write something else. Now, granted, that was a time limit, not a page limit, and we were encouraged to write constantly in that time, not sit and think a lot, but still - I can see how the forced "write about anything" time doesn't work for everyone.
A more helpful bit of advice for specific writing projects came from
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I must say, though, that her description of "crazymakers" helped clarify a lot in my life. Being able to read that someone else recognized those patterns and that I wasn't naturally crazy... wow.
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So....might LJ count as morning pages? I realized about a year ago that a lot of what I'm doing here on line is really warming up for what needs to go onto the page, and days when I don't post, I often don't write as much.
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I think the morning pages are for people who won't otherwise write at all. You and several of the people commenting here complain because it cuts into your writing time, which I think is a fantastic sign of your own dedication. Consequently I don't think you NEED the morning pages.
It seems like the people she teaches the course to and is directed at are middle-aged people who haven't written since college, or a would-be creative who went for the money career and lost their creative self along the way, or people with severe creative depression/guilt who don't go near a word processor, paper, or canvas if they can help it.
Overall I think it has some neat ideas in it, and I want to continue to go through it when I am stalled on the novel and less busy. I don't expect that every part of it will be wonderuflly helpful, though, especially as someone else said above, the vague religious overtones irritate me sometimes.
But of course the artist date sounds fantastic - though I don't see why, if I have a friend who, say, wants to go to an art museum, that doesn't count because I am not going alone.
If you were really pleased with your collage, why not do another one? At an SCBWI meeting last summer in my area we made story collages, and we were encouraged to put anything that reminded us of our characters, scenery, key items, etc onto a posterboard. Some of them came out really neat, and it might give you another outlet to think about your book without thinking about writing the perfect words. I still have mine on top of my bookshelf, and when I started my next project I tacked images up on my bulletin board for a less permanant version of the same thing.
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