[syndicated profile] reactor_feed

Posted by Vanessa Armstrong

Books book reviews

Tiny Dragons and Teenage Romance: The Faraway Inn by Sarah Beth Durst

Vanessa Armstrong reviews a cozy YA fantasy that’s “a warm patchwork quilt to assuage an anxious heart”—no matter your age.

By

Published on April 13, 2026

0
Share
[Error: Irreparable invalid markup ('<a [...] h-[15px]">') in entry. Owner must fix manually. Raw contents below.]

<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/book-review-the-faraway-inn-by-sarah-beth-durst/">https://reactormag.com/book-review-the-faraway-inn-by-sarah-beth-durst/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=844992">https://reactormag.com/?p=844992</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/book-reviews/" class="inline-block link-no-animation" aria-label="Link to term or tag book reviews 1"> book reviews </a> </span> </div> <h2 class="post-hero-title text-h1">Tiny Dragons and Teenage Romance: <i>The Faraway Inn</i> by Sarah Beth Durst</h2> <div class="prose post-hero-description prose--post-hero">Vanessa Armstrong reviews a cozy YA fantasy that&#8217;s &#8220;a warm patchwork quilt to assuage an anxious heart&#8221;—no matter your age.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 13, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/book-review-the-faraway-inn-by-sarah-beth-durst/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=Tiny Dragons and Teenage Romance: &lt;i&gt;The Faraway Inn&lt;/i&gt; by Sarah Beth Durst&amp;url=https://reactormag.com/book-review-the-faraway-inn-by-sarah-beth-durst/” target=”_blank” title=”Twitter”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[15px]"="h-[15px]&quot;" width="18" height="15" viewbox="0 0 18 15" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="twitter" role="img" aria-hidden="true"> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 14.3966 0 13.3375C0.262269 13.3667 0.554506 13.3813 0.876722 13.3813C2.56274 13.3813 4.06514 12.8774 5.38397 11.8694C4.59717 11.8548 3.8928 11.6192 3.27085 11.1627C2.6489 10.7062 2.22178 10.1237 1.98949 9.41523C2.23677 9.45175 2.46531 9.47001 2.67513 9.47001C2.99734 9.47001 3.31581 9.42984 3.63053 9.3495C2.79127 9.1815 2.09627 8.77431 1.5455 8.12789C0.99474 7.48148 0.719362 6.73099 0.719362 5.87641V5.83259C1.22891 6.11015 1.77592 6.25988 2.36041 6.28179C1.86584 5.96041 1.47245 5.54043 1.1802 5.02184C0.887961 4.50325 0.741842 3.94084 0.741842 3.3346C0.741842 2.69184 0.906694 2.09656 1.2364 1.54875C2.1431 2.63707 3.24649 3.50807 4.54659 4.16178C5.84669 4.8155 7.23857 5.17887 8.72226 5.25192C8.66232 4.97436 8.63234 4.70411 8.63234 4.44116C8.63234 3.46241 8.9864 2.62793 9.69452 1.9377C10.4027 1.24746 11.2588 0.902344 12.2629 0.902344C13.3119 0.902344 14.1962 1.27485 14.9155 2.01987C15.7323 1.86648 16.5004 1.58162 17.2197 1.16529C16.9425 2.00526 16.4104 2.65532 15.6236 3.11548C16.3205 3.04244 17.0174 2.85984 17.7143 2.56767Z" fill="currentColor" /> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 14.3966 0 13.3375C0.262269 13.3667 0.554506 13.3813 0.876722 13.3813C2.56274 13.3813 4.06514 12.8774 5.38397 11.8694C4.59717 11.8548 3.8928 11.6192 3.27085 11.1627C2.6489 10.7062 2.22178 10.1237 1.98949 9.41523C2.23677 9.45175 2.46531 9.47001 2.67513 9.47001C2.99734 9.47001 3.31581 9.42984 3.63053 9.3495C2.79127 9.1815 2.09627 8.77431 1.5455 8.12789C0.99474 7.48148 0.719362 6.73099 0.719362 5.87641V5.83259C1.22891 6.11015 1.77592 6.25988 2.36041 6.28179C1.86584 5.96041 1.47245 5.54043 1.1802 5.02184C0.887961 4.50325 0.741842 3.94084 0.741842 3.3346C0.741842 2.69184 0.906694 2.09656 1.2364 1.54875C2.1431 2.63707 3.24649 3.50807 4.54659 4.16178C5.84669 4.8155 7.23857 5.17887 8.72226 5.25192C8.66232 4.97436 8.63234 4.70411 8.63234 4.44116C8.63234 3.46241 8.9864 2.62793 9.69452 1.9377C10.4027 1.24746 11.2588 0.902344 12.2629 0.902344C13.3119 0.902344 14.1962 1.27485 14.9155 2.01987C15.7323 1.86648 16.5004 1.58162 17.2197 1.16529C16.9425 2.00526 16.4104 2.65532 15.6236 3.11548C16.3205 3.04244 17.0174 2.85984 17.7143 2.56767Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://www.facebook.com/sharer/sharer.php?u=https://reactormag.com/book-review-the-faraway-inn-by-sarah-beth-durst/" target="_blank" title="Facebook"> <svg class="w-[9px] h-[18px]" fill="currentColor" viewbox="0 0 12 22" width="100%" height="100%" display="block" transitionduration="normal" transitionproperty="none" transitiontimingfunction="ease-out" class="w-[9px] h-[18px]" aria-label="facebook" role="img" aria-hidden="true"> <path d="M11.558.004L8.677 0C5.44 0 3.349 2.125 3.349 5.416v2.496H.452A.45.45 0 000 8.36v3.618a.45.45 0 00.452.447h2.897v9.127A.45.45 0 003.8 22h3.778c.25 0 .451-.2.451-.448v-9.127h3.387c.25 0 .451-.2.451-.447l.003-3.618a.452.452 0 00-.456-.448h-3.39V5.795c0-1.017.245-1.534 1.582-1.534h1.941c.25 0 .452-.2.452-.447V.457a.45.45 0 00-.452-.448l.01-.005z" fill-rule="nonzero"> </path> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://pinterest.com/pin/create/button/?url=https://reactormag.com/book-review-the-faraway-inn-by-sarah-beth-durst/&amp;media=&amp;description=Tiny Dragons and Teenage Romance: &lt;i&gt;The Faraway Inn&lt;/i&gt; by Sarah Beth Durst” target=”_blank” title=”Pinterest”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[18px]"="h-[18px]&quot;" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="pinterest" role="img" aria-hidden="true"> <path d="M16.4962 4.49458C17.2844 5.84153 17.6786 7.31473 17.6786 8.91423C17.6786 10.5137 17.2844 11.9888 16.4962 13.3396C15.7079 14.6904 14.6384 15.7599 13.2876 16.5482C11.9368 17.3364 10.4617 17.7306 8.86223 17.7306C8.01273 17.7306 7.17856 17.6081 6.35967 17.3632C6.81121 16.6515 7.10967 16.0239 7.25508 15.4806C7.32396 15.2203 7.53059 14.413 7.87498 13.0584C8.02804 13.3568 8.30738 13.6151 8.71299 13.8332C9.1186 14.0513 9.55483 14.1604 10.0217 14.1604C10.9477 14.1604 11.7742 13.8983 12.5013 13.374C13.2283 12.8498 13.7908 12.1285 14.1888 11.2101C14.5867 10.2918 14.7857 9.25862 14.7857 8.11066C14.7857 7.2382 14.558 6.41933 14.1027 5.65402C13.6473 4.88871 12.9872 4.26499 12.1224 3.78285C11.2576 3.3007 10.2819 3.05964 9.19513 3.05964C8.39156 3.05964 7.64157 3.1706 6.94513 3.39254C6.2487 3.61448 5.65751 3.90912 5.17154 4.27647C4.68556 4.64382 4.26848 5.06665 3.92026 5.54497C3.57205 6.02329 3.31567 6.51882 3.15113 7.03157C2.98659 7.54433 2.90432 8.05708 2.90432 8.56984C2.90432 9.36576 3.05738 10.066 3.3635 10.6706C3.66962 11.2752 4.11732 11.6999 4.70661 11.9448C4.93621 12.0367 5.08161 11.9601 5.14284 11.7152C5.15814 11.6617 5.18876 11.5431 5.23467 11.3594C5.28059 11.1757 5.3112 11.0609 5.32651 11.015C5.37243 10.839 5.33034 10.6744 5.20024 10.5214C4.80993 10.0545 4.61478 9.47673 4.61478 8.78795C4.61478 7.63233 5.01464 6.63936 5.81439 5.809C6.61414 4.97864 7.66069 4.56346 8.95406 4.56346C10.1097 4.56346 11.0108 4.87723 11.6575 5.50479C12.3042 6.13234 12.6275 6.94739 12.6275 7.94994C12.6275 9.25097 12.3654 10.3568 11.8412 11.2675C11.3169 12.1783 10.6454 12.6336 9.82651 12.6336C9.35967 12.6336 8.98468 12.4672 8.70151 12.1343C8.41835 11.8013 8.33034 11.4015 8.43748 10.9346C8.49871 10.6668 8.60011 10.309 8.74169 9.86129C8.88327 9.41359 8.99807 9.01946 9.08608 8.67889C9.17409 8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" /> <path d="M16.4962 4.49458C17.2844 5.84153 17.6786 7.31473 17.6786 8.91423C17.6786 10.5137 17.2844 11.9888 16.4962 13.3396C15.7079 14.6904 14.6384 15.7599 13.2876 16.5482C11.9368 17.3364 10.4617 17.7306 8.86223 17.7306C8.01273 17.7306 7.17856 17.6081 6.35967 17.3632C6.81121 16.6515 7.10967 16.0239 7.25508 15.4806C7.32396 15.2203 7.53059 14.413 7.87498 13.0584C8.02804 13.3568 8.30738 13.6151 8.71299 13.8332C9.1186 14.0513 9.55483 14.1604 10.0217 14.1604C10.9477 14.1604 11.7742 13.8983 12.5013 13.374C13.2283 12.8498 13.7908 12.1285 14.1888 11.2101C14.5867 10.2918 14.7857 9.25862 14.7857 8.11066C14.7857 7.2382 14.558 6.41933 14.1027 5.65402C13.6473 4.88871 12.9872 4.26499 12.1224 3.78285C11.2576 3.3007 10.2819 3.05964 9.19513 3.05964C8.39156 3.05964 7.64157 3.1706 6.94513 3.39254C6.2487 3.61448 5.65751 3.90912 5.17154 4.27647C4.68556 4.64382 4.26848 5.06665 3.92026 5.54497C3.57205 6.02329 3.31567 6.51882 3.15113 7.03157C2.98659 7.54433 2.90432 8.05708 2.90432 8.56984C2.90432 9.36576 3.05738 10.066 3.3635 10.6706C3.66962 11.2752 4.11732 11.6999 4.70661 11.9448C4.93621 12.0367 5.08161 11.9601 5.14284 11.7152C5.15814 11.6617 5.18876 11.5431 5.23467 11.3594C5.28059 11.1757 5.3112 11.0609 5.32651 11.015C5.37243 10.839 5.33034 10.6744 5.20024 10.5214C4.80993 10.0545 4.61478 9.47673 4.61478 8.78795C4.61478 7.63233 5.01464 6.63936 5.81439 5.809C6.61414 4.97864 7.66069 4.56346 8.95406 4.56346C10.1097 4.56346 11.0108 4.87723 11.6575 5.50479C12.3042 6.13234 12.6275 6.94739 12.6275 7.94994C12.6275 9.25097 12.3654 10.3568 11.8412 11.2675C11.3169 12.1783 10.6454 12.6336 9.82651 12.6336C9.35967 12.6336 8.98468 12.4672 8.70151 12.1343C8.41835 11.8013 8.33034 11.4015 8.43748 10.9346C8.49871 10.6668 8.60011 10.309 8.74169 9.86129C8.88327 9.41359 8.99807 9.01946 9.08608 8.67889C9.17409 8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/04/review-The-Faraway-Inn-740x407.png" class="w-full object-cover" alt="Cover of The Faraway Inn by Sarah Beth Durst." srcset="https://reactormag.com/wp-content/uploads/2026/04/review-The-Faraway-Inn-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/04/review-The-Faraway-Inn-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/review-The-Faraway-Inn-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/04/review-The-Faraway-Inn.png 1400w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><strong></strong>Sixteen-year-old Calisa is facing a tough summer. She had just broken up with her boyfriend, who she caught cheating on her, and she isn’t eager to see him out and about around Brooklyn. Her moms have a solution: spend the weeks before her senior year of high school at her great-aunt’s Vermont bed-and-breakfast—an establishment, Mom-Kate tells her, that could use her help and also, with its non-existent cell-phone service, be a better place to get over her heartbreak.</p> <p>Auntie Zee, however, isn’t happy to see Calisa. She and Mom-Kate haven’t really talked since Calisa was six years old, and while Calisa doesn’t know why, it’s clear the rift between the two hasn’t mended. Auntie Zee is so unhappy Calisa’s there, in fact, that the older woman says she’ll be sending her grand-niece back to her mom&#8217;s within the week. The B&amp;B has also seen better days; it’s rundown and a bit shabby, and the few guests who are there seem a bit… odd. Calisa is determined to stay and to help, however, and so <em>The Faraway Inn</em> begins.</p> <p>Like Durst’s recent works—<a href="https://reactormag.com/excerpts-the-spellshop-by-sarah-beth-durst-chapter-8/" target="_blank" rel="noreferrer noopener"><em>The Spellshop</em></a> and <a href="https://reactormag.com/book-review-the-enchanted-greenhouse-by-sarah-beth-durst/" target="_blank" rel="noreferrer noopener"><em>The Enchanted Greenhouse</em></a> come to mind—her latest young adult novel is high on the cozy factor and also centers on a protagonist who throws her heart into turning a crumbling establishment into a thriving, welcoming place. Calisa throws herself into cleaning and baking, and has a delightful meet-cute with the young groundskeeper, Jack. She also slowly realizes that Auntie Zee has magical powers; the inn is on a nexus of realms that Auntie Zee connects by creating magical portals in regular old doorways; and the guests are all magical in their own right. (Calisa is arguably slow on the uptake with the magic stuff, but in fairness she doesn’t know she’s in a fantasy novel, so the reader has an upper hand on her in that regard.)</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/The-Faraway-Inn.jpg" class="attachment-full size-full" alt="Cover of The Faraway Inn by Sarah Beth Durst." /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <!-- <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/The-Faraway-Inn.jpg" class="attachment-full size-full" alt="The Faraway Inn" /> --> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/The-Faraway-Inn.jpg" class="attachment-full size-full" alt="Cover of The Faraway Inn by Sarah Beth Durst." role="presentation" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">The Faraway Inn</h3> <p class="shop-the-book-author">Sarah Beth Durst</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1776109188" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1776109188" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner testclass"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/The-Faraway-Inn.jpg" class="attachment-full size-full" alt="The Faraway Inn" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/The-Faraway-Inn.jpg" class="attachment-full size-full" alt="The Faraway Inn" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">The Faraway Inn</h3> <p class="shop-the-book-modal-author">Sarah Beth Durst</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0FH1G5QT9?tag=tordotcomgeneral-20" data-book-title="The Faraway Inn" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9798217024308" data-book-title="The Faraway Inn" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9798217024315" data-book-title="The Faraway Inn" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9798217024308" data-book-title="The Faraway Inn" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9798217024308" data-book-title="The Faraway Inn" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>There are stakes, too, beyond Calisa getting over her not-so-great ex-boyfriend. Auntie Zee’s magic is failing, and she’ll have to close the inn soon if she can’t find another witch to replace her or a way to reinvigorate her magic. Jack’s father, who used to work at the inn, has also been missing for three years. Calisa finds out he was lost through one of the portal doors that Auntie Zee has struggled to keep open, a side effect of her magic faltering as she gets older.&nbsp;</p> <p>Jack’s immeasurable trauma from that—being parentless through his early teens (his mother is gone)—is muted (as is how he was able to stay at the inn for years without a legal guardian), for better or worse. That’s not to say his emotions around the loss aren’t given some space on the page, but his trials aren’t what <em>The Faraway Inn </em>is about. The focus instead is on Calisa as she comes to realize she deserves better than what her ex offered her and starts to come into her own. The novel is her beginning the journey of figuring out what <em>she</em> wants out of life, and her days at the inn help her along that path. That is no small message for teenagers who read this book (and for adults as well, if I’m being honest). That message also comes wrapped up in whimsical magical flourishes as the inn comes back into its magic (a self-filling teapot!) and Calisa delves into baking (flavored maple syrup! gooey chocolate cake!). </p> <p>The cast of guests (and the inn’s magical residents) will also warm your heart. There’s the statue of a woman in the garden who moves only when you’re not looking, Durst’s take on <em>Doctor Who</em>’s weeping angel that wants to hug rather than kill you; the firebird who flits from room to room, lighting up the fireplaces and also serving as the inn’s version of an intercom system; the dryad who is in a disagreement with her mother and also friendly with the local beavers; and an elderly man who prefers the shadows, good chocolate, and his beloved gargoyle. There’s also a tiny dragon(!) who Calisa befriends. Every story is made better by a tiny dragon.</p> <p>Speaking of tiny dragons, the story also takes us beyond the inn’s walls, in brief outings through Auntie Zee’s magical portals that give us a taste of the realms to which the inn is connected. Even with these visits to realms quite unlike our own, the story remains centered on Auntie Zee’s B&amp;B, with those excursions confirming the importance of the inn to the guests who check in. An adventure novel this is not, and while no great battles are fought or worlds saved, the pace is surprisingly brisk and engaging, even when plot points focus on cleaning the bathrooms and pulling out weeds. Overall, <em>The Faraway Inn</em> excels in all the things I look for in a cozy fantasy: the creation of a quirky found family; characters working hard and doing their best (and having their best be enough); people’s emotional wounds healing over as they work to repair the physical space where they strive to live and/or work; and great descriptions of delicious things I want to eat and drink. The book is another welcome addition to Durst’s roster, and great for those looking for a warm patchwork quilt to assuage an anxious heart, no matter what their age. While the book has a definitive conclusion, I’d love to have another magical getaway to Auntie Zee’s inn and spend more time with the people (and magical objects) there.[end-mark]</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size"><em><a href="https://www.penguinrandomhouse.com/books/774569/the-faraway-inn-by-sarah-beth-durst/" target="_blank" rel="noreferrer noopener">The Faraway Inn</a></em> is published by Delacorte Press.</p> <p>The post <a href="https://reactormag.com/book-review-the-faraway-inn-by-sarah-beth-durst/">Tiny Dragons and Teenage Romance: &lt;i&gt;The Faraway Inn&lt;/i&gt; by Sarah Beth Durst</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/book-review-the-faraway-inn-by-sarah-beth-durst/">https://reactormag.com/book-review-the-faraway-inn-by-sarah-beth-durst/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=844992">https://reactormag.com/?p=844992</a></p>
oursin: Cartoon hedgehog going aaargh (Hedgehog goes aaargh)
[personal profile] oursin

Including flashbacks to a visit (that did not take place) during the early stages of lockdown.

***

I am seeing a troubling pattern of people dispersing collections or not treating collections as they should be treated as research resources -

(BBC Written Archives Centre, I'm looking at you - 'structured content releases' - WE direct what you should be researching....)

There was that guy recently, an actual history professor, who uncovered a hoard of Roman coins and was about, yay, auction rooms (thought I linked this, but can't find it).

Then there is this daisy: Woman to sell hundreds of treasure pieces she found:

Her detecting skills have been so successful that her cabinet at her home in Wilden, Bedfordshire, is now full and she needs to make some space.
So on 16 May her collection of hundreds of items found in fields in Bedfordshire, Lincolnshire, Northamptonshire and Norfolk will go under the hammer and is expected to sell for about £11,000.
She says she is not auctioning her items for monetary reasons but hopes her finds will go to "someone who loves history".
....
She says since she started in 2006, she has collected "hundreds" of items, from all over the country, including her friend's garden, but will not reveal the exact locations.

WOT??? she does go on to say that '"I've recorded them all legally [whatever that signifies], so it's adding to history, which I have always loved; it's been great doing it": but one still feels stuff is going to be floating out there, less and less contextualised.

And this is maybe just as sad a case of material getting dispersed into the ether when, should it be kept together in some place for the benefit of future historians, it would not only be the individual items but the synergy of the critical mass of material: The $100m pop culture collection now being broken up at auction:

Jim Irsay, the man who bought these artefacts, died last June at the age of 65. Over the past few days the billionaire’s collection was sold at Christie’s New York in a series of auctions. Irsay cared greatly about the memorabilia. You can tell that not by the most valuable items, but by the least. Buying the handwritten lyrics for Hey Jude does not prove you are a true fan. But an unused ticket from a 1966 concert, worth a few hundred dollars? That does.
Now that many of the objects have gone to the highest bidders, their fate is to be apart. That is how they began their lives, imprinting themselves on the American psyche from all corners of the world. But the shared story they tell, decades later, raises questions about who they are for, where they will go next, and to whom they truly belong.

Sigh.

[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

The book (shown here in its “bedazzled” version sitting on a bookshelf next to John Harris’ art book, and a painting of Smudge) is a finalist in the category of Best Science Fiction Novel, along with these other worthy finalists (list scrounged from the Locus Magazine web site):

What excellent company to be in.

The full list of Locus Award finalist for this year can be found here. Congratulations to everyone! It is an honor to be in this peer group with you.

— JS

jesse_the_k: foggy playground roundabout kissed with sunlight and rainbows (Clouds lost youth)
[personal profile] jesse_the_k

I attended [personal profile] minoanmiss’s online memorial yesterday afternoon. It was strengthening to share our sorrow. Witnessing the depth of our online connections bolstered my resilience. The children she co-raised loved her and knew her. I’ll link to the recording when it’s public.

One mourner has worked in public health for 40 years, and made it very clear that

  • [personal profile] minoanmiss had asymptomatic COVID which caused her death
  • that wasn’t documented in the hospital record and there’s almost zero chance to change that
  • many people are still dying due to COVID, which is systematically not being reported
  • continuing to mask is a fundamental contribution we can make to the health of our communities

There were lovely stories and slides and recipes — a poem and a song in the cut.

Every Land and Acts of Creation )

[syndicated profile] reactor_feed

Posted by Stefan Raets

Books Jo Walton Reads

Jo Walton’s Reading List: March 2026

Le Guin, Kate Elliott, Michael Chabon and mainstream lit, plus brand-new books!

By

Published on April 13, 2026

Mosaic of 8 book covers of Jo Walton's reads in March 2026.

March was an excellent month that started in Florence, doing some tweaking and revision of my novel (Sunlit Uplands, coming next year from Tor) and seeing the spring begin. Then I came to Chicago, where I still am, which is alternately winter and spring as if it’s rolling dice. I read just seven books, and some of them were amazing.

Malafrena — Ursula K. Le Guin (1979)
This is a very strange book. It’s about a young man in an imaginary Eastern European country, Orsinia, who goes to the capital to try to make a better world, and… then things happen that are very like things in an Eastern European novel, like those by Miklós Bánffy, or even Milan Kundera, but very unlike things that happen in SF or most historical novels. They do not have the revolution. They do not make the new life. Itale is a wonderful character and somehow the book isn’t depressing even when it is. I love it. But I don’t quite understand it and what Le Guin was doing with it and how it works. It’s full of very specific time and place that feels absolutely real, as if I read a book set in the 1820s and I could go there now and take a slightly run-down and overcrowded train to those locations. I don’t generally have any difficulty telling what’s set in the real world and what’s in a secondary world, because this is a thing that fiction does by register, and Malafrena is in the register of the real world, so surely that lake is there, those mountains, and the city of Krasnoy away over the plains.

A Model World and Other Stories — Michael Chabon (1991)
Mainstream short stories, all of them very well written, all of them kind of depressing meditations on the futility of life and the impossibility of communication. It’s hard to say whether or not I enjoyed it, because I really enjoyed a lot of the sentences and paragraphs, the characters were extremely vivid and memorable, and there’s no question it was good, but the more I think about it the less I feel I enjoyed it. Chabon is a dynamite writer, but mainstream lit isn’t a genre I like very much.

Inventing the Enemy — Umberto Eco (2011)
A collection of essays about literature, politics, the world, things Eco likes, ideas—this was a lot of fun and made me feel fond of him. Most of them were originally talks given in various places, and would have very much worked in that form.

The Tall StrangerD.E. Stevenson (1957)
I do like Stevenson. Her books are gentle and insightful and relaxing in a good way. This one is about two girls sharing a flat in London, getting you used to one of them and then switching abruptly to follow the other one. It has an actual villain, and an aunt in the country, and work/life balance, and flowers, and I found the heroine’s dilemma interesting. This is neither a genre romance (though you won’t be surprised to hear that both girls find love in the course of the book) nor a genre mystery, but it has some things in common with both of them. Inheritance plays a large part. I liked it, and I enjoyed reading it.

Buried HeartKate Elliott (2017)
Third and final in the Court of Fives series, don’t start here. YA fantasy, and I think I’d describe it as post-colonial YA fantasy. The magic is well-thought-through and integrated into the society, the war and politics and slavery are more realistic than you normally see in this kind of book, and the resolution of all the plots came together very well, as you’d expect from Elliott. If you want to try Elliott and you’re a little intimidated by the length and size of many of her books, I recommend this series. They’re short and good and they have much of what makes her a really interesting writer who is always worth reading. She’s great at worldbuilding, and this is an exciting, fun story of two cultures with the colonized one throwing off the yoke of the colonizers, told from the point of view of a girl who is of mixed heritage.

In This House of BredeRumer Godden (1969)
Re-read, and I’ve written about it before. I just felt like reading it. This is a book about nuns, a small genre, but one I always like. Godden is one of the great underrated female authors of the twentieth century, and this book is one of her best. It centers on a woman who goes from a successful career as a civil servant to becoming a contemplative Benedictine nun, but it’s really the story of the whole convent over years. It’s full of details of how they live, why they become nuns, what nuns do all day, and it’s also a character study of the people, who all feel absolutely real. I love this book and have loved it for decades. The kind of SF readers who enjoy entering into the strangeness of other cultures and alien worlds might find this worth their while.

Less Andrew Sean Greer (2017)
This is a Pulitzer Prize-winning novel, and I read it because I was thinking about the Chabon and what litfic is as a genre. I will have more thoughts about this at greater length later. Meanwhile this is the story of a novelist going around the world, and you’d think I’d like that, wouldn’t you? But it’s a very zero-sum world that he goes around, cautiously avoiding connection and communication. Well written. Great characters. Bits of it are funny sometimes. On the whole I hated it.

Books I read and recommended in earlier months that are out now and available for you to enjoy: Francis Spufford’s Nonesuch and John Chu’s The Subtle Art of Folding Space. They’re both great, don’t miss them. And best of the lot, Cameron Reed’s What We Are Seeking, one of my very favourite books I read last year, the kind of book you never want to stop reading. Avoid spoilers, just plunge in and enjoy.[end-mark]

The post Jo Walton’s Reading List: March 2026 appeared first on Reactor.

[syndicated profile] reactor_feed

Posted by Sarah

Column Babylon 5 Rewatch

Babylon 5 Rewatch: “Secrets of the Soul”

Tensions build as more telepaths arrive at the station…

By

Published on April 13, 2026

Credit: Warner Bros. Television

19
Share
[Error: Irreparable invalid markup ('<a [...] h-[15px]">') in entry. Owner must fix manually. Raw contents below.]

<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/babylon-5-rewatch-secrets-of-the-soul/">https://reactormag.com/babylon-5-rewatch-secrets-of-the-soul/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=845416">https://reactormag.com/?p=845416</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/column/" class="inline-block link-no-animation" aria-label="Link to term or tag Column 0"> Column </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/babylon-5-rewatch/" class="inline-block link-no-animation" aria-label="Link to term or tag Babylon 5 Rewatch 1"> Babylon 5 Rewatch </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Babylon 5</i> Rewatch: “Secrets of the Soul”</h2> <div class="prose post-hero-description prose--post-hero">Tensions build as more telepaths arrive at the station&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/keith-decandido/" title="Posts by Keith R.A. DeCandido" class="author url fn" rel="author">Keith R.A. DeCandido</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 13, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Warner Bros. Television</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/babylon-5-rewatch-secrets-of-the-soul/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 19 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=&lt;i&gt;Babylon 5&lt;/i&gt; Rewatch: “Secrets of the Soul”&amp;url=https://reactormag.com/babylon-5-rewatch-secrets-of-the-soul/” target=”_blank” title=”Twitter”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[15px]"="h-[15px]&quot;" width="18" height="15" viewbox="0 0 18 15" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="twitter" role="img" aria-hidden="true"> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 14.3966 0 13.3375C0.262269 13.3667 0.554506 13.3813 0.876722 13.3813C2.56274 13.3813 4.06514 12.8774 5.38397 11.8694C4.59717 11.8548 3.8928 11.6192 3.27085 11.1627C2.6489 10.7062 2.22178 10.1237 1.98949 9.41523C2.23677 9.45175 2.46531 9.47001 2.67513 9.47001C2.99734 9.47001 3.31581 9.42984 3.63053 9.3495C2.79127 9.1815 2.09627 8.77431 1.5455 8.12789C0.99474 7.48148 0.719362 6.73099 0.719362 5.87641V5.83259C1.22891 6.11015 1.77592 6.25988 2.36041 6.28179C1.86584 5.96041 1.47245 5.54043 1.1802 5.02184C0.887961 4.50325 0.741842 3.94084 0.741842 3.3346C0.741842 2.69184 0.906694 2.09656 1.2364 1.54875C2.1431 2.63707 3.24649 3.50807 4.54659 4.16178C5.84669 4.8155 7.23857 5.17887 8.72226 5.25192C8.66232 4.97436 8.63234 4.70411 8.63234 4.44116C8.63234 3.46241 8.9864 2.62793 9.69452 1.9377C10.4027 1.24746 11.2588 0.902344 12.2629 0.902344C13.3119 0.902344 14.1962 1.27485 14.9155 2.01987C15.7323 1.86648 16.5004 1.58162 17.2197 1.16529C16.9425 2.00526 16.4104 2.65532 15.6236 3.11548C16.3205 3.04244 17.0174 2.85984 17.7143 2.56767Z" fill="currentColor" /> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 14.3966 0 13.3375C0.262269 13.3667 0.554506 13.3813 0.876722 13.3813C2.56274 13.3813 4.06514 12.8774 5.38397 11.8694C4.59717 11.8548 3.8928 11.6192 3.27085 11.1627C2.6489 10.7062 2.22178 10.1237 1.98949 9.41523C2.23677 9.45175 2.46531 9.47001 2.67513 9.47001C2.99734 9.47001 3.31581 9.42984 3.63053 9.3495C2.79127 9.1815 2.09627 8.77431 1.5455 8.12789C0.99474 7.48148 0.719362 6.73099 0.719362 5.87641V5.83259C1.22891 6.11015 1.77592 6.25988 2.36041 6.28179C1.86584 5.96041 1.47245 5.54043 1.1802 5.02184C0.887961 4.50325 0.741842 3.94084 0.741842 3.3346C0.741842 2.69184 0.906694 2.09656 1.2364 1.54875C2.1431 2.63707 3.24649 3.50807 4.54659 4.16178C5.84669 4.8155 7.23857 5.17887 8.72226 5.25192C8.66232 4.97436 8.63234 4.70411 8.63234 4.44116C8.63234 3.46241 8.9864 2.62793 9.69452 1.9377C10.4027 1.24746 11.2588 0.902344 12.2629 0.902344C13.3119 0.902344 14.1962 1.27485 14.9155 2.01987C15.7323 1.86648 16.5004 1.58162 17.2197 1.16529C16.9425 2.00526 16.4104 2.65532 15.6236 3.11548C16.3205 3.04244 17.0174 2.85984 17.7143 2.56767Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://www.facebook.com/sharer/sharer.php?u=https://reactormag.com/babylon-5-rewatch-secrets-of-the-soul/" target="_blank" title="Facebook"> <svg class="w-[9px] h-[18px]" fill="currentColor" viewbox="0 0 12 22" width="100%" height="100%" display="block" transitionduration="normal" transitionproperty="none" transitiontimingfunction="ease-out" class="w-[9px] h-[18px]" aria-label="facebook" role="img" aria-hidden="true"> <path d="M11.558.004L8.677 0C5.44 0 3.349 2.125 3.349 5.416v2.496H.452A.45.45 0 000 8.36v3.618a.45.45 0 00.452.447h2.897v9.127A.45.45 0 003.8 22h3.778c.25 0 .451-.2.451-.448v-9.127h3.387c.25 0 .451-.2.451-.447l.003-3.618a.452.452 0 00-.456-.448h-3.39V5.795c0-1.017.245-1.534 1.582-1.534h1.941c.25 0 .452-.2.452-.447V.457a.45.45 0 00-.452-.448l.01-.005z" fill-rule="nonzero"> </path> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://pinterest.com/pin/create/button/?url=https://reactormag.com/babylon-5-rewatch-secrets-of-the-soul/&amp;media=&amp;description=&lt;i&gt;Babylon 5&lt;/i&gt; Rewatch: “Secrets of the Soul”” target=”_blank” title=”Pinterest”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[18px]"="h-[18px]&quot;" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="pinterest" role="img" aria-hidden="true"> <path d="M16.4962 4.49458C17.2844 5.84153 17.6786 7.31473 17.6786 8.91423C17.6786 10.5137 17.2844 11.9888 16.4962 13.3396C15.7079 14.6904 14.6384 15.7599 13.2876 16.5482C11.9368 17.3364 10.4617 17.7306 8.86223 17.7306C8.01273 17.7306 7.17856 17.6081 6.35967 17.3632C6.81121 16.6515 7.10967 16.0239 7.25508 15.4806C7.32396 15.2203 7.53059 14.413 7.87498 13.0584C8.02804 13.3568 8.30738 13.6151 8.71299 13.8332C9.1186 14.0513 9.55483 14.1604 10.0217 14.1604C10.9477 14.1604 11.7742 13.8983 12.5013 13.374C13.2283 12.8498 13.7908 12.1285 14.1888 11.2101C14.5867 10.2918 14.7857 9.25862 14.7857 8.11066C14.7857 7.2382 14.558 6.41933 14.1027 5.65402C13.6473 4.88871 12.9872 4.26499 12.1224 3.78285C11.2576 3.3007 10.2819 3.05964 9.19513 3.05964C8.39156 3.05964 7.64157 3.1706 6.94513 3.39254C6.2487 3.61448 5.65751 3.90912 5.17154 4.27647C4.68556 4.64382 4.26848 5.06665 3.92026 5.54497C3.57205 6.02329 3.31567 6.51882 3.15113 7.03157C2.98659 7.54433 2.90432 8.05708 2.90432 8.56984C2.90432 9.36576 3.05738 10.066 3.3635 10.6706C3.66962 11.2752 4.11732 11.6999 4.70661 11.9448C4.93621 12.0367 5.08161 11.9601 5.14284 11.7152C5.15814 11.6617 5.18876 11.5431 5.23467 11.3594C5.28059 11.1757 5.3112 11.0609 5.32651 11.015C5.37243 10.839 5.33034 10.6744 5.20024 10.5214C4.80993 10.0545 4.61478 9.47673 4.61478 8.78795C4.61478 7.63233 5.01464 6.63936 5.81439 5.809C6.61414 4.97864 7.66069 4.56346 8.95406 4.56346C10.1097 4.56346 11.0108 4.87723 11.6575 5.50479C12.3042 6.13234 12.6275 6.94739 12.6275 7.94994C12.6275 9.25097 12.3654 10.3568 11.8412 11.2675C11.3169 12.1783 10.6454 12.6336 9.82651 12.6336C9.35967 12.6336 8.98468 12.4672 8.70151 12.1343C8.41835 11.8013 8.33034 11.4015 8.43748 10.9346C8.49871 10.6668 8.60011 10.309 8.74169 9.86129C8.88327 9.41359 8.99807 9.01946 9.08608 8.67889C9.17409 8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" /> <path d="M16.4962 4.49458C17.2844 5.84153 17.6786 7.31473 17.6786 8.91423C17.6786 10.5137 17.2844 11.9888 16.4962 13.3396C15.7079 14.6904 14.6384 15.7599 13.2876 16.5482C11.9368 17.3364 10.4617 17.7306 8.86223 17.7306C8.01273 17.7306 7.17856 17.6081 6.35967 17.3632C6.81121 16.6515 7.10967 16.0239 7.25508 15.4806C7.32396 15.2203 7.53059 14.413 7.87498 13.0584C8.02804 13.3568 8.30738 13.6151 8.71299 13.8332C9.1186 14.0513 9.55483 14.1604 10.0217 14.1604C10.9477 14.1604 11.7742 13.8983 12.5013 13.374C13.2283 12.8498 13.7908 12.1285 14.1888 11.2101C14.5867 10.2918 14.7857 9.25862 14.7857 8.11066C14.7857 7.2382 14.558 6.41933 14.1027 5.65402C13.6473 4.88871 12.9872 4.26499 12.1224 3.78285C11.2576 3.3007 10.2819 3.05964 9.19513 3.05964C8.39156 3.05964 7.64157 3.1706 6.94513 3.39254C6.2487 3.61448 5.65751 3.90912 5.17154 4.27647C4.68556 4.64382 4.26848 5.06665 3.92026 5.54497C3.57205 6.02329 3.31567 6.51882 3.15113 7.03157C2.98659 7.54433 2.90432 8.05708 2.90432 8.56984C2.90432 9.36576 3.05738 10.066 3.3635 10.6706C3.66962 11.2752 4.11732 11.6999 4.70661 11.9448C4.93621 12.0367 5.08161 11.9601 5.14284 11.7152C5.15814 11.6617 5.18876 11.5431 5.23467 11.3594C5.28059 11.1757 5.3112 11.0609 5.32651 11.015C5.37243 10.839 5.33034 10.6744 5.20024 10.5214C4.80993 10.0545 4.61478 9.47673 4.61478 8.78795C4.61478 7.63233 5.01464 6.63936 5.81439 5.809C6.61414 4.97864 7.66069 4.56346 8.95406 4.56346C10.1097 4.56346 11.0108 4.87723 11.6575 5.50479C12.3042 6.13234 12.6275 6.94739 12.6275 7.94994C12.6275 9.25097 12.3654 10.3568 11.8412 11.2675C11.3169 12.1783 10.6454 12.6336 9.82651 12.6336C9.35967 12.6336 8.98468 12.4672 8.70151 12.1343C8.41835 11.8013 8.33034 11.4015 8.43748 10.9346C8.49871 10.6668 8.60011 10.309 8.74169 9.86129C8.88327 9.41359 8.99807 9.01946 9.08608 8.67889C9.17409 8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-01-740x493.jpg" class="w-full object-cover" alt="Babylon 5 “Secrets of the Soul”" srcset="https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-01-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-01-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-01-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-01.jpg 1200w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Warner Bros. Television</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><strong>“Secrets of the Soul”</strong><br>Written by J. Michael Straczynski<br>Directed by Tony Dow<br>Season 5, Episode 7<br>Production episode 508<br>Original air date: March 4, 1998</p> <p><strong>It was the dawn of the third age…</strong> Franklin records a log entry discussing his new role as assembler of medical data on all the members of the IA. We also see him talking with a pak’ma’ra, at one point giving him a Barium swallow to track how their digestion works. The pak’ma’ra drinks it very reluctantly and throws it up a few minutes later. (Having done a Barium swallow myself a while back, I sympathize with the pak’ma’ra.)</p> <p>Allan is summoned to customs to deal with a bunch of telepaths who have no ID, no money, no papers, no nothin’, but were told this was the place to join Byron. Byron then shows up with Alexander saying he will provide paperwork for all of them. Allan reluctantly lets them come on board and go off with Byron. One of them is a stuttering young man named Peter, who is apparently a telekinetic.</p> <p>Allan asks to speak to Alexander in private, and he expresses his very loud disapproval of Byron and of Alexander being with him. Alexander tartly points out that she’s helped the crew of B5 on several occasions and got bupkuss for her assistance, forcing her to get into bed with Psi Corps again. Nobody has any right to lecture her on the subject of her life choices at this point.</p> <p>In downbelow, Byron, Peter, and the gang are harassed by Carl and his goons. They, presumably, are trying to fill the vacuum left by <a href="https://reactormag.com/babylon-5-rewatch-learning-curve/" target="_blank" rel="noreferrer noopener">Trace’s ouster by the Rangers</a>. They also hate that the telepaths are getting a free ride. Byron then urges Carl to hit him several times, which Carl does, though it becomes less fun for him with each punch to the jaw. (We’ll leave aside that hitting someone in the face that often should have broken Carl’s hand. Skulls are <em>hard</em>. He should’ve punched him in the solar plexus.)</p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-04-1100x825.jpg" alt="Babylon 5 “Secrets of the Soul”" class="wp-image-845581" srcset="https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-04-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-04-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-04-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-04-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-04.jpg 1200w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p>Franklin meets with Ambassador Tal of the Hayach, who reports that the elders have agreed to supply Franklin with the Hayach’s medical data. Tal’s aide, Kirrin, is reluctant and asks some very direct questions regarding confidentiality. Franklin makes it clear that he will respect the Hayachs’ privacy absolutely. After Franklin leaves, Kirrin expresses worry that the doctor will find out things he shouldn’t, but Tal points out that the elders have already made their decision. And if Franklin violates their trust, then they’ll kill him.</p> <p>Alexander goes to see Byron, who looks like someone has used him for a punching bag. For some stupid reason, he has refused to get any kind of rudimentary first aid, never mind proper medical attention, and Alexander at least provides the former. Byron asks her to stay the night with the telepaths, which she has yet to do. She agrees, and is embraced by the whole group of them.</p> <p>Franklin is confused to see that the Hayach’s medical records only go back 800 years, even though the Hayach have been around for more than 7000 years. Kirrin is evasive on the subject of why, and Franklin also realizes that <em>all</em> records they have on the Hayach are no older than eight centuries old.</p> <p>Peter is wandering off on his own, and gets lost. He’s found by Carl and his goons, who start to hassle him. Peter telekinetically throws a pipe at Carl. Carl and the gang retaliate by kicking the shit out of him.</p> <p>Peter is brought to medlab and treated. Byron and Alexander show up and the former is fairly certain he knows who’s responsible. Peter telekinetically throws stuff around the lab and Byron goes off to find the bad guys. Byron comes across some of his fellow telepaths tormenting one of Carl’s goons, making him think he’s on fire. Byron gets them to stop and checks on the goon to see if he’s okay. Allan shows up right at that moment and assumes that Byron assaulted the goon and arrests him.</p> <p>While Byron is stuck in detention, the other telepaths seek out Carl and his other goons and torment them. Byron can feel this happening telepathically, but his pleas to be let out to talk to his people fall on deaf ears.</p> <p>Franklin does more research, and comes across a communiqué from a Drazi captain who reported a rare sighting of a Hyach-do, who asked for a lift, but the Drazi refused. Franklin does further research into the Hyach-do, and then goes to confront Tal—only to be attacked and kidnapped by Kirrin.</p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-03-1100x825.jpg" alt="Babylon 5 “Secrets of the Soul”" class="wp-image-845583" srcset="https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-03-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-03-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-03-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-03-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-03.jpg 1200w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p>When he regains consciousness, Franklin confronts Kirrin: the Haych-do are another sapient species that evolved on their world, but they’re gone now. Tal admits that the Haych hunted the Hyach-do to extinction. But it turned out that the Hyach-do’s genetics were necessary to intermingle with the Hyach for them to survive. Their birthrate is plummeting, and has been for some time. Tal begs Franklin (a) for help, and (b) to keep their secret. But he can’t do A by himself, and B is only possible with the resources of many worlds working on it. Tal agrees to let the secret out. She asks for forgiveness, as no currently living Hyach was involved in this genocide that happened centuries ago. Franklin angrily says that only the Hyach-do can forgive them.</p> <p>Allan lets Byron go. The goon gives a statement that Byron tried to help him. The goon worked for Carl, whose body Allan just found. Byron testily points out that he could have stopped it if he wasn’t imprisoned.</p> <p>Returning to his bunk in downbelow, Byron rants to Alexander about how his people still haven’t embraced his teachings and let go of their anger. Alexander points out that the people they assaulted weren’t exactly innocent, but Byron thinks they need to be better than that.</p> <p>He and Alexander start smooching, and before it can get any hotter and heavier, Alexander warns him that the Vorlons did some shit to her, and it may have an effect on the intensity of the sex.</p> <p>Sure enough, as they’re making whoopee, Alexander’s eyes go black and Byron gets the full story of how she—and many other species—were altered by the Vorlons. This telepathic sex-bonding bleeds out into the rest of Byron’s gaggle, and now they all know about how Vorlons created telepaths. Byron is livid. He can’t ask the Vorlons for any kind of reparation, as they’re long gone, but now he wants telepaths to have their own homeworld, and he will demand it of the IA, or else.</p> <p><strong>The Corps is mother, the Corps is father.</strong> Don’t go stomping on a telepath when he has friends. It will end badly for you.</p> <p><strong>The Shadowy Vorlons.</strong> We get a flashback to Alexander’s time on the Vorlon homeworld being altered, and we also see infants from different species, all in big tanks. Byron and his people learn that telepaths only exist because the Vorlons created them to help fight the Shadows.</p> <p><strong>No sex, please, we’re EarthForce.</strong> As first established in “<a href="https://reactormag.com/babylon-5-rewatch-mind-war/" target="_blank" rel="noreferrer noopener">Mind War</a>,” telepathic sex is <em>very</em> intense, as the minds intermingle even more than the bodies do. We see that for the first time here, as Byron gets deep inside Alexander, mind <em>and</em> body, and learns all about what the Vorlons did to her.</p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-05-1100x825.jpg" alt="Babylon 5 “Secrets of the Soul”" class="wp-image-845585" srcset="https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-05-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-05-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-05-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-05-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-05.jpg 1200w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p><strong>Looking ahead.</strong> Byron’s inability to entirely influence the various telepaths toward peace will come to a head in “A Tragedy of Telepaths” and “Phoenix Rising.”</p> <p><strong>Welcome aboard.</strong> Jack Hannibal makes the first of two appearances as Peter; he’ll be back in “Phoenix Rising.” Stuart McLean plays Carl, Jana Robbins plays Tal, and Fiona Dwyer plays Kirrin. And back from “<a href="https://reactormag.com/babylon-5-rewatch-strange-relations/" target="_blank" rel="noreferrer noopener">Strange Relations</a>” is Robin Atkin Downes as Byron, who will be back in “In the Kingdom of the Blind.”</p> <p><strong>Trivial matters. </strong>While this isn’t the episode with the fewest opening-credits regulars appearing—“<a href="https://reactormag.com/babylon-5-rewatch-intersections-in-real-time/" target="_blank" rel="noreferrer noopener">Intersections in Real Time</a>” has that honor—this is the only episode in which none of the “main” stars (the ones either billed as “Starring” at the top of the credits or “with” or “and” at the end of them) appear. Only Richard Biggs, Patricia Tallman, and Jeff Conaway among the billed stars are in this one.</p> <p>Franklin agreed to compile medical data on all IA species in “<a href="https://reactormag.com/babylon-5-rewatch-strange-relations/">Strange Relations</a>.” It was established that the Vorlons engineered several species to develop telepaths in “<a href="https://reactormag.com/babylon-5-rewatch-zhadum/">Z’ha’dum</a>.” Alexander was altered by the Vorlons some time between “<a href="https://reactormag.com/babylon-5-rewatch-divided-loyalties/" target="_blank" rel="noreferrer noopener">Divided Loyalties</a>” and “<a href="https://reactormag.com/babylon-5-rewatch-passing-through-gethsemane/" target="_blank" rel="noreferrer noopener">Passing Through Gethsemane</a>.” She helped our heroes on numerous occasions; she was forced to accept smaller quarters and get back into bed with the Psi Corps in “<a href="https://reactormag.com/babylon-5-rewatch-moments-of-transition/" target="_blank" rel="noreferrer noopener">Moments of Transition</a>.”</p> <p>Apparently, pak’ma’ra won’t eat fish of any kind.</p> <p><strong>The echoes of all of our conversations.</strong></p> <p>“Byron, the Vorlons changed me—more than you could possibly know. I don&#8217;t know what it&#8217;ll do once you get past my barriers and I get past yours. It could burn you.”</p> <p>“Then let it burn.”</p> <p>—Alexander giving a pre-coital warning, and Byron saying, “Wah-HEY!”</p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-07-1100x825.jpg" alt="Babylon 5 “Secrets of the Soul”" class="wp-image-845584" srcset="https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-07-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-07-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-07-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-07-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/babylon-5-secrets-of-the-soul-07.jpg 1200w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p><strong>The name of the place is Babylon 5.</strong> “We’ll make sure they have no other choice.” This is a perfectly good script, and it says something good about the show that an entire episode can be supported by only three of the opening-credits regulars, two of whom are among the least interesting of those so billed (Franklin and Allan).</p> <p>However, the episode doesn’t work as well as it should, though not because it focuses only on those three. For starters, it has a big role for the ever-bland Robin Atkin Downes. I will give him credit: he’s better in this episode than he has been in any other, specifically his frustrated ranting at Alexander that his people haven’t let go of their anger, which is only the second time his facial expression has changed since he was introduced (the other being the pouty face he had in Bester’s presence in “<a href="https://reactormag.com/babylon-5-rewatch-strange-relations/" target="_blank" rel="noreferrer noopener">Strange Relations</a>”). That scene is also scary as hell, because the telepaths are simply <em>brutal</em> here, and it becomes painfully clear that they’d be even more brutal without his influence.</p> <p>My favorite scene in the whole thing is the discussion Allan and Alexander have on the subject of her growing affection for Byron and his gaggle. Allan’s protective big brother act is sweet, but also horrendously misplaced and tone-deaf, something Alexander points out to him in a lengthy, beautifully delivered rant by Patricia Tallman on the subject of the shit Alexander has gone through. You feel for Allan, as he’s pretty much the only one on the station who has treated Alexander like a person instead of a commodity, and he doesn’t deserve her opprobrium. But her rant is 100% justified as well.</p> <p>As for Franklin’s plot with the Hyach, the biggest problem with it is that, well, it’s the Hyach, and who the heck are they? Why couldn’t this plotline have been given to the Brakiri or the Drazi or the Gaim or the Abbai? We’ve had so many species that we’ve seen bits and pieces of, but not given any depth to. Of those I listed, the Drazi are the only ones who’ve had <em>any</em> details provided about their history and culture, but that’s not incompatible with this storyline. Creating a new IA member out of the blue makes it harder to invest in the Hyach when there are so many others floating around we’d love to learn about. Having said that, Jana Robbins and Fiona Dwyer are both quite good, the former as the calm politician navigating difficult waters, the latter as the pain-in-the-ass aide asking the more nasty questions .</p> <p><strong>Next week:</strong> “Day of the Dead.”[end-mark]</p> <p>The post <a href="https://reactormag.com/babylon-5-rewatch-secrets-of-the-soul/">&lt;i&gt;Babylon 5&lt;/i&gt; Rewatch: “Secrets of the Soul”</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/babylon-5-rewatch-secrets-of-the-soul/">https://reactormag.com/babylon-5-rewatch-secrets-of-the-soul/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=845416">https://reactormag.com/?p=845416</a></p>
[syndicated profile] reactor_feed

Posted by Molly Templeton

News The Boroughs

Nothing’s Impossible in the Trailer for The Boroughs

Can’t their golden years get some golden lighting?

By

Published on April 13, 2026

Image: Netflix © 2026

0
Share
[Error: Irreparable invalid markup ('<a [...] w-[18px]>') in entry. Owner must fix manually. Raw contents below.]

<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-boroughs-trailer/">https://reactormag.com/the-boroughs-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=845621">https://reactormag.com/?p=845621</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-boroughs/" class="inline-block link-no-animation" aria-label="Link to term or tag The Boroughs 1"> The Boroughs </a> </span> </div> <h2 class="post-hero-title text-h1">Nothing&#8217;s Impossible in the Trailer for <i>The Boroughs</i></h2> <div class="prose post-hero-description prose--post-hero">Can&#8217;t their golden years get some golden lighting?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 13, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Image: Netflix © 2026</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/the-boroughs-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=Nothing’s Impossible in the Trailer for &lt;i&gt;The Boroughs&lt;/i&gt;&amp;url=https://reactormag.com/the-boroughs-trailer/” target=”_blank” title=”Twitter”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[15px]"="h-[15px]&quot;" width="18" height="15" viewbox="0 0 18 15" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="twitter" role="img" aria-hidden="true"> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 14.3966 0 13.3375C0.262269 13.3667 0.554506 13.3813 0.876722 13.3813C2.56274 13.3813 4.06514 12.8774 5.38397 11.8694C4.59717 11.8548 3.8928 11.6192 3.27085 11.1627C2.6489 10.7062 2.22178 10.1237 1.98949 9.41523C2.23677 9.45175 2.46531 9.47001 2.67513 9.47001C2.99734 9.47001 3.31581 9.42984 3.63053 9.3495C2.79127 9.1815 2.09627 8.77431 1.5455 8.12789C0.99474 7.48148 0.719362 6.73099 0.719362 5.87641V5.83259C1.22891 6.11015 1.77592 6.25988 2.36041 6.28179C1.86584 5.96041 1.47245 5.54043 1.1802 5.02184C0.887961 4.50325 0.741842 3.94084 0.741842 3.3346C0.741842 2.69184 0.906694 2.09656 1.2364 1.54875C2.1431 2.63707 3.24649 3.50807 4.54659 4.16178C5.84669 4.8155 7.23857 5.17887 8.72226 5.25192C8.66232 4.97436 8.63234 4.70411 8.63234 4.44116C8.63234 3.46241 8.9864 2.62793 9.69452 1.9377C10.4027 1.24746 11.2588 0.902344 12.2629 0.902344C13.3119 0.902344 14.1962 1.27485 14.9155 2.01987C15.7323 1.86648 16.5004 1.58162 17.2197 1.16529C16.9425 2.00526 16.4104 2.65532 15.6236 3.11548C16.3205 3.04244 17.0174 2.85984 17.7143 2.56767Z" fill="currentColor" /> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 14.3966 0 13.3375C0.262269 13.3667 0.554506 13.3813 0.876722 13.3813C2.56274 13.3813 4.06514 12.8774 5.38397 11.8694C4.59717 11.8548 3.8928 11.6192 3.27085 11.1627C2.6489 10.7062 2.22178 10.1237 1.98949 9.41523C2.23677 9.45175 2.46531 9.47001 2.67513 9.47001C2.99734 9.47001 3.31581 9.42984 3.63053 9.3495C2.79127 9.1815 2.09627 8.77431 1.5455 8.12789C0.99474 7.48148 0.719362 6.73099 0.719362 5.87641V5.83259C1.22891 6.11015 1.77592 6.25988 2.36041 6.28179C1.86584 5.96041 1.47245 5.54043 1.1802 5.02184C0.887961 4.50325 0.741842 3.94084 0.741842 3.3346C0.741842 2.69184 0.906694 2.09656 1.2364 1.54875C2.1431 2.63707 3.24649 3.50807 4.54659 4.16178C5.84669 4.8155 7.23857 5.17887 8.72226 5.25192C8.66232 4.97436 8.63234 4.70411 8.63234 4.44116C8.63234 3.46241 8.9864 2.62793 9.69452 1.9377C10.4027 1.24746 11.2588 0.902344 12.2629 0.902344C13.3119 0.902344 14.1962 1.27485 14.9155 2.01987C15.7323 1.86648 16.5004 1.58162 17.2197 1.16529C16.9425 2.00526 16.4104 2.65532 15.6236 3.11548C16.3205 3.04244 17.0174 2.85984 17.7143 2.56767Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://www.facebook.com/sharer/sharer.php?u=https://reactormag.com/the-boroughs-trailer/" target="_blank" title="Facebook"> <svg class="w-[9px] h-[18px]" fill="currentColor" viewbox="0 0 12 22" width="100%" height="100%" display="block" transitionduration="normal" transitionproperty="none" transitiontimingfunction="ease-out" class="w-[9px] h-[18px]" aria-label="facebook" role="img" aria-hidden="true"> <path d="M11.558.004L8.677 0C5.44 0 3.349 2.125 3.349 5.416v2.496H.452A.45.45 0 000 8.36v3.618a.45.45 0 00.452.447h2.897v9.127A.45.45 0 003.8 22h3.778c.25 0 .451-.2.451-.448v-9.127h3.387c.25 0 .451-.2.451-.447l.003-3.618a.452.452 0 00-.456-.448h-3.39V5.795c0-1.017.245-1.534 1.582-1.534h1.941c.25 0 .452-.2.452-.447V.457a.45.45 0 00-.452-.448l.01-.005z" fill-rule="nonzero"> </path> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://pinterest.com/pin/create/button/?url=https://reactormag.com/the-boroughs-trailer/&amp;media=&amp;description=Nothing’s Impossible in the Trailer for &lt;i&gt;The Boroughs&lt;/i&gt;” target=”_blank” title=”Pinterest”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[18px]"="h-[18px]&quot;" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="pinterest" role="img" aria-hidden="true"> <path d="M16.4962 4.49458C17.2844 5.84153 17.6786 7.31473 17.6786 8.91423C17.6786 10.5137 17.2844 11.9888 16.4962 13.3396C15.7079 14.6904 14.6384 15.7599 13.2876 16.5482C11.9368 17.3364 10.4617 17.7306 8.86223 17.7306C8.01273 17.7306 7.17856 17.6081 6.35967 17.3632C6.81121 16.6515 7.10967 16.0239 7.25508 15.4806C7.32396 15.2203 7.53059 14.413 7.87498 13.0584C8.02804 13.3568 8.30738 13.6151 8.71299 13.8332C9.1186 14.0513 9.55483 14.1604 10.0217 14.1604C10.9477 14.1604 11.7742 13.8983 12.5013 13.374C13.2283 12.8498 13.7908 12.1285 14.1888 11.2101C14.5867 10.2918 14.7857 9.25862 14.7857 8.11066C14.7857 7.2382 14.558 6.41933 14.1027 5.65402C13.6473 4.88871 12.9872 4.26499 12.1224 3.78285C11.2576 3.3007 10.2819 3.05964 9.19513 3.05964C8.39156 3.05964 7.64157 3.1706 6.94513 3.39254C6.2487 3.61448 5.65751 3.90912 5.17154 4.27647C4.68556 4.64382 4.26848 5.06665 3.92026 5.54497C3.57205 6.02329 3.31567 6.51882 3.15113 7.03157C2.98659 7.54433 2.90432 8.05708 2.90432 8.56984C2.90432 9.36576 3.05738 10.066 3.3635 10.6706C3.66962 11.2752 4.11732 11.6999 4.70661 11.9448C4.93621 12.0367 5.08161 11.9601 5.14284 11.7152C5.15814 11.6617 5.18876 11.5431 5.23467 11.3594C5.28059 11.1757 5.3112 11.0609 5.32651 11.015C5.37243 10.839 5.33034 10.6744 5.20024 10.5214C4.80993 10.0545 4.61478 9.47673 4.61478 8.78795C4.61478 7.63233 5.01464 6.63936 5.81439 5.809C6.61414 4.97864 7.66069 4.56346 8.95406 4.56346C10.1097 4.56346 11.0108 4.87723 11.6575 5.50479C12.3042 6.13234 12.6275 6.94739 12.6275 7.94994C12.6275 9.25097 12.3654 10.3568 11.8412 11.2675C11.3169 12.1783 10.6454 12.6336 9.82651 12.6336C9.35967 12.6336 8.98468 12.4672 8.70151 12.1343C8.41835 11.8013 8.33034 11.4015 8.43748 10.9346C8.49871 10.6668 8.60011 10.309 8.74169 9.86129C8.88327 9.41359 8.99807 9.01946 9.08608 8.67889C9.17409 8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" /> <path d="M16.4962 4.49458C17.2844 5.84153 17.6786 7.31473 17.6786 8.91423C17.6786 10.5137 17.2844 11.9888 16.4962 13.3396C15.7079 14.6904 14.6384 15.7599 13.2876 16.5482C11.9368 17.3364 10.4617 17.7306 8.86223 17.7306C8.01273 17.7306 7.17856 17.6081 6.35967 17.3632C6.81121 16.6515 7.10967 16.0239 7.25508 15.4806C7.32396 15.2203 7.53059 14.413 7.87498 13.0584C8.02804 13.3568 8.30738 13.6151 8.71299 13.8332C9.1186 14.0513 9.55483 14.1604 10.0217 14.1604C10.9477 14.1604 11.7742 13.8983 12.5013 13.374C13.2283 12.8498 13.7908 12.1285 14.1888 11.2101C14.5867 10.2918 14.7857 9.25862 14.7857 8.11066C14.7857 7.2382 14.558 6.41933 14.1027 5.65402C13.6473 4.88871 12.9872 4.26499 12.1224 3.78285C11.2576 3.3007 10.2819 3.05964 9.19513 3.05964C8.39156 3.05964 7.64157 3.1706 6.94513 3.39254C6.2487 3.61448 5.65751 3.90912 5.17154 4.27647C4.68556 4.64382 4.26848 5.06665 3.92026 5.54497C3.57205 6.02329 3.31567 6.51882 3.15113 7.03157C2.98659 7.54433 2.90432 8.05708 2.90432 8.56984C2.90432 9.36576 3.05738 10.066 3.3635 10.6706C3.66962 11.2752 4.11732 11.6999 4.70661 11.9448C4.93621 12.0367 5.08161 11.9601 5.14284 11.7152C5.15814 11.6617 5.18876 11.5431 5.23467 11.3594C5.28059 11.1757 5.3112 11.0609 5.32651 11.015C5.37243 10.839 5.33034 10.6744 5.20024 10.5214C4.80993 10.0545 4.61478 9.47673 4.61478 8.78795C4.61478 7.63233 5.01464 6.63936 5.81439 5.809C6.61414 4.97864 7.66069 4.56346 8.95406 4.56346C10.1097 4.56346 11.0108 4.87723 11.6575 5.50479C12.3042 6.13234 12.6275 6.94739 12.6275 7.94994C12.6275 9.25097 12.3654 10.3568 11.8412 11.2675C11.3169 12.1783 10.6454 12.6336 9.82651 12.6336C9.35967 12.6336 8.98468 12.4672 8.70151 12.1343C8.41835 11.8013 8.33034 11.4015 8.43748 10.9346C8.49871 10.6668 8.60011 10.309 8.74169 9.86129C8.88327 9.41359 8.99807 9.01946 9.08608 8.67889C9.17409 8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2026/04/The_Boroughs_n_S1_00_21_27_17R-740x493.jpg" class="w-full object-cover" alt="Denis O’Hare as Wally, Geena Davis as Renee in The Boroughs" srcset="https://reactormag.com/wp-content/uploads/2026/04/The_Boroughs_n_S1_00_21_27_17R-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/The_Boroughs_n_S1_00_21_27_17R-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/The_Boroughs_n_S1_00_21_27_17R-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/The_Boroughs_n_S1_00_21_27_17R.jpg 1500w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image: Netflix © 2026</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>At one end of Netflix&#8217;s group-of-pals-encountering-strange-phenomena programming, you have the kids of <em>Stranger Things</em>. On the other end, the adults of <em>The Boroughs</em>, a new series that follows a gaggle of folks in a retirement community as they encounter &#8230; something. A new trailer is vague and also dark. But whatever stalks the streets of The Boroughs, it seems to have some magical bits as well as some murdery ones.</p> <p>The brief synopsis says:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>In a seemingly perfect retirement community, a grieving newcomer’s monstrous encounter inspires him to join a misfit crew of unlikely heroes who uncover a dark secret that proves their “golden years” are more dangerous, and they are more formidable, than anyone expects.</p></blockquote></figure> <p>However vague this new trailer may be, <em>The Boroughs</em> has one major thing going for it (and no, it&#8217;s not that <em>Stranger Things</em> creators the Duffer brothers are among its executive producers). It has a terrific cast. Alfred Molina plays Sam, the skeptical newcomer; he meets up with Geena Davis, Alfre Woodard, Bill Pullman, Clarke Peters, and Denis O&#8217;Hare, who, at 64, is the baby of the group. He&#8217;s also the one who jokes, at the end of the trailer, that given their ages, any day could be their last. It&#8217;s kind of <em>off</em>, that joke. But at least he&#8217;s over 50. (Yes, this is a <em>Cocoon</em> reference.)</p> <p><em>The Boroughs</em> is created by Jeffrey Addiss and Will Matthews, who also created <em>The Dark Crystal: Age of Resistance</em> (and co-wrote <em>The Lord of the Rings: The War of the Rohirrim</em>). You can visit their eerie little community on May 21 on Netflix.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="11005"/> </div></figure> <p>The post <a href="https://reactormag.com/the-boroughs-trailer/">Nothing&#8217;s Impossible in the Trailer for &lt;i&gt;The Boroughs&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-boroughs-trailer/">https://reactormag.com/the-boroughs-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=845621">https://reactormag.com/?p=845621</a></p>
[syndicated profile] reactor_feed

Posted by Matthew Byrd

Featured Essays Artemis II

The Best Moments From the Artemis II Mission

The best moments from a 10 day journey that made the world feel a little less bleak

By

Published on April 13, 2026

Photo: NASA/Joel Kowsky

Launch of the Artemis II mission

Photo: NASA/Joel Kowsky

On April 1, 2026, Reid Wiseman, Victor Glover, Christina Koch, and Jeremy Hansen began a 10-day voyage into space as part of NASA’s Artemis II program. The technical purpose of the Artemis II program was to expand what NASA learned from the unmanned Artemis I flight and test the capabilities of the Space Launch System and the Orion spacecraft in deep space environments. Through this mission, NASA hopes to broaden its understanding of the capabilities of its modern technology and make a giant leap forward toward the dream of landing more astronauts on the moon and eventually sending a crew to Mars.

Artemis II has become more than that, though. As the first crewed voyage to deep space in over 50 years, Artemis II represents hope in the minds of the many who still dream of humanity one day exploring the deepest reaches of space. Perhaps more importantly, this mission comes at a time of often overwhelming global atrocities and divisiveness that contradict the humanity, knowledge, and unity that such expeditions were once intended to represent. It is a testament to the mission’s power that so many have found so much comfort in this voyage during days when the vacuum of deep space somehow feels less dark than the average day on Earth.

More than a symbolic trek, Artemis II has thus far rewarded us with a number of incredible moments that have made following the progress of the Orion spacecraft dubbed Integrity one of the greatest pure pleasures in recent memory. These are just some of those moments.

Everyone Was Watching the Artemis II Launch (Even From an Airplane)

The launch of any spacecraft tends to be a magical moment bolstered by collective excitement, tension, and, naturally, rocket propulsion. Thankfully, the Artemis II crew enjoyed a successful (if certainly no less thrilling) launch on April 1, 2026 that kicked off their 10-day mission. 

And while living during a time when everyone has a camera can be both beneficial and frustrating on a case-by-case basis, the launch of Artemis II was impressively documented by many who witnessed it from slightly different angles. One of the most memorable pieces of fan footage came from an airline passenger who happened to spot the Artemis II craft flying towards the heavens outside of their window. Would this author have been too preoccupied with a book and the shade down to ever spot such a generational moment? The world will never know. 

The Artemis II Crew Recreates the Full House Intro

The social media savvy crew of the Artemis II and their terrestrial teammates have done an incredible job of utilizing various platforms to keep people updated about the mission’s status and explain why it is so important. More importantly, they’ve never forgotten to be a little silly about the whole thing. 

So far as that goes, the team’s masterpiece may just be this Instagram Reel that introduces us to the crew by recreating the Full House intro. Presumably, that intro was chosen because of its instant recognizability, strangely appropriate lyrics (“when you’re lost out there, and you’re all alone”), and the fact that the crew is living in an incredibly full “house.” Having said that, one wonders if it’s too late to have each member of the crew perform a rendition of the theme from The Golden Girls

Rise, the Zero-G Indicator Ball

If you watched the above Instagram Reel, you probably have questions about the undeniable star of that show: Rise, the Zero-Gravity Indicator. 

Technically, Rise is there as a quick indicator of when the crew entered a weightless environment. It is so much more than that, though. Designed by eight-year-old Lucas Ye as part of a global competition, and modeled after a photo of the Apollo 8 mission, Rise is the mascot of the Artemis II mission. Rise also has a built-in storage chip that contains the names of over 5 million people who submitted their best wishes to the crew. 

The Apollo 8 Patch Returns to Space

Speaking of Apollo 8, the reason that mission is so significant to the Artemis II crew is that the Apollo 8 voyage represents the first time that a crew of astronauts reached the moon. Furthermore, both are seen as endeavors meant to broaden the minds and open the hearts of the millions who follow their historic journeys.

And in a very special video update, the Artemis II crew revealed that their ship contains astronaut Jim Lovell’s patch from the Apollo 8 mission. It’s a simple, powerful reminder of the history and significance of these missions, and it wasn’t the last time the Artemis II crew would be reminded of their connection to the Apollo 8 team.

Astronaut Jim Lovell Recorded a Special Message for the Artemis II Team

Shortly before the Artemis II crew made history by traveling farther from Earth than any humans before them (about 252,756 miles), they listened to a very special message from astronaut Jim Lovell which began with the words “Hello, Artemis II, this is Apollo astronaut Jim Lovell. Welcome to my old neighborhood.”

As we later learned, Lovell had actually recorded a message for the Artemis II crew just two months before his death in August 2025. Along with being a member of the aforementioned Apollo 8 crew, Lovell led the famous Apollo 13 journey that previously set the record for the longest distance traveled from Earth before its crew encountered mechanical difficulties that led to their dramatic re-entry. Lovell was actually played by Tom Hanks in the 1995 Apollo 13 movie. 

The Artemis II Team Pays Tribute to a Lost Family Member

When the Artemis II crew reached their historic distance from Earth, they spotted a couple of craters on the moon that had not been previously identified. As their discoverers, they had the right to name these craters. The first was dubbed Integrity: a reference to the name of their Orion spacecraft. 

The second crater was christened “Carroll.” As many on Earth soon learned, Carroll was the name of Artemis II commander Reid Wiseman’s wife, who tragically passed away in 2020.

A Solar Eclipse Provides One of Artemis II’s Most Stunning Photos

Photo: NASA

The Artemis II mission has gifted us with a number of incredible photos (many of which you can view here), but the biggest showstopper may just be this incredible image of a solar eclipse as seen from the other side of the moon. 

That remarkable photo is perhaps most easily labeled as “cinematic,” though its true beauty may be found in the relative commonality of the event itself. Roughly a few times a year, we on Earth get to witness a solar eclipse. It’s not that we necessarily take events for granted, but over time, it’s easy to lose a little appreciation for their full significance. This photo not only shows that the event is just as stunning from a couple of hundred thousand miles away but puts into perspective the grandeur of what we are actually witnessing in those moments. 

Jeremy Hansen’s First Spaceflight Ceremony

I was tragically not allowed to be an astronaut (I was found physically, mentally, and emotionally wanting), but I’m told that astronauts receive two special pins as part of their first voyage. They receive the first, a silver pin, when they complete a rigorous training program. The second, a gold pin, is reserved for the moment they actually make it into space. 

And on Easter, astronaut Jeremy Hansen finally received his gold pin. It was an incredible moment for Hansen who joined the Canadian Space Agency in 2009 but has never had the chance to travel into space until now. It is also a reminder of how rare that honor is even in organizations dedicated to advancements in that field.

The Constant Struggles of the Artemis II Toilet

Though much of the Artemis II mission will be remembered for its historic, technical, and cultural significance, a not insignificant amount of the conversation surrounding the mission so far has revolved around the crew’s toilet

See, the Artemis II toilet has been acting up and malfunctioning for pretty much the entire journey. But that story that began as a literal piece of toilet humor for many has grown into something else entirely. As NASA struggles to understand why they can’t seem to get that toilet to work as it very much should, we are reminded that the challenges of space travel aren’t limited to big ideas like terraforming, FTL, and first contact. Even getting the toilet to flush is a trial-and-error endeavor of epic proportions. 

Is That a Floating Jar of Nutella?

Our fascination with what astronauts eat and how they eat it goes far beyond toilet technology drama. From NASA helping Tang become a cultural cornerstone to the unlikely rise of astronaut ice cream, we just can’t seem to help but be a little curious about everyone’s intergalactic brunch plans. 

So maybe it shouldn’t be too much of a surprise that a runaway jar of Nutella became one of the seemingly unlikely stars of the Artemis II mission. Those watching the crew attempt to break the record for the longest distance traveled from Earth likely caught a glimpse of a jar of Nutella that floated so perfectly into frame that you’d swear the Nutella company must have put it there themselves (they didn’t, but they were quick to capitalize on it). As it turns out, the Artemis II team gets to enjoy a variety of largely freeze-dried food that is prepared to meet the unique demands of outer space. Nutella, it seems, is one of those treats that they get to eat in a slightly purer form. 

As a bonus, be sure to check out this infographic breakdown of the Artemis II pantry, which includes Barbecued Beef Brisket, Mango Salad, quite a few tortillas, and five different hot sauces.

Amaze, Amaze, Amaze

Working for NASA is, of course, an incredibly serious endeavor that requires some of the smartest people in the world to undergo years worth of training and education simply for the chance to join the space program. It is, however, also rooted in a childlike love for all things space. At times, that love shines through all else. 

Actually, one of the more adorable moments of the Artemis II mission occurred when a NASA team member was checking in with the crew. Caught up in the wonder of the visuals and information they were receiving, the NASA member uttered the words “Amaze, amaze, amaze,” a reference to the words the alien Rocky delightfully utters in Project Hail Mary. Is there any connection to NASA quoting an alien and President Barack Obama’s publicly stated belief that aliens are real? Of course not. Unless, of course, there very much is. 

Impact Flash Sightings Bring Out the Kids in NASA Scientists

Speaking of the NASA team members back at home, they’ve actually had a few times to shine throughout this journey despite (much like the rest of us) being cursed to be stuck on Earth. Arguably the most endearing of those team members we’ve caught a glimpse of so far has to be this NASA scientist who was very, very excited to hear about impact flashes. 

See, an impact flash is an intense burst of light that may occur when an object strikes the moon. They’re not especially common (at least from our perspective) and we obviously don’t get the chance to see them up close very often. So it’s understandable that the NASA science team shared the Artemis crew’s “giddiness” when they reported seeing several impact flashes during their voyage. Anyone with a love for science will likely feel their heart melt when they see one of those scientists fail to contain an expression of pure joy. 

Microsoft Outlook Also Doesn’t Work in Space

When NASA first started sending people into space, they relied on technology far more advanced than the average person could ever dream of having access to. Now, your phone is significantly more powerful than the earliest NASA computers. While NASA still relies on the most advanced equipment to make the seemingly impossible possible, it’s certainly common to see pieces of civilian technology in space. 

A pretty hilarious reminder of the “value” of that technology occurred early in the Artemis II mission when Commander Wiseman reported that his Microsoft Outlook program had stopped working on multiple devices. Here on Earth, an email program crashing yet again likely means a light day at work. In space, it’s a bit more dramatic, though no less funny. 

The Wake-Up Songs

More recent crewed missions have seen NASA use “wake-up songs.” As the name suggests, those songs are broadcast to the spaceship and used as an alarm to ensure that NASA and the crew are working on the same schedule. As anyone who has struggled to put together the perfect playlist can tell you, picking these songs is an intimidating and enjoyable endeavor. The perfect wake-up song is inspiring and, if possible, somehow thematically appropriate. 

Here’s a list of the wake-up songs that the Artemis II crew has heard during their journey:

  • Day 1: “Sleepyhead” by Young & Sick
  • Day 2: “Green Light” by John Legend (feat. André 3000)
  • Day 3: “In a Daydream” by Freddy Jones Band
  • Day 4: “Pink Pony Club” by Chappell Roan
  • Day 5: “Working Class Heroes (Work)” by CeeLo Green
  • Day 6: “Good Morning” by Mandisa and TobyMac
  • Day 7: “Tokyo Drifting” by Denzel Curry and Glass Animals
  • Day 8: “Under Pressure” by Queen and David Bowie
  • Day 9: “Good Morning” by Mandisa and TobyMac
  • Day 10: “Run to the Water” by Live
  • Bonus Song: “Free” by Zac Brown Band

“Pink Pony Club” proved to be an especially big hit among the crew who requested that NASA let the song reach the chorus next time around.

The Splashdown

Leading up to the return of the Artemis II crew, various publications were quick to point out that the landing (splashdown, really) was arguably the most dangerous and trickiest part of the entire voyage. That’s partially due to the inherently complex nature of that process, but in this particular instance, the danger was amplified by a known flaw in the Orion spacecraft’s heat shield. Leading up to the slightly less than 15-minute-long re-entry procedure, tensions were understandably high.

And yet, things went off without any real hitches. On April 10, around 8:00 PM EDT, the Artemis II team landed just off the coast of San Diego and were brought aboard the deck of the USS John P. Murtha about two hours later. The end of their journey echoed the rest of the experience in that it was a surprisingly smooth historical endeavor that offers hope for the future from both a technical and emotional perspective. More importantly, it let the brave crew finally return to their kids, dogs, and all other loved ones.[end-mark]

The post The Best Moments From the Artemis II Mission appeared first on Reactor.

Jo Graham: The Autarch's Heir

Apr. 13th, 2026 06:20 pm
selenak: (Illyria by Kathyh)
[personal profile] selenak
This week starts with some actual rl good news, as the foreunner of right wing autocrats on this continent, Victor Orban, was crushingly defeated. Among other things, this caused a lot of J.D. Vance memes going viral, given the Orange Menace had sent him to campaign for Orban; my favourite is the suggestion from one of our green politicians, Ricarda Lang, for Vance to campaign for the AFD next. This sounds like a great idea to me, except he already did that when speaking at the G7 last year, so maybe his magic touch fails over here.

On to fictional joy. I've read The Autarch's Heir, the fourth volume of Jo Graham's space opera saga The Calpurnian Wars (No.3 was reviewed by me here, and it is as compulsively readable as the previous entries. Though I have to admit I was half-wrong about the previous entry presenting us with the Space!Egypt to the Space!Rome that is the expansion-hungry Calpurnia), in that while the previous location definitely had Egyptian elements, so does Lono, the location of The Autarch's Heir. As before, while there are some characters from the previous cast around - in this case, sisters Aurore and Dian Melian - , we get new central characters to go with the new location, to wit, one Bel Alan, con man, and the drunk and depressed Calpurnian Commander Antisia, formerly the Faithful Lieutenant of murdered Autarch Julus, who has her own problems, such as one Thurinia gunning to be next Autarch, aided by her commander Vipsani. (I must admit that fond of ancient history as I am, I continue to get a kick out of the Roman paralles. In this case: what's not to love about Mark Antony as a Lesbian in space?) It's the first novel to give us something more about the Calpurnians than their expansionism, not just through Antisia's pov, and now I'll have to call them Space!Sparta as well because the way they're raised is definitely more in line with Sparta, transported into a sci fi frame, than with Rome. Anyway: the plot kicks off when Bel Alan, our main character, is contacted by the Lono resistance to steal the priceless Solaste Crown by pretending to be the natural son of the late Julus. At which point, and here I have to go for a spoiler cut, I did think: Spoilers made an assumption based on history. ) And yes indeed, it was. Bel makes for an engaging hero because he really isn't into either revenge scenarios or monarchy. He's also, a first for a main character in this series, not a believer. (I find this refreshing within this universe, not because I dislike the various numinous connections the other main characters in previous novels had, but in terms of world building we were due one atheistic sympathetic main character.) I also continue to love the way this series treats compassion and kindness and redeemability as important. Dian, one of the Melian sisters who in the previous novel was in what was probably my favourite scene in which Caralys, the heroine of said novel, was kind to her despite Dian having been hostile towards Caralys the entire novel. And now we see Dian more fleshed out and in a scenario where she in turn is able to show charm, wit and compassion - without negating the earlier issues. Not only is her sibling relationship with Aurore fun, but her hook up with Antisia is a great take on the "relationship started for utiliarian motives becomes meaningful" trope. (Btw, and speaking of Antisia: Here it gets spoilery again. ))

The one caveat I have is that while this novel tells its own story, I wouldn't start the series with it but start at the beginning if you're a new reader. (None of the novels are very long, so this doesn't mean years of your reading life, don't worry.) By now, I just think knowing the previous goings-on adds a lot of satisfying texture to what is already a very enjoyable story.
[syndicated profile] reactor_feed

Posted by Sarah

Books SFF Bestiary

White Cat at the Gates of Death: Garth Nix’s Sabriel

There is a great deal more to this cat than appears on the surface…

By

Published on April 13, 2026

5
Share
[Error: Irreparable invalid markup ('<a [...] h-[15px]">') in entry. Owner must fix manually. Raw contents below.]

<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/white-cat-at-the-gates-of-death-garth-nixs-sabriel/">https://reactormag.com/white-cat-at-the-gates-of-death-garth-nixs-sabriel/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=845564">https://reactormag.com/?p=845564</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/sff-bestiary/" class="inline-block link-no-animation" aria-label="Link to term or tag SFF Bestiary 1"> SFF Bestiary </a> </span> </div> <h2 class="post-hero-title text-h1">White Cat at the Gates of Death: Garth Nix’s <i>Sabriel</i></h2> <div class="prose post-hero-description prose--post-hero">There is a great deal more to this cat than appears on the surface&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/judith-tarr/" title="Posts by Judith Tarr" class="author url fn" rel="author">Judith Tarr</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 13, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/white-cat-at-the-gates-of-death-garth-nixs-sabriel/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 5 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=White Cat at the Gates of Death: Garth Nix’s &lt;i&gt;Sabriel&lt;/i&gt;&amp;url=https://reactormag.com/white-cat-at-the-gates-of-death-garth-nixs-sabriel/” target=”_blank” title=”Twitter”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[15px]"="h-[15px]&quot;" width="18" height="15" viewbox="0 0 18 15" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="twitter" role="img" aria-hidden="true"> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 14.3966 0 13.3375C0.262269 13.3667 0.554506 13.3813 0.876722 13.3813C2.56274 13.3813 4.06514 12.8774 5.38397 11.8694C4.59717 11.8548 3.8928 11.6192 3.27085 11.1627C2.6489 10.7062 2.22178 10.1237 1.98949 9.41523C2.23677 9.45175 2.46531 9.47001 2.67513 9.47001C2.99734 9.47001 3.31581 9.42984 3.63053 9.3495C2.79127 9.1815 2.09627 8.77431 1.5455 8.12789C0.99474 7.48148 0.719362 6.73099 0.719362 5.87641V5.83259C1.22891 6.11015 1.77592 6.25988 2.36041 6.28179C1.86584 5.96041 1.47245 5.54043 1.1802 5.02184C0.887961 4.50325 0.741842 3.94084 0.741842 3.3346C0.741842 2.69184 0.906694 2.09656 1.2364 1.54875C2.1431 2.63707 3.24649 3.50807 4.54659 4.16178C5.84669 4.8155 7.23857 5.17887 8.72226 5.25192C8.66232 4.97436 8.63234 4.70411 8.63234 4.44116C8.63234 3.46241 8.9864 2.62793 9.69452 1.9377C10.4027 1.24746 11.2588 0.902344 12.2629 0.902344C13.3119 0.902344 14.1962 1.27485 14.9155 2.01987C15.7323 1.86648 16.5004 1.58162 17.2197 1.16529C16.9425 2.00526 16.4104 2.65532 15.6236 3.11548C16.3205 3.04244 17.0174 2.85984 17.7143 2.56767Z" fill="currentColor" /> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 14.3966 0 13.3375C0.262269 13.3667 0.554506 13.3813 0.876722 13.3813C2.56274 13.3813 4.06514 12.8774 5.38397 11.8694C4.59717 11.8548 3.8928 11.6192 3.27085 11.1627C2.6489 10.7062 2.22178 10.1237 1.98949 9.41523C2.23677 9.45175 2.46531 9.47001 2.67513 9.47001C2.99734 9.47001 3.31581 9.42984 3.63053 9.3495C2.79127 9.1815 2.09627 8.77431 1.5455 8.12789C0.99474 7.48148 0.719362 6.73099 0.719362 5.87641V5.83259C1.22891 6.11015 1.77592 6.25988 2.36041 6.28179C1.86584 5.96041 1.47245 5.54043 1.1802 5.02184C0.887961 4.50325 0.741842 3.94084 0.741842 3.3346C0.741842 2.69184 0.906694 2.09656 1.2364 1.54875C2.1431 2.63707 3.24649 3.50807 4.54659 4.16178C5.84669 4.8155 7.23857 5.17887 8.72226 5.25192C8.66232 4.97436 8.63234 4.70411 8.63234 4.44116C8.63234 3.46241 8.9864 2.62793 9.69452 1.9377C10.4027 1.24746 11.2588 0.902344 12.2629 0.902344C13.3119 0.902344 14.1962 1.27485 14.9155 2.01987C15.7323 1.86648 16.5004 1.58162 17.2197 1.16529C16.9425 2.00526 16.4104 2.65532 15.6236 3.11548C16.3205 3.04244 17.0174 2.85984 17.7143 2.56767Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://www.facebook.com/sharer/sharer.php?u=https://reactormag.com/white-cat-at-the-gates-of-death-garth-nixs-sabriel/" target="_blank" title="Facebook"> <svg class="w-[9px] h-[18px]" fill="currentColor" viewbox="0 0 12 22" width="100%" height="100%" display="block" transitionduration="normal" transitionproperty="none" transitiontimingfunction="ease-out" class="w-[9px] h-[18px]" aria-label="facebook" role="img" aria-hidden="true"> <path d="M11.558.004L8.677 0C5.44 0 3.349 2.125 3.349 5.416v2.496H.452A.45.45 0 000 8.36v3.618a.45.45 0 00.452.447h2.897v9.127A.45.45 0 003.8 22h3.778c.25 0 .451-.2.451-.448v-9.127h3.387c.25 0 .451-.2.451-.447l.003-3.618a.452.452 0 00-.456-.448h-3.39V5.795c0-1.017.245-1.534 1.582-1.534h1.941c.25 0 .452-.2.452-.447V.457a.45.45 0 00-.452-.448l.01-.005z" fill-rule="nonzero"> </path> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://pinterest.com/pin/create/button/?url=https://reactormag.com/white-cat-at-the-gates-of-death-garth-nixs-sabriel/&amp;media=&amp;description=White Cat at the Gates of Death: Garth Nix’s &lt;i&gt;Sabriel&lt;/i&gt;” target=”_blank” title=”Pinterest”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[18px]"="h-[18px]&quot;" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="pinterest" role="img" aria-hidden="true"> <path d="M16.4962 4.49458C17.2844 5.84153 17.6786 7.31473 17.6786 8.91423C17.6786 10.5137 17.2844 11.9888 16.4962 13.3396C15.7079 14.6904 14.6384 15.7599 13.2876 16.5482C11.9368 17.3364 10.4617 17.7306 8.86223 17.7306C8.01273 17.7306 7.17856 17.6081 6.35967 17.3632C6.81121 16.6515 7.10967 16.0239 7.25508 15.4806C7.32396 15.2203 7.53059 14.413 7.87498 13.0584C8.02804 13.3568 8.30738 13.6151 8.71299 13.8332C9.1186 14.0513 9.55483 14.1604 10.0217 14.1604C10.9477 14.1604 11.7742 13.8983 12.5013 13.374C13.2283 12.8498 13.7908 12.1285 14.1888 11.2101C14.5867 10.2918 14.7857 9.25862 14.7857 8.11066C14.7857 7.2382 14.558 6.41933 14.1027 5.65402C13.6473 4.88871 12.9872 4.26499 12.1224 3.78285C11.2576 3.3007 10.2819 3.05964 9.19513 3.05964C8.39156 3.05964 7.64157 3.1706 6.94513 3.39254C6.2487 3.61448 5.65751 3.90912 5.17154 4.27647C4.68556 4.64382 4.26848 5.06665 3.92026 5.54497C3.57205 6.02329 3.31567 6.51882 3.15113 7.03157C2.98659 7.54433 2.90432 8.05708 2.90432 8.56984C2.90432 9.36576 3.05738 10.066 3.3635 10.6706C3.66962 11.2752 4.11732 11.6999 4.70661 11.9448C4.93621 12.0367 5.08161 11.9601 5.14284 11.7152C5.15814 11.6617 5.18876 11.5431 5.23467 11.3594C5.28059 11.1757 5.3112 11.0609 5.32651 11.015C5.37243 10.839 5.33034 10.6744 5.20024 10.5214C4.80993 10.0545 4.61478 9.47673 4.61478 8.78795C4.61478 7.63233 5.01464 6.63936 5.81439 5.809C6.61414 4.97864 7.66069 4.56346 8.95406 4.56346C10.1097 4.56346 11.0108 4.87723 11.6575 5.50479C12.3042 6.13234 12.6275 6.94739 12.6275 7.94994C12.6275 9.25097 12.3654 10.3568 11.8412 11.2675C11.3169 12.1783 10.6454 12.6336 9.82651 12.6336C9.35967 12.6336 8.98468 12.4672 8.70151 12.1343C8.41835 11.8013 8.33034 11.4015 8.43748 10.9346C8.49871 10.6668 8.60011 10.309 8.74169 9.86129C8.88327 9.41359 8.99807 9.01946 9.08608 8.67889C9.17409 8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" /> <path d="M16.4962 4.49458C17.2844 5.84153 17.6786 7.31473 17.6786 8.91423C17.6786 10.5137 17.2844 11.9888 16.4962 13.3396C15.7079 14.6904 14.6384 15.7599 13.2876 16.5482C11.9368 17.3364 10.4617 17.7306 8.86223 17.7306C8.01273 17.7306 7.17856 17.6081 6.35967 17.3632C6.81121 16.6515 7.10967 16.0239 7.25508 15.4806C7.32396 15.2203 7.53059 14.413 7.87498 13.0584C8.02804 13.3568 8.30738 13.6151 8.71299 13.8332C9.1186 14.0513 9.55483 14.1604 10.0217 14.1604C10.9477 14.1604 11.7742 13.8983 12.5013 13.374C13.2283 12.8498 13.7908 12.1285 14.1888 11.2101C14.5867 10.2918 14.7857 9.25862 14.7857 8.11066C14.7857 7.2382 14.558 6.41933 14.1027 5.65402C13.6473 4.88871 12.9872 4.26499 12.1224 3.78285C11.2576 3.3007 10.2819 3.05964 9.19513 3.05964C8.39156 3.05964 7.64157 3.1706 6.94513 3.39254C6.2487 3.61448 5.65751 3.90912 5.17154 4.27647C4.68556 4.64382 4.26848 5.06665 3.92026 5.54497C3.57205 6.02329 3.31567 6.51882 3.15113 7.03157C2.98659 7.54433 2.90432 8.05708 2.90432 8.56984C2.90432 9.36576 3.05738 10.066 3.3635 10.6706C3.66962 11.2752 4.11732 11.6999 4.70661 11.9448C4.93621 12.0367 5.08161 11.9601 5.14284 11.7152C5.15814 11.6617 5.18876 11.5431 5.23467 11.3594C5.28059 11.1757 5.3112 11.0609 5.32651 11.015C5.37243 10.839 5.33034 10.6744 5.20024 10.5214C4.80993 10.0545 4.61478 9.47673 4.61478 8.78795C4.61478 7.63233 5.01464 6.63936 5.81439 5.809C6.61414 4.97864 7.66069 4.56346 8.95406 4.56346C10.1097 4.56346 11.0108 4.87723 11.6575 5.50479C12.3042 6.13234 12.6275 6.94739 12.6275 7.94994C12.6275 9.25097 12.3654 10.3568 11.8412 11.2675C11.3169 12.1783 10.6454 12.6336 9.82651 12.6336C9.35967 12.6336 8.98468 12.4672 8.70151 12.1343C8.41835 11.8013 8.33034 11.4015 8.43748 10.9346C8.49871 10.6668 8.60011 10.309 8.74169 9.86129C8.88327 9.41359 8.99807 9.01946 9.08608 8.67889C9.17409 8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/04/Sabriel-header-740x407.png" class="w-full object-cover" alt="cover of Sabriel by Garth Nix" srcset="https://reactormag.com/wp-content/uploads/2026/04/Sabriel-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/04/Sabriel-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/Sabriel-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/04/Sabriel-header.png 1400w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>I blush to admit how long it took me to get to <em>Sabriel</em> in the TBR pile, aka Mount TBRest. But it worked out, because we are talking about cats in genre, and <em>Sabriel</em> has a rather epic representative of the species.</p> <p>It takes a while to get to him, but the wait is worth it. After many alarums and highly fraught excursions, the titular protagonist finds him sitting at the gate of her father’s magical stronghold. He manifests to her as a small, green-eyed white cat. He talks, of course, and he has clearly expressed and frequent Opinions.</p> <p>The name he tells Sabriel to call him is Mogget. I am guessing that Nix is being a little bit wicked here, because the British term “moggy” refers to what in the US we would call an alley cat: a cat of questionable parentage.</p> <p>There is a great deal more to Mogget than appears on the surface. He is a magical being, a creature of the Free Magic, and he is ancient. One of her ancestors bound him at least a thousand years ago. The binding appears to her as a red leather collar with a tiny bell.</p> <p>Bells are significant in this magic system. Sabriel is the heir to the Abhorsen, one of the most powerful magical practitioners in the world. He is, in superficial terms, a necromancer, but what he does is different. Instead of raising the dead and trying to control them, he maintains the border between life and death. He undertakes to keep the dead on their own side of the line, and protect the living from the ravening dead.</p> <p>He, or rather they because it’s a long line of both genders, works magic in part through a series of seven bells carried on a bandolier across the chest. It’s sound magic, music magic. It can be wielded other ways, such as by whistling or by playing on pan pipes, but the bells are strongest and surest.</p> <p>The bell on Mogget’s collar is a miniature version of Saraneth, the Binder. The collar can be removed, and he tries to trick Sabriel into doing it when they first meet. Sabriel may be young and not as well educated as she might be, but she knows better than to fall for that.</p> <p>It’s good she doesn’t, because later, when she needs the powers that Mogget can raise through the Free Magic, she discovers his dark side. Mogget unbound is a humanoid figure of white light, tremendously powerful and determined to kill her in revenge for his centuries of binding. It’s all she can do to get him back under control, with the help of an enchanted ring.</p> <p>Mogget under binding is a highly valuable guide and mentor. He teaches Sabriel what she needs to know in order to find her father the Abhorsen and finish what he began. Some things, important things, he can’t say; he’s prevented by the magic that constrains him. But he gets a great deal of it across and assists her in every way a small and supernaturally intelligent cat can.</p> <p>He is, in this form, very catlike. He has the body language, the sound effects, the cattitude. He’s highly portable: he can ride around on a human’s shoulders, he can perch pretty much anywhere, he can get into spaces a larger creature can’t manage.</p> <p>He has not always appeared to the Abhorsens as a cat. Sabriel’s father knew him as a “a sort of albino dwarf-boy” who stayed close to home. That’s quite unlike the cat who follows Sabriel all over the world.</p> <p>Sabriel at one point wonders why he chooses to be a cat. The question is never answered in the first volume. If you’ve read the rest of the series and there’s been an answer, do let me know. I haven’t got that far yet.</p> <p>In the meantime, I am guessing that the reason is portability, but also certain other aspects of feline existence. Keen senses, rapid reflexes, sharp claws and teeth.</p> <p>Cats are magical creatures anyway. They’re beings of the borders, the liminal times between dark and light. They’re most active at dawn and dusk. They hunt the things that haunt the twilight.</p> <p>That’s very much in tune with the Abhorsen. They stand between life and death, and can pass the borders in both directions. Like cats, they’re powerful and deadly hunters. They hold the dead at bay and defend the living.</p> <p>Also like cats, they’re prey as well as predator. Great powers of the dead hunt Sabriel and her father before her. She needs all the skills and knowledge and powers she can muster. A good part of that knowledge comes from Mogget.</p> <p>There’s another thing about cats, that fits who Mogget is. Cats are never far from their wild selves. Humans can bind them, whether with bell and collar or by keeping them indoors, but they can go feral with remarkable speed. Some in fact, if born in the wild, can never be domesticated at all (as many a cat rescue knows; a feral mamacat can be so dangerous she has to be handled with Kevlar).</p> <p>Mogget in his collar is a valuable and loyal ally. Mogget freed is a deadly enemy, but still, in his way, valuable—like what we call “working cats,” ferals who can’t be tamed but do good service as rodent control in barns and warehouses and ranches.</p> <p>It makes sense to me that he chooses to be a cat for Sabriel. That’s what she needs, on multiple levels.</p> <p>It’s notable that he gets to choose. He may be bound, but he’s not completely without freedom. He gets a say in what he is and does, and how he does it.</p> <p>That’s a cat. Technically they’re domesticated, but it’s on their terms. There’s always a part of a cat that belongs to the wild, no matter how many generations it’s been bound to humans.[end-mark]</p> <p>The post <a href="https://reactormag.com/white-cat-at-the-gates-of-death-garth-nixs-sabriel/">White Cat at the Gates of Death: Garth Nix’s &lt;i&gt;Sabriel&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/white-cat-at-the-gates-of-death-garth-nixs-sabriel/">https://reactormag.com/white-cat-at-the-gates-of-death-garth-nixs-sabriel/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=845564">https://reactormag.com/?p=845564</a></p>
[syndicated profile] ao3_news_feed

Our February releases included new admin tools for our Support and Policy & Abuse teams, as well as a bunch of challenge and collection fixes and a host of small updates and improvements. We also upgraded to Rails 8 and Elasticsearch 9!

Many thanks to first-time contributor Shel!

Credits

  • Coders: Bilka, Brian Austin, Danaël/Rever, FlyingFalcon, Hunter Ada Smith, james_, Jennifer He (DisappearEagle 无鸢), marcus8448, Richard Hajek, Scott, slavalamp, varram
  • Code reviewers: Bilka, Brian Austin, james_, sarken
  • Testers: ana, Bilka, choux, hvalrann, Lute, mumble, ömer faruk, pk2317, therealmorticia, Yuca

Details

0.9.457

On February 2, we deployed a major Rails update.

  • [AO3-7231] - Updated the framework the Archive runs on to Rails 8.0.

0.9.458

On February 9, we introduced a way for our Support team to add information to the support form without disabling the form, and deployed a bunch of miscellaneous fixes and improvements.

  • [AO3-6983] - It was already possible for our Support team to temporarily close the support form and replace it with a message to users, e.g. about a known site-wide issue the development team was already working to solve. Additionally, they can now add a temporary message to the form without disabling the form entirely.
  • [AO3-3245] - Trying to open the posting form to add a work to a closed collection (only possible by manually typing in the appropriate URL) would lead to an error message that looked like the form had already been submitted. The URL now redirects to the collection with a more helpful error message.
  • [AO3-7246] - We added a "Parent" link to comments, so you can quickly jump to the specific comment that is being replied to.
  • [AO3-7260] - Passwords must now be between 8 and 72 characters long. (The previous minimum was 6 characters.)
  • [AO3-7274] - Comment previews for Policy & Abuse admins were previously truncated after the first 100 characters, and admins had to click on the preview to access the full comment. Now the preview includes the first 1,000 characters, which is much more useful.
  • [AO3-7279] - When a collection is set to "revealed" or "non-anonymous", the collection is placed in a queue that runs when resources are available to change the status of potentially thousands of works. This means the moderator often has enough time to quickly change the setting back if a checkbox was ticked in error. We now make sure the process really only runs if the revealed or non-anonymous option is still wanted when the servers are ready to work through the queue.
  • [AO3-7240] - In our ongoing internationalization efforts, we prepared the text in the help pop-ups for Rating, Warning, and Fandom tags for translation.
  • [AO3-7047], [AO3-7281], [AO3-7287], [AO3-7288] - Code clean-up, database performance improvements, and system updates.

0.9.459

Our February 17 deploy included various small fixes and updates.

  • [AO3-4031] - Draft works include a message at the top, warning the creator that unposted drafts will be automatically deleted after a certain time. If you had a draft with multiple chapters, this message would not be displayed! Now it appears everywhere it should.
  • [AO3-5367] - If someone bookmarked a mystery work, i.e. a work in an unrevealed collection, the bookmark would show up in bookmark searches that matched elements of the mystery work. Since we don't want information about a mystery work to be guessable in this manner, we now make sure searching bookmarks doesn't give away information about unrevealed works.
  • [AO3-5870] - A blockquote in a comment would awkwardly overlap with the commenter's user icon, so we've taken steps to make sure it stays within its own boundaries.
  • [AO3-5963] - You can't request an invite with an email address that is already used by an existing account. If an existing account updates their email address to one that's waiting in the request queue, we now make sure that request is deleted.
  • [AO3-7206] - Downloads of a work in progress with only one chapter posted were missing that chapter's title, summary, and notes, displaying only the information entered for the work as a whole. Now all data is present and accounted for!
  • [AO3-7254] - We've added a limit to how many times a specific comment can be reported to the Policy & Abuse team for review.
  • [AO3-7263] - Under certain circumstances, an admin would get a 500 error trying to access a user's preferences page. Now they can access it even under those circumstances.
  • [AO3-7289] - When a user tried to create a skin with faulty CSS, the parser would just throw an error 500 instead of telling the user which part was stressing it out. It now helpfully points to the problem in the CSS code.
  • [AO3-7210] - The help pop-up that provides information about creating skins is now prepared for translation.
  • [AO3-6853], [AO3-7048] - Code clean-up and database performance improvements.

0.9.460

A bunch of gem updates went out on February 21.

  • [AO3-7036] - When reviewing comments held in moderation, to either approve or reject, there was no "Thread" link to get the URL for a specific comment, e.g. to report it to the Policy & Abuse team. Now there is!
  • [AO3-7278] - AO3 admins from the Open Doors team can now track invitations in the admin area.
  • [AO3-7236] - Prepared the text in a couple of skins-related help pop-ups for translation.
  • [AO3-7265], [AO3-7297], [AO3-7298], [AO3-7299], [AO3-7300] - Code clean-up and database performance improvements.

0.9.461

On February 28, we upgraded to Elasticsearch 9.

  • [AO3-7282] - Upgraded the search engine that powers, among other things, work searches and filtering from version 8 to 9.

March 2026 Newsletter, Volume 209

Apr. 7th, 2026 11:34 am
[syndicated profile] ao3_news_feed

Banner of a paper airplane emerging from an envelope with the words 'OTW Newsletter: Organization for Transformative Works'

I. AO3 IS EXITING OPEN BETA

In early April, we announced that AO3 is exiting open beta!

AO3 has grown and changed a lot since open beta launched in 2009! We've gone from 347 users to over 10 million and from 6,598 works to over 17 million. We've also introduced many features in that time, including the tag system and tag wrangling, additional privacy settings that allow creators to restrict their works or comments to logged-in users, downloads for offline access to fanworks, and more.

Since AO3's software has been stable for a long time, this change is mostly cosmetic and doesn't indicate everything is finalized or perfectly working. Our volunteer coders and community contributors will still be adding to and improving post-beta AO3 every day.

For more information on AO3 exiting open beta, check out the announcement for details.

II. ELSEWHERE AT AO3

In March, we celebrated AO3 reaching 17 million works! \o/

Beyond exiting beta, Accessibility, Design & Technology also performed two important upgrades in March: updating Elasticsearch to version 9 and Ruby on Rails to version 8.1. With these two upgrades, AO3 is on the latest version for two of its most important pieces of software. They also published January’s release notes.

Systems published a postmortem on early March's AO3 downtime.

Open Doors announced the import of SlasHeaven, a Spanish-language slash fanfiction and fanart archive, as part of their Online Archive Rescue Project.

In February, Policy & Abuse (PAC) received 5,674 tickets, which is over 2,000 fewer tickets than the previous month and marks the first decrease in PAC's backlog since 2024. PAC also coordinated with Communications on a news post describing various spambots seen on AO3 and how we're combating them. Also in February, Support received 3,031 tickets, and User Response Translation completed 42 requests from PAC and Support.

Tag Wrangling announced 31 new "No Fandom" canonical tags in their March round-up. On the @ao3org Tumblr, they announced changes to Critical Role fandom tags, creating an overarching fandom metatag for the Exandrian Universe and having specific campaigns or other media split into subtags. They hope these changes will help users better tag and filter for the works they want to see.

In February, Tag Wrangling wrangled over 543,000 tags or approximately 1,200 tags per wrangling volunteer.

III. ELSEWHERE AT THE OTW

Communications has updated the OTW News by Email service! You can now subscribe specifically to recruitment posts. If you're already subscribed to OTW News by Email and would like to change what emails you receive, please contact Communications via their contact form.

In March, Fanlore ran a monthly editing challenge inviting users to ​​archive external links on a page.

Legal answered a number of questions about pending and newly enacted laws around the world, as well as dealing with internal requests from OTW committees.

TWC released No. 47 of Transformative Works and Cultures, a special issue on Gaming Fandom edited by coeditors Hayley McCullough and Ashley P. Jones.

IV. GOVERNANCE

Board and Board Assistants Team continued work on ongoing and newer projects, including making progress on the OTW website project with Communications, supporting Accessibility, Design & Technology with their documentation, and supporting Finance with streamlining messaging policies. They also began preparing for the next public Board meeting scheduled for April 18.

In March, Development & Membership caught up on their recurring donation gifts and put in more regular procedures for them going forward. In conjunction with Communications and Translation, they're now preparing for April's Membership Drive by getting graphics and new gifts ready.

V. OUR VOLUNTEERS

Volunteers & Recruiting conducted recruitment for three committees this month: Communications (News Post Moderation), Translation, and User Response Translation.

From February 21 to March 22, Volunteers & Recruiting received 160 new requests and completed 159, leaving them with 66 open requests (including induction and removal tasks listed below). As of March 22, 2026, the OTW has 992 volunteers. \o/ Recent personnel movements are listed below.

New Committee Chairs/Leads: Becca Bun and Jules Moon (Fanlore), Rebecca Tushnet and Stacey Lantagne (Legal)
New Communications Volunteers: LinnK, Jahnavi, and 3 other Social Media Moderators
New Fanlore Volunteers: 1 Policy & Admin and 1 Social Media & Outreach
New Open Doors Volunteers: Andrea T and 4 other Import Assistants; Kathy and 1 other Technical Volunteer; adyn, Seren, Claire M, and 2 other Administrative Volunteers; and 1 Liaison
New Organizational Culture Roadmap Workgroup Volunteers: 1 Volunteer
New TWC Volunteers: 1 Symposium Editor
New Volunteers & Recruiting Volunteers: miffmiff, PippaLane, and 2 other volunteers

Departing Committee Chairs/Leads: 1 Open Doors Chair, 2 Fanlore Chairs, and 1 Internal Complaint and Conflict Resolution Lead
Departing AD&T Volunteers: 1 Senior Volunteer and 1 Liaison
Departing Fanlore Volunteers: 1 Social Media & Outreach
Departing Finance Volunteers: 1 Bookkeeper
Departing Open Doors Volunteers: 1 Technical Volunteer
Departing Policy & Abuse Volunteers: 1 Volunteer
Departing Tag Wrangling Volunteers: 4 Tag Wranglers and Soppon (Tag Wrangling Supervisor)
Departing Translation Volunteers: Ito, Polyxeni Foutsitsi, and 3 other Translators; 1 Chair Trainee; and 1 Volunteer Manager
Departing User Response Translation Volunteers: 1 Translator
Departing Volunteers & Recruiting Volunteers: 2 Volunteers

For more information about our committees and their regular activities, you can refer to the committee pages on our website.


The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, OTW Legal Advocacy, and Transformative Works and Cultures. We are a fan-run, donor-supported organization staffed by volunteers. Find out more about us on our website.

Spambot Comments on AO3

Apr. 6th, 2026 06:33 pm
[syndicated profile] ao3_news_feed

Spotlight on Policy and Abuse

NOTE: This is a living document and will be updated in response to changes and new types of spam as observed by OTW volunteers.

LAST UPDATED: March 30, 2026

As AO3 continues to grow, there has been an increase in the amount and variety of spambots that attempt to harass or scam users. Spambots may try to imitate other users and even AO3/OTW volunteers to appear more realistic. This post shares a brief update on how we're working to combat this issue, what types of spam we've seen, and what you can do if you encounter spam comments on AO3.

What We're Doing

Protecting our users from scammers and bots targeting AO3 is important to us, and we are actively working to combat spam on the site in a variety of ways—both visible and not. We will not share a detailed list of every change we've made (so as to not provide spammers with information about how to circumvent these measures), but some examples include introducing comment rate limits for logged-in users, changing the default comment setting on new works to "Registered users only", spam checking comments and comment edits from new users, and making a variety of improvements to the admin tools used by our Policy & Abuse volunteers to handle reports and remove spam comments.

We continue to consider and undertake additional technical changes to help prevent and improve our response to spambots. However, it is important to us that any anti-spam measures we implement do not substantially harm users who are browsing or attempting to comment normally. Many more aggressive anti-spam measures would make AO3 less accessible, particularly for users using assistive devices such as screen readers.

In addition to taking technical steps to help address the issues, we continue to post updates about spambots and other important changes to AO3 on our Tumblr, Bluesky, and Twitter/X. We encourage you to follow us on these platforms to stay informed about what's going on.

Types of Spam Comments

Below is a list of different types of spam comments that have been posted on AO3 over the last year. We intend to maintain this list and add new types of spam to it as they are identified; however, this list may not include every type of spam comment that could possibly be received. We encourage you to remain vigilant and follow internet safety best practices.

If you're not sure if something is a spam comment, you're welcome to contact Policy & Abuse for assistance. Before doing so, we encourage you to click through the links below to learn more about each type of comment and use your best judgement to determine if a comment appears to be genuine or could be a scam.

  • Art Commission Spam: These comments come from both guests and registered accounts who pretend to be artists who want to make comics or illustrations for your fanfic. They may ask questions or praise your work to try and get you to reply to them, before convincing you to contact them off AO3 (often via Discord). They will try to scam you into paying for their art, which is either AI-generated or does not exist at all. (First reported August 2024, news post published December 2024)
  • Deprecated Fandoms Spam: These guest comments claim that AO3 will be "deleting works to conserve server space". There is no such thing as a deprecated fandom and there is no limit on the number of fanworks that can be posted to a specific tag. (First reported May 2025, Tumblr announcement May 2025)
  • AI Use Accusation Spam: These guest comments will accuse you of using AI in your work. They may mention a particular AI generator or AI detection service, or claim that they "saw you remove the AI prompts from your work". (First reported April 2023, Tumblr announcement November 2025)
  • Harassing Spam: These guest comments will accuse you or another user of promoting discriminatory beliefs, deceiving fans, or similar behaviors. They often suggest that you "consider adding more diverse characters" to "repair the trust you've lost with your audience". (First reported October 2025, Tumblr announcement November 2025)
  • Praise and Unsolicited Suggestions Spam: These guest comments will compliment your writing but then offer ridiculous suggestions for how to make your work better. Similar to the harassing spam, they may ask you to add a minority character to your work or threaten to publicly expose you if you don't do what they want. (First reported October 2025)
  • Special Character/Keysmash Spam: These comments are usually long and consist entirely of emojis or nonsense, keysmash-style sequences of characters from a variety of non-Latin scripts or languages (e.g., Chinese, Cyrillic, Thai, etc). (First reported November 2025)
  • Reporting To Authorities Spam: These guest comments threaten to report you or your work to the authorities or your employers. They also may allege security concerns like your email being compromised or spyware on your computer. (First reported December 2025, Tumblr announcement December 2025)
  • Disparaging Spam: These guest comments insult you or your writing, claiming that you "wasted your talents" or "have no life". They may also threaten suicide or tell you to delete your work. (First reported December 2025)
  • PowerShell Spam: These comments present you with a piece of code to enter into your computer's terminal/command line. While they claim that the purpose of the code is for your protection or security, the code in these comments would actually delete all documents from your hard drive. (First reported January 2026)
  • Doxxing Threat Spam: These guest comments claim that they know where you live, have seen you in person, and/or threaten to meet you face-to-face. They often say that they have or will post your personal information (name, address, etc.) online or that they are stalking you in real life (e.g. "left a gift in a briefcase near your house"). (First reported January 2026, Tumblr announcement January 2026)
  • Spam Impersonating OTW Volunteers: These guest comments claim to be AO3/OTW volunteers and say that there has been a data breach or that AO3 and other sites (such as Reddit) have been sending out fraudulent password reset emails. (First reported January 2026, Tumblr announcement February 2026)
  • Downtime Spam: These guest comments claim that the March 2026 AO3 downtime was caused by hackers and AO3 has a virus that will destroy your device, and encourage reformatting your device or deleting all your works. (First reported March 2026)

None of the accusations these spam comments make are true. The bots are merely spamming false accusations in order to alarm or harass AO3 users. It is generally safe to ignore these comments once you've removed and/or reported them as outlined below.

What You Can Do

Do not engage in conversation with spam commenters. Do not provide your email or social media contact information to a commenter who asks for it. Scammers try to get you to talk to them privately, because it is often easier to deceive or manipulate people in a one-on-one conversation.

Do not click on any links, run any code commands on your computer, or search out and harass any users named in these comments. Scammers often copy the username of a real AO3 user on their guest comments to make them look more real. Pay attention to the "(Guest)" indicator which will appear next to the name of anyone who comments while not logged in.

For spam comments on your own work, the best way to handle them depends on whether they are from registered accounts or guests. Refer to the instructions below on how to handle Spam from a Guest User or Spam from a Registered Account.

If you see a spambot comment on someone else's work, you can report the comment as spam to Policy & Abuse (even if it's a guest comment) as you would a comment on your own work. You can also let the creator know the comment is from a bot and that they should mark it as spam.

Please don't report comments that have already been deleted. As part of handling a report about spam comments (whether from guests or registered accounts), we will remove other comments made by the same bot. If the comments have been deleted, the bot has already been actioned and no further reports are needed.

Spam from a Guest User

If you receive a spambot comment on your work which is posted by a guest:

  1. Go directly to the comment on your work, either by clicking on the link in your email or in your AO3 inbox.

    Note: The "Spam" button only appears when viewing a guest comment directly on your work. This is because the AO3 comment inbox is merely a copy of the work's comments—deleting a comment from your AO3 inbox does not delete the comment from the work itself.
  2. Click on the "Spam" button to mark the guest comment as spam, remove it from your work, and help train our automated spam-checker to reject similar spam comments in the future.

    Note: Marking guest comments as spam does not submit a report to the Policy & Abuse committee, but unless you are receiving dozens of guest spam comments in a short time period, there is no need to submit a separate report.

To prevent future guest spam comments, you may also want to consider disabling anonymous commenting or restricting your work to registered users only.

If you are reporting multiple guest comments, please submit only one report and include all comment links in your report description. (You can get the direct link to a specific comment by selecting the "Thread" button on the comment and copying the URL of that page.)

If you are receiving dozens of guest spam comments in a short time period, we recommend turning on comment moderation and providing us with a link to the unreviewed comments section of the affected work(s) instead of reporting the comments individually.

Spam from a Registered Account

If the spam comment is posted by a registered AO3 account:

  1. Select the "Thread" button on the spam comment. This will take you to the specific comment page.
  2. Scroll to the bottom of the page and select Policy Questions & Abuse Reports.
  3. In the "Brief summary of Terms of Service violation" field, enter "Spambot".
  4. In the "Description of the content you are reporting" field, enter "This is a spambot, their username is USERNAME." (replace USERNAME with the account's actual username)
  5. Optionally, you may also choose to block or mute the account.

Please don't report multiple spam accounts in one report. Each account is actioned separately and listing more than one account per report delays our response to you.

Closing

In general, please follow internet safety best practices and be cautious of unsolicited advertisements or harassing comments on your work. For some advice on other ways you can protect your AO3 account, take a look at this internet security guidance from our Policy & Abuse volunteers.


The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, OTW Legal Advocacy, and Transformative Works and Cultures. We are a fan-run, donor-supported organization staffed by volunteers. Find out more about us on our website.

concert review: Attacca Quartet

Apr. 13th, 2026 07:53 am
calimac: (Haydn)
[personal profile] calimac
This was something special.

Taking place in the smaller theater on the top floor of the SF building whose main venue is the Herbst, it consisted of a single 90-minute set of string quartet music by Caroline Shaw. For three pieces which were art songs in format, Shaw herself - a founding member of the vocal ensemble A Roomful of Teeth - came onstage and provided the vocals.

I first heard of Shaw in 2013 when she won the Pulitzer Prize for a vocal piece she'd written for her ensemble. I heard it and was quite taken with the bold but winning composition. I began looking forward to and seeking out her music. I've heard some of the pieces at this concert - "And So," "The Evergreen," "Valencia" - before.

But I hadn't heard the Attacca Quartet play them. They're so taken with Shaw's music they'd be happy if they could arrange to play nothing else. They took a strong and precision-oriented approach to this music, which served well its intricacies and cutting edges, but was perhaps not always the best approach for conveying the emotional winningness of the music. But it was always vividly arresting. The most striking moments came in "Blueprint," which features frequent fortissimo unified attacks after long pauses. These were always, uniformly, precisely aligned so that all four players were as one. A lot of good ensembles can't do that.

Elsewhere, though, squeaking the bow across the strings was striking the first time it happened, but after twenty repetitions I'd had enough. This was the only time I've ever gotten tired of what Shaw was writing. The precision uniformity of Attacca's approach didn't help here.

I find Shaw's music to have wholeness and healing in it despite a style emphasizing stuttering and fragmentation. If this concert didn't emphasize those first qualities, it was nevertheless an arresting and exciting performance of a lot of music by one of the finest composers currently out in the world.

I arrived in the City early enough to attend half of a free certificate recital by a student at the SF Conservatory. This was up in the recital hall near the top of the Conservatory's new high-rise, which I hadn't been in before. The glass wall behind the players provides a striking north view of the dome of City Hall. Anyway, the student was Ruisi Doris Du, playing on viola an arrangement of one of Bach's cello suites. It was a bit stiff and formal, characteristic of people less than seasoned professionals playing Bach, but as far as I could tell she was completely technically adept. B., who plays viola herself, would have enjoyed it, but she's not going all the way up to the City for a viola recital.

Unfortunately time pressure meant I couldn't stay for the second half, which featured Rachmaninoff (also an arrangement from cello) and Rebecca Clarke (not).
[syndicated profile] reactor_feed

Posted by Molly Templeton

News The Hunger Games: Sunrise on the Reaping

The Hunger Games: Sunrise on the Reaping Trailer Welcomes You to the 50th Hunger Games

May the odds… yeah, you know the rest

By

Published on April 13, 2026

Screenshot: Lionsgate Movies

0
Share
[Error: Irreparable invalid markup ('<a [...] w-[18px]>') in entry. Owner must fix manually. Raw contents below.]

<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-hunger-games-sunrise-on-the-reaping-trailer-2/">https://reactormag.com/the-hunger-games-sunrise-on-the-reaping-trailer-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=845570">https://reactormag.com/?p=845570</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-hunger-games-sunrise-on-the-reaping/" class="inline-block link-no-animation" aria-label="Link to term or tag The Hunger Games: Sunrise on the Reaping 1"> The Hunger Games: Sunrise on the Reaping </a> </span> </div> <h2 class="post-hero-title text-h1"><i>The Hunger Games: Sunrise on the Reaping</i> Trailer Welcomes You to the 50th Hunger Games</h2> <div class="prose post-hero-description prose--post-hero">May the odds&#8230; yeah, you know the rest</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 13, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Lionsgate Movies</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/the-hunger-games-sunrise-on-the-reaping-trailer-2/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=&lt;i&gt;The Hunger Games: Sunrise on the Reaping&lt;/i&gt; Trailer Welcomes You to the 50th Hunger Games&amp;url=https://reactormag.com/the-hunger-games-sunrise-on-the-reaping-trailer-2/” target=”_blank” title=”Twitter”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[15px]"="h-[15px]&quot;" width="18" height="15" viewbox="0 0 18 15" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="twitter" role="img" aria-hidden="true"> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 14.3966 0 13.3375C0.262269 13.3667 0.554506 13.3813 0.876722 13.3813C2.56274 13.3813 4.06514 12.8774 5.38397 11.8694C4.59717 11.8548 3.8928 11.6192 3.27085 11.1627C2.6489 10.7062 2.22178 10.1237 1.98949 9.41523C2.23677 9.45175 2.46531 9.47001 2.67513 9.47001C2.99734 9.47001 3.31581 9.42984 3.63053 9.3495C2.79127 9.1815 2.09627 8.77431 1.5455 8.12789C0.99474 7.48148 0.719362 6.73099 0.719362 5.87641V5.83259C1.22891 6.11015 1.77592 6.25988 2.36041 6.28179C1.86584 5.96041 1.47245 5.54043 1.1802 5.02184C0.887961 4.50325 0.741842 3.94084 0.741842 3.3346C0.741842 2.69184 0.906694 2.09656 1.2364 1.54875C2.1431 2.63707 3.24649 3.50807 4.54659 4.16178C5.84669 4.8155 7.23857 5.17887 8.72226 5.25192C8.66232 4.97436 8.63234 4.70411 8.63234 4.44116C8.63234 3.46241 8.9864 2.62793 9.69452 1.9377C10.4027 1.24746 11.2588 0.902344 12.2629 0.902344C13.3119 0.902344 14.1962 1.27485 14.9155 2.01987C15.7323 1.86648 16.5004 1.58162 17.2197 1.16529C16.9425 2.00526 16.4104 2.65532 15.6236 3.11548C16.3205 3.04244 17.0174 2.85984 17.7143 2.56767Z" fill="currentColor" /> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 14.3966 0 13.3375C0.262269 13.3667 0.554506 13.3813 0.876722 13.3813C2.56274 13.3813 4.06514 12.8774 5.38397 11.8694C4.59717 11.8548 3.8928 11.6192 3.27085 11.1627C2.6489 10.7062 2.22178 10.1237 1.98949 9.41523C2.23677 9.45175 2.46531 9.47001 2.67513 9.47001C2.99734 9.47001 3.31581 9.42984 3.63053 9.3495C2.79127 9.1815 2.09627 8.77431 1.5455 8.12789C0.99474 7.48148 0.719362 6.73099 0.719362 5.87641V5.83259C1.22891 6.11015 1.77592 6.25988 2.36041 6.28179C1.86584 5.96041 1.47245 5.54043 1.1802 5.02184C0.887961 4.50325 0.741842 3.94084 0.741842 3.3346C0.741842 2.69184 0.906694 2.09656 1.2364 1.54875C2.1431 2.63707 3.24649 3.50807 4.54659 4.16178C5.84669 4.8155 7.23857 5.17887 8.72226 5.25192C8.66232 4.97436 8.63234 4.70411 8.63234 4.44116C8.63234 3.46241 8.9864 2.62793 9.69452 1.9377C10.4027 1.24746 11.2588 0.902344 12.2629 0.902344C13.3119 0.902344 14.1962 1.27485 14.9155 2.01987C15.7323 1.86648 16.5004 1.58162 17.2197 1.16529C16.9425 2.00526 16.4104 2.65532 15.6236 3.11548C16.3205 3.04244 17.0174 2.85984 17.7143 2.56767Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://www.facebook.com/sharer/sharer.php?u=https://reactormag.com/the-hunger-games-sunrise-on-the-reaping-trailer-2/" target="_blank" title="Facebook"> <svg class="w-[9px] h-[18px]" fill="currentColor" viewbox="0 0 12 22" width="100%" height="100%" display="block" transitionduration="normal" transitionproperty="none" transitiontimingfunction="ease-out" class="w-[9px] h-[18px]" aria-label="facebook" role="img" aria-hidden="true"> <path d="M11.558.004L8.677 0C5.44 0 3.349 2.125 3.349 5.416v2.496H.452A.45.45 0 000 8.36v3.618a.45.45 0 00.452.447h2.897v9.127A.45.45 0 003.8 22h3.778c.25 0 .451-.2.451-.448v-9.127h3.387c.25 0 .451-.2.451-.447l.003-3.618a.452.452 0 00-.456-.448h-3.39V5.795c0-1.017.245-1.534 1.582-1.534h1.941c.25 0 .452-.2.452-.447V.457a.45.45 0 00-.452-.448l.01-.005z" fill-rule="nonzero"> </path> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://pinterest.com/pin/create/button/?url=https://reactormag.com/the-hunger-games-sunrise-on-the-reaping-trailer-2/&amp;media=&amp;description=&lt;i&gt;The Hunger Games: Sunrise on the Reaping&lt;/i&gt; Trailer Welcomes You to the 50th Hunger Games” target=”_blank” title=”Pinterest”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[18px]"="h-[18px]&quot;" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="pinterest" role="img" aria-hidden="true"> <path d="M16.4962 4.49458C17.2844 5.84153 17.6786 7.31473 17.6786 8.91423C17.6786 10.5137 17.2844 11.9888 16.4962 13.3396C15.7079 14.6904 14.6384 15.7599 13.2876 16.5482C11.9368 17.3364 10.4617 17.7306 8.86223 17.7306C8.01273 17.7306 7.17856 17.6081 6.35967 17.3632C6.81121 16.6515 7.10967 16.0239 7.25508 15.4806C7.32396 15.2203 7.53059 14.413 7.87498 13.0584C8.02804 13.3568 8.30738 13.6151 8.71299 13.8332C9.1186 14.0513 9.55483 14.1604 10.0217 14.1604C10.9477 14.1604 11.7742 13.8983 12.5013 13.374C13.2283 12.8498 13.7908 12.1285 14.1888 11.2101C14.5867 10.2918 14.7857 9.25862 14.7857 8.11066C14.7857 7.2382 14.558 6.41933 14.1027 5.65402C13.6473 4.88871 12.9872 4.26499 12.1224 3.78285C11.2576 3.3007 10.2819 3.05964 9.19513 3.05964C8.39156 3.05964 7.64157 3.1706 6.94513 3.39254C6.2487 3.61448 5.65751 3.90912 5.17154 4.27647C4.68556 4.64382 4.26848 5.06665 3.92026 5.54497C3.57205 6.02329 3.31567 6.51882 3.15113 7.03157C2.98659 7.54433 2.90432 8.05708 2.90432 8.56984C2.90432 9.36576 3.05738 10.066 3.3635 10.6706C3.66962 11.2752 4.11732 11.6999 4.70661 11.9448C4.93621 12.0367 5.08161 11.9601 5.14284 11.7152C5.15814 11.6617 5.18876 11.5431 5.23467 11.3594C5.28059 11.1757 5.3112 11.0609 5.32651 11.015C5.37243 10.839 5.33034 10.6744 5.20024 10.5214C4.80993 10.0545 4.61478 9.47673 4.61478 8.78795C4.61478 7.63233 5.01464 6.63936 5.81439 5.809C6.61414 4.97864 7.66069 4.56346 8.95406 4.56346C10.1097 4.56346 11.0108 4.87723 11.6575 5.50479C12.3042 6.13234 12.6275 6.94739 12.6275 7.94994C12.6275 9.25097 12.3654 10.3568 11.8412 11.2675C11.3169 12.1783 10.6454 12.6336 9.82651 12.6336C9.35967 12.6336 8.98468 12.4672 8.70151 12.1343C8.41835 11.8013 8.33034 11.4015 8.43748 10.9346C8.49871 10.6668 8.60011 10.309 8.74169 9.86129C8.88327 9.41359 8.99807 9.01946 9.08608 8.67889C9.17409 8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" /> <path d="M16.4962 4.49458C17.2844 5.84153 17.6786 7.31473 17.6786 8.91423C17.6786 10.5137 17.2844 11.9888 16.4962 13.3396C15.7079 14.6904 14.6384 15.7599 13.2876 16.5482C11.9368 17.3364 10.4617 17.7306 8.86223 17.7306C8.01273 17.7306 7.17856 17.6081 6.35967 17.3632C6.81121 16.6515 7.10967 16.0239 7.25508 15.4806C7.32396 15.2203 7.53059 14.413 7.87498 13.0584C8.02804 13.3568 8.30738 13.6151 8.71299 13.8332C9.1186 14.0513 9.55483 14.1604 10.0217 14.1604C10.9477 14.1604 11.7742 13.8983 12.5013 13.374C13.2283 12.8498 13.7908 12.1285 14.1888 11.2101C14.5867 10.2918 14.7857 9.25862 14.7857 8.11066C14.7857 7.2382 14.558 6.41933 14.1027 5.65402C13.6473 4.88871 12.9872 4.26499 12.1224 3.78285C11.2576 3.3007 10.2819 3.05964 9.19513 3.05964C8.39156 3.05964 7.64157 3.1706 6.94513 3.39254C6.2487 3.61448 5.65751 3.90912 5.17154 4.27647C4.68556 4.64382 4.26848 5.06665 3.92026 5.54497C3.57205 6.02329 3.31567 6.51882 3.15113 7.03157C2.98659 7.54433 2.90432 8.05708 2.90432 8.56984C2.90432 9.36576 3.05738 10.066 3.3635 10.6706C3.66962 11.2752 4.11732 11.6999 4.70661 11.9448C4.93621 12.0367 5.08161 11.9601 5.14284 11.7152C5.15814 11.6617 5.18876 11.5431 5.23467 11.3594C5.28059 11.1757 5.3112 11.0609 5.32651 11.015C5.37243 10.839 5.33034 10.6744 5.20024 10.5214C4.80993 10.0545 4.61478 9.47673 4.61478 8.78795C4.61478 7.63233 5.01464 6.63936 5.81439 5.809C6.61414 4.97864 7.66069 4.56346 8.95406 4.56346C10.1097 4.56346 11.0108 4.87723 11.6575 5.50479C12.3042 6.13234 12.6275 6.94739 12.6275 7.94994C12.6275 9.25097 12.3654 10.3568 11.8412 11.2675C11.3169 12.1783 10.6454 12.6336 9.82651 12.6336C9.35967 12.6336 8.98468 12.4672 8.70151 12.1343C8.41835 11.8013 8.33034 11.4015 8.43748 10.9346C8.49871 10.6668 8.60011 10.309 8.74169 9.86129C8.88327 9.41359 8.99807 9.01946 9.08608 8.67889C9.17409 8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="490" src="https://reactormag.com/wp-content/uploads/2026/04/hunger-games-sunrise-effie-740x490.jpg" class="w-full object-cover" alt="Elle Fanning as Effie Trinket in The Hunger Games: Sunrise on the Reaping" srcset="https://reactormag.com/wp-content/uploads/2026/04/hunger-games-sunrise-effie-740x490.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/hunger-games-sunrise-effie-1100x729.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/hunger-games-sunrise-effie-768x509.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/hunger-games-sunrise-effie-1536x1018.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/hunger-games-sunrise-effie-2048x1357.jpg 2048w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Lionsgate Movies</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Gather round, everyone! It&#8217;s time to watch teenagers murder each other for entertainment again! Or rather, it&#8217;s time to <em>fictionally</em> watch <em>fictional</em> teenagers murder each other for entertainment again. Yes, that&#8217;s right, it&#8217;s time for another <em>Hunger Games</em>—or at least the trailer for one. <em>The Hunger Games: Sunrise on the Reaping</em> is a mere seven months away. I&#8217;d say it&#8217;s time to place your bets, but we all know who comes out on top in this, the 50th Hunger Games. It&#8217;s young Haymitch Abernathy (Joseph Zada), who will grow up to be a very troubled Woody Harrelson by the time of the 74th Hunger Games. </p> <p>How did he get that way? Well, let Suzanne Collins—as interpreted by writer Billy Ray and director Francis Lawrence—show you.</p> <p>The 50th Games is, of course, the second Quarter Quell, which is when the Gamemakers put a perverse little twist on the typical setup. For this particular year, that means 48 doomed kids instead of 24. That is a lot of kids to keep track of, yes; you&#8217;ll want to keep your eye on Mckenna Grace as Maysilee Donner.</p> <p>Around the arena, the movie is packed with stars, many playing characters we&#8217;ve already met: Elle Fanning is an on-the-nose Effie Trinket (the role previously played by Elizabeth Banks). Jesse Plemons is young Plutarch Heavensbee (previously Philip Seymour Hoffman); Ralph Fiennes is President Snow (previously Donald Sutherland and Tom Blyth); Maya Hawke is Wiress (previously Amanda Plummer); Kelvin Harrison Jr. is Beetee (previously Jeffrey Wright); Lili Taylor is Mags (previously Lynn Cohen), and Kieran Culkin is Caesar Flickerman (previously Stanley Tucci). Jennifer Lawrence and Josh Hutcherson <a href="https://reactormag.com/jennifer-lawrence-josh-hutcherson-the-hunger-games-sunrise-on-the-reaping/" target="_blank" rel="noreferrer noopener">will appear as Katniss and Peeta</a>.</p> <p>The most important new character is Lenore Dove Baird, Haymitch&#8217;s girlfriend; she&#8217;s played by Whitney Peak. Billy Porter joins up as Magno Stift, and Glenn Close as Drusilla Sickle. </p> <p><em>Sunrise</em> is an odd book; since anyone reading it already knows who&#8217;s going to win the Games, there&#8217;s certainty about the outcome—but that doesn&#8217;t lessen the horror of how we <em>get</em> to that outcome. And as any fan of the first trilogy knows, plenty of terrible things happen outside the arena as well. The fact that Snow knows about Lenore Dove isn&#8217;t great! But the beginnings of rebellion happen outside the arena, too. The real heartbreak of this one might be knowing how long it takes for that rebellion to build.</p> <p><em>The Hunger Games: Sunrise on the Reaping</em> is in theaters on November 20, 2026.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="10991"/> </div></figure> <p></p> <p>The post <a href="https://reactormag.com/the-hunger-games-sunrise-on-the-reaping-trailer-2/">&lt;i&gt;The Hunger Games: Sunrise on the Reaping&lt;/i&gt; Trailer Welcomes You to the 50th Hunger Games</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-hunger-games-sunrise-on-the-reaping-trailer-2/">https://reactormag.com/the-hunger-games-sunrise-on-the-reaping-trailer-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=845570">https://reactormag.com/?p=845570</a></p>
[syndicated profile] reactor_feed

Posted by Sarah

Books Science Fiction

Five Vintage SF Works About Traveling to the Moon

This is how we imagined humanity’s first trip to the moon before Apollo 11…

By

Published on April 13, 2026

Credit: JSC/NASA

The earth appears to "set" over the lunar surface; image captured during the Artemis II lunar flyby, April 2026

Credit: JSC/NASA

People the world over welcomed the distraction offered by astronaut Jeremy Hanson as the Canadian and some others made their way to and around the Moon in the spacecraft Artemis II.

Now, the idea of a journey to the Moon is nothing new. The Moon has been in the sky for a very long time. I have no doubt it will still be there when humans are a fading memory1. It’s only natural that storytellers have long pondered journeys there. Before the nineteenth century, these journeys were only fantasies. Of late we have begun to imagine Moon travel via technology. You might enjoy these early works.

Autour de la Lune by Jules Verne (1869)

cover of All Around the Moon by Jules Verne

Having in 1865’s De la Terre à la Lune, trajet direct en 97 heures 20 minutes solved the trifling problems of financing, constructing, and successfully firing the stupendously large Columbiad cannon, the occupants of the Columbiad’s shell—Barbicane, Nicholl and Ardan—are on their way towards Earth’s Moon.

Their goals are comparatively modest. No landing is intended, only circumnavigation and return. Nevertheless, nobody has ever made this journey before. Some of the hazards are known, but others will come as unpleasant surprises. The trio may never return to Earth again.

As was the custom in those days, the translated edition available in my school library was appalling. Verne was not taken seriously in l’anglosphere, and publishers were content to print slap-dash translations. The single positive change in that edition was printing both 1865’s De la Terre à la Lune, trajet direct en 97 heures 20 minutes and Autour de la Lune in a single volume. I would have been quite vexed to read the first volume to discover it ended just as the three men were fired into space.

Die Frau im Mond by Thea von Harbou (1928)

cover of Frau Im Mond by Thea von Harbou

Helius possesses the technical know-how needed to construct a Moon rocket. His associate Professor Mannfeldt provides the necessary motivation; Mannfeldt is convinced that the Moon harbors abundant gold. Therefore, should Helius turn theory into a functioning rocket, he could be assured of vast material reward for having done so.

The fly in the ointment: gangsters catch wind of Mannfeldt’s claims. Helius is forced to accept a criminal, Turner, as part of the crew. The surprisingly large crew—Helius, Mannfeldt, assistants Windegger and Friede, Turner, stowaway Gustav and a small mouse named Josephine—embark in the spaceship (also named Friede) for the Moon. The journey is complicated by technical challenges and romantic triangles, but the true danger is, of course, the extremes to which men like Turner will go to satisfy their greed.

This novel is the basis for the famous Frau Im Mond, film directed by Fritz Lang.

Gustav is very lucky that the Friede is wildly over-engineered. Otherwise he might well have been dispatched out through the airlock as soon as he was discovered.

The Spirit on the Moon by Will Eisner, Jules Feiffer, and Wallace Wood (1952)

cover of Will Eisner's The Spirit on the Moon

The Interplanetary Flight Commission is determined to put men on the Moon. The problem is that any man with the requisite skills has far better options than a quite-possibly-one-way trip to an airless, deadly world. Any free man, that is. Hardened convicts can be enticed into volunteering, in return for freedom should they return.

Someone will have to accompany the crooks, to keep them on-mission and ensure the success of the venture. That man is, as the title suggests, masked crimefighter Denny Colt, AKA the Spirit. But is even a two-fisted man of action up to the challenges of keeping panicky convicts alive on an alien world?

Sending masked crimefighters to the Moon? What next? Dick Tracy?

Efforts to test crewed spaceflight with animals infuriated animal welfare agencies. Nobody seems all that bothered about sending convicts. This is just one reason why this atypical Spirit arc is incredibly depressing…the art, the Spirit’s internal monologue, and the unpleasant fatalities all play a role.

On a marché sur la Lune by Hergé (1954)

cover of The Adventures of Tintin: Explorers on the Moon

(Translated to English as Explorers on the Moon) Professor Calculus’ atomic-rocket-powered spacecraft is more than up to the task of delivering a crew of highly trained professionals to the Moon and returning them safely. However, for reasons that were no doubt compelling at the time, the Moon rocket is crewed by the Professor, assistant Frank Wolff, plucky boy reporter Tintin, Tintin’s dog Snowy, Tintin’s alcoholic friend Captain Haddock, not to mention an astonishing number of stowaways, accidental and deliberate.

The added mass does not prevent the Moon rocket from reaching and landing on the Moon, nor do the wacky hijinks of stowaway detectives Thomson and Thompson. Even the violent antics of stowaway Jorgen cannot prevent success. However, with far more crew than planned, the Moon rocket may well lack sufficient air to return them all to Earth.

Vintage science fiction really underplayed the difficulty of stowing away on space craft. Or perhaps tales like this one so persuasively argued in favour of preflight checklists that nowadays nobody ever sets off for space without glancing into closets and airducts for unauthorized passengers.

Venture to the Moon by Arthur C. Clarke (1956)

cover of The Other Side of the Sky by Arthur C Clarke

In this series of linked short stories (later collected with additional stories in The Other Side of the Sky), the British, Americans, and Russians2 pooled resources for the first expedition to the Moon. Still, someone has to be first among equals. More exactly, simultaneous landing seems unlikely. Which great nation’s ship will be the first to reach the Moon?

This good-natured competition is only an early complication. Navigational mishaps, all too successful scientific research, and unsanctioned commodification of the Moon also put in appearances. However, all these pale next to the challenges presented by the British tax system.

That last detail might seem like an odd one, if one is not aware of the existence of British tax exiles in bygone days. Would someone really subject themselves to an extended stay on an airless, radiation-soaked world to reduce their tax bill? Too right they would.


These are only a few of the pre-Apollo 11 SF stories about first trips to the Moon. I didn’t even mention Lucian of Samosata or Cyrano de Bergerac. No doubt you have your favourites and unless they were one of the five above, no doubt I missed them. Comments are below.[end-mark]

  1. Will that be a million years from now… or next week? Won’t it be an adventure to find out? ↩
  2. I wonder why the French weren’t invited. ↩

The post Five Vintage SF Works About Traveling to the Moon appeared first on Reactor.

Profile

pegkerr: (Default)
pegkerr

April 2026

S M T W T F S
    1 234
567 891011
12131415161718
19202122232425
2627282930  

Peg Kerr, Author

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags