pegkerr: (Default)
This has been one of those weeks where it has been a bit difficult to pin down exactly what the week has been about. What has been top of mind? I didn't have anything particularly extraordinary happen. (For St. Patrick's day, I made mashed potatoes laced with corned beef and cheese. Whatever).

I realized that I have been fighting a slight strain of melancholy and I put it down to the fact that I have been pushing forward with the decluttering/Swedish Death Cleaning. I am continuing to go through Rob's stuff (OMG, after eight seven years, aren't I done YET? But no, I am STILL pulling legal files out of the garage).

Going through Rob's stuff will never stop being painful. I am confronted by memories with every box I open, every piece of paper I reread. God, oh how I wish he had not stuck me with this burden. It feels like being trapped in the past. My sense of time gets hosed up when I am doing these tasks. I am about to turn 65. I am on the brink of retirement, and could conceivably figure that I am 2/3 through this life or more. Yet each box lands me firmly back in the past. And that is both intoxicating and so very painful.

Going through his things, thinking about the house, continually rubs my nose in the fact that this house used to be for a family. I lived with other people I loved. I ate meals together with them. I celebrated holidays with them. But now I live alone and it feels so wrong. When I get together with my siblings (whom I dearly love), I enjoy spending time with them, don't get me wrong. But they are all married, and I feel that difference in our situations so keenly. They are all with the partners with whom they have spent years, with whom they had children. And the ghost of Rob beside me is like a phantom limb, aching with pain.

Yes, I am keeping company with Eric, and yes, I love him and we are committed to each other. But there are very good reasons why we are not living together, why we will probably never have the deep history together that my siblings have with their spouses--someone with whom they have lived with for decades, someone with whom they have had children. The history I had with Rob.

I don't want to spend the rest of my life with my neck cranked over my shoulder, looking back longingly at the past. I feel so acutely the empty parts of my life here in the present.

I want to look forward toward the future. And yet I recognize that my future is an increasingly smaller and smaller portion of my life. Yes, I do know that there are things I can still anticipate with pleasure. I am, after all, welcoming my first grandchild this June.

But when I am going through Rob's boxes, the collision of past, present, and future is uncomfortable and painful.

God, being a widow just sucks.

Image description: A view of a range of mountains. Lower center: a bright spot at the confluence where one slopes down as the other slopes up. The downslope is labeled 'Past,' the slope behind the bright spot is 'Present' and the upslope leading away is 'Future.' An arrow points to the bright spot with the text 'You are here.'


Past, Present, and Future

11 Past Present Future

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pegkerr: (Glory and Trumpets)
I've been doing these collages for several years, and somehow I've focused on the same subject during this week each year. January 26 is the anniversary of Rob's death in 2018.

This year, I really wanted to do a different subject. I mean, the grief is still there (and will always be there) but I can talk about other things, I promise.

And this week, I definitely have something different to speak of, something that makes me very happy! And yet, oddly enough, it has prodded my grief a bit, so I will end up speaking about Rob after all.

Alona and Fiona have given me permission to share some news publicly that I have been sitting on for several months: They are expecting a baby, who will be born in June. (Alona is the person who is carrying the baby.) They have done genetic testing, and the baby is just fine and entirely healthy. (Alona, alas, has been having a difficult time with nausea and other unpleasant symptoms, and we would appreciate it if that settled down. Thank you.)

I am delighted with this news. But of course, there is that underlying twinge of sadness for Rob, again, that he will never see or hold his grandchildren. He would have loved the experience, just as I will.

That's the thing about grief and widowhood: the losses keep playing out, even years later.

This collage includes a picture of him holding Fiona on the day that she was born. Here is another one:

Fiona and Rob

Image description: An ultrasound of a fetus. Lower left corner: a man (Rob) looks down with an expression of wonder at a bundled baby in his lap. Lower right: a hand cups a pair of infant feet

Baby

4 Baby

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pegkerr: (Default)
I attended an ordination last weekend, and the pastor explained during the announcement portion of the services that out in the narthex, there was a table containing bags with sticks of chalk and a piece of paper explaining the tradition of doing a house blessing at Epiphany. We were all encouraged to take them home. I was intrigued, as I had never heard of this custom before, and I took home the bag with the chalk and read the paper.

It said:
For centuries, Christians have celebrated the season of Epiphany by chalking their outside front door with a blessing. You are invited to try it at your home.

The Traditional Chalk Blessing:

20 † C † M † B † 25


Surrounding the blessing is the date of the new year (2025). The crosses between the letters symbolize Christ.

CMB has two meanings. It signifies the traditional names of the three magi who visited Jesus (Caspar, Melchior, and Balthazar), and it stands for the Latin phrase "Christus mansionem benedictat," meaning "May Christ bless this house."
Reading about this tradition got me thinking about my house.

Rob and I moved into this house in December 1992. I realized, counting back, that I am almost at the exact point where I have lived half my life in this house.

I thought of a song I've loved for years by one of my favorite artists, Peter Mayer, "Houses of Winter," which imagines homes as almost sentient entities, watching over the people in their keeping. The Houses of Winter )



When we moved into this house, I was seven months pregnant with Fiona (convenient, because I wasn't expected to lift anything heavier than a waste basket on moving day). I brought my babies home to this house and raised them here. Rob and I loved each other here, and it was my anchor when he died.

This home has sheltered a family. Now it is just me.

I have often wished I come up with a proper name for the house, as some of my friends have for their own homes, but nothing ever quite seemed to fit. Yet it has a personality. It was built in 1916 and has beautiful bones, but it is whimsical and sometimes temperamental, too. The furnace in the basement is original to the house, an octopus monstrosity that crouches in the darkness, tentacles reaching in all directions, hemmed in by asbestos, greedy as hell for natural gas, yet as reliable as could be desired. The electrical system is barely adequate. The floors slope toward the midline, the tile floor in the bathroom is cold, and the light switch in the bedroom says 'NO' instead of 'ON' because it was installed upside down. The less said about the paneling installed in the hallway and two of the bedrooms, the better.

The house regularly demands tribute in expensive repairs: a new roof. Drain tile in the basement. Regular repainting. The walls are threaded through with cracks in the plaster.

I have tried to make my home more my own as I have been slowly cleaning out Rob's stuff. I have never had a pet while living here (allergies make it impossible). It is just me. And the house.

I've eaten tomatoes and Swiss chard grown in the backyard and cooked thousands of meals in the kitchen. I've probably cried in just about every room in the house. The walls have soaked up so much laughter, the yells from so many fights, the joy of so many celebrations (perhaps that's why they are cracking so much).

It feels almost like...like it's the two of us now, the house and me. It is almost anthropomorphic, in other words, as in the Peter Mayer song. This house has watched over and sheltered my family, been my comfort and haven in times of struggle and grief. Now it watches over me. It seems more personal. Just as it has been a blessing to me, it seems only fitting to bless and thank the house in return.

Background: a dark wooden front door, overlaid at the top with a stitched sampler reading 'Bless This House." The top of the door has an inscription in white letters "20 † C † B † M † 25." Lower center: a mesh bag containing a piece of chalk hovers over three porcelain figurines of the three wise men. A pair of hands reaches up from the bottom, cupping the sampler in blessing.

Blessing

2 Blessing

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pegkerr: (Loving books)
It has taken several weeks, but the huge brick-and-board bookcase that was in my bedroom, crammed with a large part of Rob's science fiction/fantasy book collection, is gone. I asked several family members if they wanted the books but got rid of only a handful of the books that way. Then, I checked with a coworker who is an SF/fantasy fan and he happily removed a couple of hundred books for the collection. As I had mentioned earlier, I took some and distributed them in local Little Free Libraries.

Finally, I decided that the most efficient method was to take the books, a box at a time, to Don Blyly at the Uncle Hugo's Science Fiction bookstore. Don would look through each box and generally took somewhere between 1/2 to 2/3 of them. He would offer a sum, either in credit or half that value in cash. I took cash, because I am not trying to encourage myself to buy more books. It generally would come out to somewhere between $5 - $15 a box. I could hear Rob screaming in protest in my mind with every box, but I did it, and I am glad it is done.

I will probably take several more boxes of books piled up in corners. There are still many many books left in the house. But I am next turning my attention to doing over the bedroom. For one thing, getting rid of the books has revealed how disgusting the 30+ year carpet is. Ugh. I want to rip it out.

It has been hard, emotional work. It is odd--these were books I had not generally read myself. Why was it so difficult to get rid of them? I think it was because Rob was so passionately tied to his collection, it was as if a part of his essence had seeped into it, and it felt as though getting rid of them was getting rid of him.

I have worked through it, however, and the bulk of the books are gone. I did pull some off the shelf that I had read and loved myself. But I will go through them and see if I can get them out of the library, and if I can, I will take those too, in a future trip.

Image description: Three views of a brick-and-board bookcase in the process of being dismantled. Top: a semi-transparent view of the books from floor to ceiling. Center: a view with the books with one board left in place. Bottom: a view of the baseboard with the marks of the supporting bricks left on the carpet. All the bricks and boards are gone. Hovering over the semi-transparent bookcase is the signage for Uncle Hugo's Science Fiction Bookstore/Uncle Edgar's Mystery Bookstore.

Dismantling

35 Dismantling

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pegkerr: (I told no lies and of the truth all I co)
I've been thinking about Minicon, which I attended last week. And I've been thinking about the concept of a palimpsest:
a manuscript or piece of writing material on which the original writing has been effaced to make room for later writing but of which traces remain.
I have been going to Minicon for forty years (well, aside for the years when it wasn't held due to Covid). That means a lot of memories. Minicon has long been a joy and a delight, an event to which Rob and I looked forward every year. We brought our kids--Fiona went to her first Minicon when she was only ten days old. We always got a hotel room. Many years, we worked on the convention committee. Rob was the Head of Operations when Minicon was in its heyday, when Minicon attracted more than 3,000 people. I cut my writing teeth at Minicon. I made so many friends, so many personal and professional connections. It was a cherished family ritual.

Now, I am the only member of my family who still goes. And as much as I still love it, and as much as the familiar soothes and comforts, it is also painful. Going to Closing Ceremonies and not seeing Rob there is so, so painful.

I didn't go to Closing Ceremonies this year.

I wandered around the con and took pictures of all the signs hanging up. They put those signs in storage and pull them out again every year. The memories are the same, yet different. I see a sign, and I see the sign again in my memory, in all the different Minicons in my mind.

So I created the collage from the signs seen around the convention, and over them, I placed ghostly memory images of Rob and myself. Back when we were young, when Minicon was nothing but joy, a string of dazzling conversations and fascinating interactions. I still feel ghostly echoes of that joy, but it's not quite the same. Minicon is not the same.

I attend Minicon, and I see traces of all the previous Minicons.

I don't see Rob.

Image description: logo for Minicon 57 March 29-31 2024. The rest of the card is made up of tiled signs seen around the convention (Consuite, Bar, Art Show, Dealer's Room, Programming This Way, Opening Ceremonies, Minicon Volunteers). Semi-transparent black-and-white images of a young man on a telephone (Rob, working as the Head of Operations on the Bridge) and a smiling seated woman (Peg) hover over the signs.

Palimpsest

13 Palimpsest

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Today

Mar. 25th, 2024 02:11 pm
pegkerr: (candle)
I am having a really hard grief day today. Took the afternoon off to go home, get into a bed with a book, and cry.
pegkerr: (Default)
Okay, this tore my heart out a little.

Today is Fiona’s wedding day. And this is the picture that was displaying in the digital frame when I came downstairs this morning.

Rob sends his love.

pegkerr: (You think the dead we have loved ever tr)
*Sigh*

This is the fourth year I've been doing these digital collages, and every year on the fourth week of the year, the collage has been about the same subject. I am not sure it always will be. But after all, I select the subject for the collage on whatever I've been thinking about that week.

This week included the sixth anniversary of Rob's death.

There is a diffidence, a shyness about grief that you sometimes see in widows in our culture. An embarrassed self-consciousness. As time extends further and further out from our loss, we face a certain amount of judgment, even (and yes, we widows can be oversensitive, but I have felt it) a very faint tinge of...contempt. Yes, of course we know that you loved and miss the person you lost. But life goes on. Shouldn't you as well? There's an unspoken but blunt sense of get over it already.

Well, I assure you I am continuing to live my life. I am not frozen in time. I have cleaned much of Rob's stuff out of the house. I continue to go out and have new experiences. I have even fallen in love again.

But I know Rob will never hear me speak Scottish Gaelic. He will never see his daughters marry. He will never hold his grandchildren. I may dream about him, but I'll never hear his spoken words or feel his touch again.

And it still hurts.

When I was considering seriously the question Am I really going to do another collage about this? I remembered a post I've seen floating around Facebook that hit me with the ring of truth. Here it is:
I'm middle aged. What that means is that I've survived (so far) and a lot of people I've known and loved did not.

I've lost friends, best friends, acquaintances, co-workers, grandparents, father, relatives, teachers, mentors, students, pets, neighbors, and a host of other folks. Gratefully I have not lost a child but I know people who have (too many), and I can't imagine the pain it must be to lose a child. But here's my two cents...

I wish I could say you get used to people dying. But I never have and I don't want to. It tears a hole through me whenever somebody I love dies, no matter the circumstances. But I don't want it to "not matter". I don't want it to be something that just passes. My scars are a testament to the love and the relationship that I had for and with that person. And if the scar is deep, so was the love. So be it.

Scars are a testament to life. Scars are a testament that I can love deeply and live deeply and be cut, or even gouged, and that I can heal and continue to live and continue to love. And the scar tissue is stronger than the original flesh ever was. Scars are a testament to life. Scars are only ugly to people who can't see. As for grief, you’ll find it comes in waves.

When the ship is first wrecked, you’re drowning, with wreckage all around you. Everything floating around you reminds you of the beauty and the magnificence of the ship that was, and is no more. And all you can do is float. You find some piece of the wreckage and you hang on for a while. Maybe it’s some physical thing. Maybe it’s a happy memory or a photograph. Maybe it’s a person who is also floating. For a while, all you can do is float. Stay alive. In the beginning, the waves are 100 feet tall and crash over you without mercy. They come 10 seconds apart and don’t even give you time to catch your breath. All you can do is hang on and float. After a while, maybe weeks, maybe months, you’ll find the waves are still 100 feet tall, but they come further apart. When they come, they still crash all over you and wipe you out. But in between, you can breathe, you can function. You never know what’s going to trigger the grief. It might be a song, a picture, a street intersection, the smell of a cup of coffee. It can be just about anything…and the wave comes crashing. But in between waves, there is life.

Somewhere down the line, and it’s different for everybody, you find that the waves are only 80 feet tall. Or 50 feet tall. And while they still come, they come further apart. You can see them coming. An anniversary, a birthday, or Christmas, or landing at O’Hare. You can see it coming, for the most part, and prepare yourself. And when it washes over you, you know that somehow you will, again, come out the other side. Soaking wet, sputtering, still hanging on to some tiny piece of the wreckage, but you’ll come out.

Take it from an old guy. The waves never stop coming, and somehow you don’t really want them to. But you learn that you’ll survive them. And other waves will come. And you’ll survive them too. If you’re lucky, you’ll have lots of scars from lots of loves. And lots of shipwrecks.”
That is what the grief has been like this week, perhaps. The anniversary of his death have brought back memories that are like fifty-foot waves, instead of one hundred-foot ones.

There is much in my life that has gone on without him that makes me happy.

Yet I love him. I still miss him.

And this week, I grieved him.

Image description: Background is a stormy sea (a portion of Thomas Moran's painting "Moonlight Shipwreck at Sea.") A remnant of a wrecked ship is tossed by the sea in lower center. A semi-transparent of a woman dressed in white floats in the center of the painting. One extended hand hovers over the wrecked ship. The other stretches toward a white lily flower (a symbol of grief in the language of the flowers) in the upper right.

Shipwreck

4 Shipwreck

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pegkerr: (Deal with it and keep walking)
How to put this delicately...

I've felt like absolute crap pretty awful this week.

I've already talked about some of it: I'm wearing a surgical boot, and that has thrown off my usual routine to keep myself healthy. With the boot and foot problems, I've been using a cane on the stairs. I'm not able to do my usual walks. I am having a problem with my wrist which precludes doing yoga (can't do downward dog). So I've done very little exercise at all. Okay, none.

I've had some other medical tests in the last month with results that I didn't like to hear. My cholesterol is edging higher. I've now been diagnosed as having osteopenia--thinning bones.

It's getting colder and darker. I'm starting to feel the effects of seasonal affective disorder, and I discovered this week when I pulled it out that my SAD light is broken. I have to buy another. And those suckers are expensive.

Sleep disorder continues--I had one night this week when I managed only a half and an hour of sleep. The next night's sleep was disrupted by a trip to the emergency room in the middle of the night (don't panic--I was having symptoms which might have been indications that I could be having heart problems, but turned out to be a false alarm. Muscle spasm, possibly, the ER doctor thought.). So that was another night of very short sleep, and I can expect a very big bill in the mail.

It just so happens that the same day I went to the ER, I got three vaccines in one day: Covid, flu, and RSV. I mean, yay for modern medicine, but I was just FLATTENED for the next 36 hours.

So I've been thinking about getting older and about how the body starts to not be able to do everything you want it to do. This week, I've felt sluggish and dull even on my good days. Especially on the day I was so short on sleep and dealing with post-vaccine symptoms, I felt about twenty years older than my actual age. I couldn't even read because of the headache.

This was all very unpleasant and daunting. There was the added issue that I live alone, which just made everything more difficult. When I called about my symptoms, the clinic told me (at 11 p.m.) that I really should go immediately to the ER, and I shouldn't drive myself.

Well, that wasn't going to happen: Fiona and Eric each live about twenty minutes away, my next-door neighbor I might have asked had Covid, and I just felt I couldn't call any of them at 11:00 at night and ask them to pick me up, take me to the ER, and sit around for four hours. And I couldn't afford the ambulance ride.

So that meant I drove myself, in a fog of self-pity.

The next day, as I lay in bed so miserably ill from the vaccines, oh, how I wanted someone there to do the dishes, to fetch me some tea, to run out and get some pho (the ultimate I'm-feeling-sick comfort food) and bring it back to me.

But Rob is gone.

The whole week felt like a fast-forward VCR tape of the process of decline. (I had originally thought to call this card 'Nadir,' but then reasoned, 'No. This isn't the bottom yet." So I hit upon the word 'Ebb.')

I ran across a post on Facebook this week that I've been thinking about, in connection with all this:
The problem in middle life, when the body has reached its climax of power and begins to decline, is to identify yourself not with the body, which is falling away, but with the consciousness of which it is a vehicle. This is something I learned from myths. What am I? Am I the bulb that carries the light? Or am the light of which the bulb is a vehicle?

One of the psychological problems in growing old is the fear of death. People resist the door of death. But the body is a vehicle of consciousness, and if you can identify with the consciousness, you can watch the body go like an old car. There goes the fender, there goes the tire, one thing after another--but it's predictable. And then, gradually, the whole thing drops off, and consciousness, rejoins consciousness. It is no longer in this particular environment."
Image description: Background: a star-filled night sky. Right lower corner: a framed sign reading "nope. NOT ADULTING TODAY." Above it sits a lit kerosene lantern, sitting on the pillow on which a haggard-looking woman (Peg) rests in bed with her eyes closed. Above her (center left of the collage): a rusted-out old truck.

Ebb

41 Ebb

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pegkerr: (All we have to decide is what to do with)
I've been home for the past two weeks on vacation. I think I mentioned that Fiona and I had planned to take a trip to England, but that got put on ice when Fiona got her new job. So I've taken the time off (use it or lose it) and I have...not been in England.

I'm trying not to sulk too much, but that's been a bit of a challenge.

I've taken a few little day trips, as depicted in last week's card. This past weekend, Eric and I went to a bed and breakfast, and I did a half-day trip to Stillwater. But of course, my inner Puritan has looked at the fact that two weeks has been cleared on my calendar and reasoned, "Excellent, you can get to WORK and get things done. SO MANY THINGS."

But there's the heat and the fact that there is such a plethora of projects. And my inner sulk because, as noted, Not in England. Ongoing sleep issues. So my attempt to move things forward has been inching along at best.

I have continued working on clearing Rob's stuff out of the house, which is, as always, emotionally difficult. I've binned a number of books (library books so not worth anything to anyone) and I pulled out Rob's ties and sorted through them for donation (and had a good, hard cry before driving to drop them off at ARC Value Village).

I've been calling contractors trying to figure out how to get my foundation repaired (one of the contractors has the distinction of standing me up twice in one day. I will not be hiring them). I've been doing financial bookkeeping in preparation for updating my will. I've been working on the Special Project--oh, what the heck. My employer doesn't read this.

I'm job hunting.

So that's what I've been doing for the past two weeks. Inching along in various attempts to make my life better. But it feels as though progress, collectively, is so slow that it's hard to see any forward momentum without squinting hard.

Lower half: neckties on a bed. Upper half: the side of a house with a gap in the foundation facade by a door. Center right: an inchworm inches its way on a stem. Just underneath the stem is the logo for the website JibberJobber. Center left: a box packed with books. Upper right: the words "Last Will and Testament." Upper left: the logo for the website Angi.

Inching

25 Inching

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pegkerr: (Dark have been my dreams of late)
As I said in my last post, my sleep has been insufficient, and that is dragging me down in all sorts of subtle (and not-so-subtle) ways. There is nothing ostensibly wrong with my life (well, aside from the fact that I'm not working enough hours, I'm a widow who misses her husband, I'm in a new and satisfying relationship but finding a way to combine households with my person isn't easy or obvious, I feel increasingly unsafe in my neighborhood, the nature of politics in America, climate doom--you know, all the usual things).

Ordinarily, I just sort of live with these things. But with the drag of not enough sleep, it hasn't been easy, and I am feeling much more fragile than usual this week.

I'm trying not to let myself slide mentally, honest. But I have no margin to spare.

A woman (Sleeping Beauty) in a splendidly embroidered medieval dress reclines in a bed, asleep under a sunny lead-paned window. Foreground, lower left corner: the silhouette of a seated woman in profile. Overlay: a frame of broken glass.

Fragile

22 Fragile

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pegkerr: (You think the dead we have loved ever tr)
This collage is in honor of three men I remembered this week.

1) May 25 was remembered in Minneapolis as the date of the death of George Floyd, whose family called him Perry. I won't call him a martyr, because martyrs deliberately choose to sacrifice themselves for a cause. George, on the other hand, wanted to live and he was just casually stopping at a local corner store for a quick errand. And then he was murdered, dammit.

But his suffering and his death, just two miles from my home, changed my city and the world, and I thought of him this week, on the third anniversary of his passing.

2) Lilacs have been blooming in Minneapolis this week, including the bush that Rob planted in the back yard thirty years ago, 'Because every house needs a lilac bush.' He's been gone for over five years, but every spring, he sends me flowers again.

3) I went to Fort Snelling Cemetery today to leave flowers on my Dad's grave, as I do every Memorial Day weekend. Thanks, Dad, for your service. Love you and miss you.

Image description: Upper half of card: picture of the mural at the George Floyd memorial (at Chicago Avenue and 38th Street), with floral tributes on the sidewalk underneath. Lower left: a vase with blooming lilac flowers. Lower right: a gravestone at Fort Snelling cemetery for Allen Stewart Kerr (Peg's father), decorated with flowers and miniature flags for Memorial Day weekend.

Remembrances

21 Remembrances

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pegkerr: (I told no lies and of the truth all I co)
I had a much more complex vision for this collage and am frustrated by my inability to capture it. I don't have time to try to mess with it anymore, so I am finishing with something simpler. Actually, this is one of the first times that in reality, I wanted to create a collage in video.

I have been thinking about all the connections I have--to people, to businesses, to groups, to communities. This week, I have been thinking about how so many of those connections that supported me have felt as though they have been frayed, damaged, or even cut.

My vision for this collage was a woman's hands holding a bunch of ropes, which would be labeled. Some ropes would be fraying. Two of the thickest ropes would be cut: Rob. Kij. There would be shears attacking some of the ropes, also labeled (Death. Aging. Indifference. Pandemic.) I even wanted to put in a flaming torch burning some of the ropes, labeled Murder of George Floyd.

I've been thinking about this as I've been readying to go to Minicon, feeling in my gut that it's just not the same. Rob isn't there. The girls aren't coming anymore. Many friends have fallen away. It just isn't what it used to be in the glory days.

This sounds depressing, I know. But the reason I felt the impulse to create this collage in video is that I also saw new ropes coming in to add support to the dangling woman. Eric. Chris (Delia's boyfriend). Alona (Fiona's fiancé). Zoom coffee group. New rituals. New community. New adventures. New joys. The hope of grandchildren.

I think that our challenge as we age is that we grieve the connections that are naturally lost with the passage of time. Some people don't manage to move beyond this, and so their lives get smaller and smaller as they grow older. My mom and my late dad, on the other hand, have been superb role models for me because they kept reaching out for new experiences as they aged.

They showed me that we have to resist apathy and make genuine efforts to keep reaching out and making new connections. New friends. New families connections. New rituals.

I am going to Minicon this weekend. I will see old friends, even though I will miss certain faces.

Background: sky at sunset overlaid with a net. left: a cut rope tied off with a knot. Center: a woman's hands hanging onto a rope. Right: a rope nearly cut through (a pair of shears is poised at the frayed portion)

Tether

14 Tether

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pegkerr: (Constant vigilance!)
I'd mentioned in a recent collage, Rumphy, that I'd taken yet another fall. This is a serious matter for someone my age, especially since I live alone, and I did some research about what I might do to keep myself safe. Thanks to some kind generosity I've recently received, I now have a new iPhone and Apple Watch, and I have spent the last couple of weeks learning about the capabilities of this technology. Both the phone and the watch offer fall protection--if I should have an accident and fail to move, they can detect it. The device will ask if I am okay, and if I don't respond, it can alert both emergency services and my designated personal contacts.

I have a MacBook Plus, and I had an iPod touch, so I'm familiar with Apple products, but this is quite a step forward for me in the sophistication of technology. I'm still learning every day about new things that these gizmos can do. Cool camera, the ability to pay for things without carrying a purse, tracking my health data and exercise, etc. I'm playing with different watch faces, trying to figure out what information I want immediately available to me at the touch of a button.

The trade-off, of course, is that with all these cool new features, there are consequences, some of which are not immediately clear.

I am...ambivalent? Yes, for example, I am moving more/getting more exercise, but that is because I jump to my feet when my wrist buzzes (I try not to feel like a lab rat trained to react to a buzzer). Am I allowing technology to intrude into my life too much? I can pay without my wallet, but is my personal information safe? At the same time, I can see perfectly well how I am being manipulated by what is being offered. Wouldn't I like to have the ability to do this cool thing? That's fine...all I have to do is to turn on this simple toggle switch to allow my new iPhone and Apple watch to collect this data.

Have I allowed a corporation too much power over my personal information, including personal medical records?

Having the fall protection (and the ability to make a phone call by pressing a button on my wrist if I suddenly am incapacitated without my phone nearby) has given me a huge sense of relief. I didn't quite realize until now how much this has been a mental load that was worrying me. I love the new capabilities that are offered by the watch, and I'm sure you'll see a leap in the quality of these collages, with the improvement of my camera.

But I still recognize that I have voluntarily ceded some part of my privacy. I wish that this country had more of the privacy protections observed in the European Union.

That ambivalence is reflected in the card. For now, the trade-off seems worth it to me.

Image description: Background: semi-transparent array of Apple app logos on a black background. Three different Apple watch faces are arranged in a triangle on the top half of the card. Bottom: a silhouette of a woman, arms spread wide in freedom and exhilaration. A man's hand emerges from the upper right corner, holding the strings of a marionette which dangles in the center of the card, over the three watch faces and above the woman's silhouette.

Watch

7 Watch

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pegkerr: (His will was set and only death could br)
This week, I've been cold, and it feels as though the freezing temperature has sunk deeply into my bones.

I had an occasion on Tuesday where I was waiting outside for two and a half hours. In January. In Minnesota. I have a good coat, and I wore gloves, and I could occasionally break away to sit in my car and run the heat for a few minutes. But I had to keep leaving the car to check on where I was in the queue. I tried to manage my impatience by reading on my phone, and I kept having to take off the gloves to scroll, since the screen couldn't recognize my touch with the gloves on. So I got thoroughly chilled.

As I mentioned previously, I've been trying to keep the temperature of the house lower to save money. I took hot baths and would get out again and run the space heater, and still, I would shiver--it felt as if my inner furnace has gone out. I've worn up to four layers. Every time I'd open my clothes closet to pull out another one, the cold air would rush out from that uninsulated space and smack me in the face.

January. Gray skies. Minnesota.

I found myself meditating upon the heat death of the universe.

And I also thought this week of another death. Yesterday, January 26, was the fifth anniversary of the day that cancer took Rob from me. It is said that at the time of Samhain, Halloween, the dead draw near to the living. But I have come to recognize one particular ghost, my husband's, who comes to be with me again from January 24 to 26th: the days I left ordinary time to enter the hospital to be with him. I didn't leave again until he was gone.

He isn't angry or threatening or sad.

He's just there, invisible but close as my next breath.

Thinking about all this reminded me of a sonnet written by a friend, John M. Ford (Mike Ford to his friends), who also died too young. David Goldfarb writes here:
[the sonnet] was a comment on an entry on Patrick Nielsen Hayden’s blog, about an amusing error in Amazon.com’s database, which concluded:
if I were a better writer I’d conclude by yoking the trivial to the tragic, relating the twin inevitabilities of death and database error by means of a rhetorical figure involving worms.
…and John M. Ford (who I’m sure Patrick would be the first to admit was indeed the better writer) responded by doing exactly that — in sonnet form!
Here is the sonnet, Against Entropy:
The worm drives helically through the wood
And does not know the dust left in the bore
Once made the table integral and good;
And suddenly the crystal hits the floor.
Electrons find their paths in subtle ways,
A massless eddy in a trail of smoke;
The names of lovers, light of other days
Perhaps you will not miss them. That's the joke.
The universe winds down. That's how it's made.
But memory is everything to lose;
Although some of the colors have to fade,
Do not believe you'll get the chance to choose.
Regret, by definition, comes too late;
Say what you mean. Bear witness. Iterate.
The universe winds down, yes...that's the cold that has been seeping into my blood this week.

The worm drives helically through the wood: that's cancer, I realized.

I am switching to a new phone, and I have spent the last three days screenshooting and saving old texts because I am switching from Android to Apple, and so I've been going through all the medical update texts I was sending out to friends and family five years ago. I'm remembering again how awful it was: once the leukemia set in, it devastated him. He lost fifty pounds in two and a half months, his kidneys shut down, his intestines fell victim to diverticulitis, and his strong, kind, and clever mind began to weaken and wander down paths of confusion and paranoia.

And now his ghost comes to me. The light of other days, the fading colors, the regret.

When we were planning his funeral, my pastor asked what Rob thought about life after death. After a perplexed moment, Rob's brother Phil offered tentatively, "Rob always said he would be star-stuff."

Perhaps Rob was right, and he's one star out there, shining to keep the heat death of the universe at bay.

So I'm bearing witness, remembering the name of my lover Rob. I loved him. I still love him.

I miss him.

I've turned up the heat again. It's all I can do. Although his ghost visits me and lingers awhile, he isn't here to keep me warm.

To create the collage, I used an image for the background that I found when I searched for "heat death of the universe." Instead of a crystal glass, I used a glass Coca-Cola bottle. Rob loved his Coke, and it was the last thing we gave him to taste before he passed away.

(Fuck that worm cancer anyway.)

Background: a portion of a black hole surrounded by a blue spinning nimbus representing the heat death of the universe. A cartoon worm emerges from the black hole. A semi-transparent Coca Cola bottle balances on top of the black hole, upper right. Three gradually enlarging semi-transparent Coca Cola bottles (like a vision seen in strobe light) fall toward the bottom of the card. Bottom center: a shattered Coca Cola bottle lies on its side. Top: three semi-transparent heads shots of Rob looking out at the viewer. From right to left they look neutral, amused, and astonished.

Entropy

4 Entropy

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pegkerr: (All that I have done today has gone amis)
This past Sunday at church, the first Sunday of Epiphany, our pastor handed out stickers with stars, each with a word superimposed over it. "These are Epiphany star words, which is a new tradition that some churches are beginning to do during this season. Take this word and meditate upon it this week. What does it mean to you?"

I perked up as I accepted my star sticker, 'Loyal.' Oh, cool, I thought, pleased. I won't have to struggle to come up with something for my digital collage theme for the week.

A yellow star with the word 'Loyal' superimposed over it


You will note, however, that this didn't turn out to be the theme of the week that I chose. Instead I chose the word 'Rumphy.'

Please note: This post will be slightly longer than usual and perhaps a touch whiny. You have been warned.

'Rumphy' is a family neologism that Rob, the girls, and I have used for years. Eric looked extremely baffled the first time I told him that I was feeling rumphy. "What on earth does THAT mean?"

I had to think back hard to re-uncover the meaning.

Here's the dictionary definition of the word 'harrumph':
verb: harrumph; 3rd person present: harrumphs; past tense: harrumphed; past participle: harrumphed; gerund or present participle: harrumphing

1) clear the throat noisily.
"he harrumphed and said, 'I am deeply obliged.'"

2) grumpily express dissatisfaction or disapproval.
"skeptics tend to harrumph at case histories like this"
Whenever Rob was in a certain mood where he got disgruntled about something, he would put on an old codger aspect and grumble 'harrumph.' Have to do too many phone calls to fix a problem? Harrumph. Stuck in traffic? Harrumph! Did your dinner get burned? Harrumph!

Eventually (as best as I can remember) we identified the underlying mood that makes you say the word 'harrumph' as 'rumphy.' It became an exceedingly useful word that we all used. When someone said they were feeling rumphy, everyone knew that some sympathy, kindness, and coddling (and perhaps gentle teasing) was the best response.

These are the reasons I'm feeling rumphy this week:
• Immediately after that church service, I went home expecting to see Fiona for her weekly visit. But she called to let me know that she had come down with the flu (with gross digestive symptoms). So instead of a pleasant visit with my beloved daughter, I just got a fleeting glimpse of her looking pale and miserable as I handed off some Gatorade to her on her front porch.

This only served to remind me that I was missing seeing Delia, too. Delia had not come to see me over the Christmas holidays because someone had hit her car during the snowstorm the week before, and she can't drive to the Cities until she gets it repaired.

• I've just discovered that apparently, I've developed high blood pressure. I was surprised by a high reading taken by the dental hygienist when I went in to have my teeth cleaned in October. I went into a CVS this week to check my blood pressure at the machine near the pharmacy, only to discover that apparently, the October reading was not a fluke. As I have been working hard to get healthier and have in fact lost fifteen pounds since July, this seems especially aggravating. It feels like my body is doing something that is totally uncalled for, not to mention unauthorized. I will have to go to the doctor and perhaps go on medication. My sister, brother, and both of my parents have a history of high blood pressure, too. Apparently, it's something probably genetically based that just shows up at this age.

• My sleep disorder has been acting up horribly. I am so groggy in the evening, but after I go to bed, I will wake up in the middle of the night and stare at the ceiling, unable to sleep, for hours. On top of that, I'm getting really fed up with using the CPAP machine. If I'm going to have to put up with the thing, at least it should WORK to make me sleep better, you know?

• I'm keeping my house extra cold this year, to try to lower my heating costs. I'm keeping the thermostat at 65 degrees during the day and turning it down to 60 at night. I find that keeping the house so cold puts me into a sort of torpor--I sit huddled up in blankets on the couch and don't want to do much of anything.

• Scam phone calls and scam emails--I wasted time dealing with both this week. People, just leave me ALONE.

• My employer gets its money from donations, and donations are down. There is a lot of worried talk at the office that the churches that pay our salaries with mission support have not sent in their pledged contributions. Understandable, because people are cutting back their charitable giving due to inflation--but conversely, inflation makes the prospect of not getting a raise this year even more appalling.

• The weather has been cold, gray, and miserable. The air quality was terrible this week, and the streets are badly plowed. The snow melted partially and then refroze, leaving a thick layer of ice over everything. This was worsened by freezing rain that fell Wednesday morning.

• On Wednesday, I fell on the icy steps trying to walk down three steps to get my newspaper. I wasn’t in any kind of hurry, and I was even holding the railing. I didn’t hit my head, thank god, so I don’t have another concussion. But I banged up my back and arm pretty good, and I am sure I will have bruises tomorrow.

And then, even more startling, I could actually feel myself going into traumatic shock after crawling back up to the porch. It was ten minutes in the cold on the porch, unable to move, trying not to faint, before I could get back into the house.

It’s my great fear about living alone, that I somehow get hurt or incapacitated and am unable to get help. I’m okay…but those were an awfully long ten minutes.

This is the fourth serious fall I've had in the past five years.

• I've been in a lot of pain the last couple of days from the bruises and from having my muscles wrenched so badly. Painkillers haven't been quite effective enough.

• In an attempt to make myself feel better, I took a long bath with Epsom salts yesterday. I went down to the kitchen and discovered water all over my kitchen island and floor that had apparently poured through the light fixture in the ceiling from the bathtub upstairs. So now I have to call a plumber.

• I can be prone to seasonal affective disorder in January. What's more, at the end of the month, it'll be the five-year anniversary of Rob's death. And I've been missing him. I've been missing him terribly. When I was out there lying on the porch, afraid and trying not to pass out, I just wanted to have him there beside me so desperately. And I've been missing having Eric with me, too. This week has made me all the more aware of how much I hate living alone. My relationship with Eric gives me a lot of joy--in so many ways, he's even a better match for me than Rob was--but we each have our own house, and so we're not living together. And so I'm lonely when I'm home by myself. As I've said before, I'm not meant to live alone.

It's funny--I remarked to Fiona once that being a widow and then falling in love again has helped me, a lifelong monogamist, really get polyamory in a way I never could before. I'm in love with two men at the same time--one of whom is my husband, who just happens to be dead. Eric is extraordinarily kind, gracious, and non-threatened about the fact that I still miss Rob--but I am not living with Eric either. I'm alone.

And that just sucks.

It's been a really hard week.
Background: a misty winter background of snow-covered tree branches. Over this background are a series of words in blue text: From the bottom, going up: 'Missing my boyfriend. Pain. Plumbing. Elevated blood pressure. Gloomy weather. Sleep disorder. Cold. Missing my daughters. Ice. Money worries. Taking a fall. Scammers.' Top, in semi-transparent text: 'Missing my husband.' Diagonally across the card in larger text, is the semi-transparent word 'Harrumph.'

Rumphy

2 Rumphy

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pegkerr: (Default)
This week, I lost an earring.

Small thing, right? But it was one of my FAVORITE earrings. I made it twenty years or so ago myself, with a matching necklace, to match a favorite outfit that I still wear. I was really proud of the jewelry I'd made and thought it beautiful. I wore it to church and out to an outside dining patio, and somewhere or other, when I was taking on and off my N95 mask loops, the earring was flipped out of my ear.

Gone.



Another small thing: this past weekend I was missing Highland Fest, an outdoor community event that had been held on Aquatennial weekend for 36 years. I checked online only to learn that Highland Fest would not be held this year--or ever again. The business owners decided to cancel it permanently. Another casualty of the pandemic.

I've been missing Rob in the past week, and as I started mulling these things over, I started missing so many things. Everyone has lost so much. Lost jobs (or partially lost jobs, like me). Deaths from Covid. And Minneapolis/St. Paul bears additional scars: the horrendous murder of George Floyd, the deaths of Amir Locke, Daunte Wright, and now Andrew Tekle Sundberg.

The murder of George Floyd led to losses to 1,500 businesses in this community. Some came back, but some never will. Other businesses went under due to the pandemic, including places I'd frequented for years and miss terribly. Marla's Caribbean Restaurant, Riverside Cafe and Wine Bar. Cleveland Wok. Sophie Jo's Emporium, where I used to browse after my Friday coffee sessions, and where I bought one of the best Christmas presents ever for Delia. And one of the losses that has haunted my sf/fantasy community the most: the incinerating of Uncle Hugo's/Uncle Edgar's bookstores in the May 2020 riots. Uncle Hugo's was the oldest independent SF bookstore in the country. This picture of the owner, Don Blyly, standing in the rubble of what used to be a thriving store just haunts me.

And then I heard a retrospective interview with Norman Lear, the creator of so much notable television, including All in the Family, who turned 100 this week. The interviewer noted that, but then went on to say that Norman Lear makes a point of not looking back over his shoulder:
What is left to ask Norman Lear?
The living legend of television has spent his life doling out lessons, so when granted the opportunity to converse with him via email ahead of his 100th birthday, what was there to ask?
Does he know the meaning of life? “Yes, the meaning of life can be expressed in one word: tomorrow.” What pieces of advice does he have that stand out above the rest? “There are two little words we don’t pay enough attention to: over and next. When something is over, it is over, and we are on to next. Between those words, we live in the moment, make the most of them.”
I thought a lot about those words this week. Someone who has lived for a hundred years would have seen so much--and lost so much. I thought about how many people he cared about have died in the hundred years he has been alive. I suspect that his gift for appreciating each day, living in the moment, may be one of the keys to his longevity.

I have not yet achieved such wisdom, perhaps. This week, I have been keenly aware of all that has been lost.

I went on a walk this week, and I came across a memorial inscription in a park that read:
What is lovely never dies,
but passes into other loveliness
stardust or seafoam
flower or winged air
Is that true? I don't know. Maybe it's a nice myth we make up to comfort ourselves when someone or something we care about disappears. I remember when we were planning Rob's funeral, my pastor asked, "What did Rob believe about what happens after death?" There was a perplexed silence for a moment, and then Rob's brother Phil offered, "Rob always believed he would become star stuff."

Sometimes I believe in heaven, but sometimes I just don't know what I believe. One of the lines that has stuck with me the most from one my grief meditations is: We have to make the transition from knowing the beloved as someone who is sometimes physically present and sometimes physically absent to knowing them as someone who is now always physically absent but always spiritually present.

Maybe Rob is or will be star stuff. For now, all I know is that he is gone. So much is gone. And I'm feeling it.

It's grief, but it's more than grief. It's loss; it's feeling the hole that has been left behind.

There is hopeful news at least: Uncle Hugo's / Uncle Edgar's has found a new location and will be opening up again soon. Norman Lear, I am sure, would be pleased to hear that the "next" is underway.

Image description: Background: semi-transparent view of the burned-out destruction of Uncle Hugo's bookstore after the May 2020 riots. Upper left: semi-transparent head shot of Rob. Diagonally from upper right corner: blue-green dangling earring ending with a blue teardrop bead. Behind the earring, over the center of the card, the logo for the Highland Fest (a blue and black guitar crossed by a black paintbrush dipped in blue-green paint). A blue ribbon extends from below the paintbrush to center left; over that is the word "Marla's" with a palm tree, in red (the logo for Marla's Carribean Restaurant). Over the earring and Highland logo is the line logo of the Riverside Cafe and Wine bar, showing the outline of wine glasses. Bottom left corner: a cartoon of a smiling woman sitting in bubble bath tub (from the sign outside of Sophie Jo's Emporium). Bottom right: a marble statue of a woman in classical garb, kneeling with her face to the ground, one hand covering her eyes. Superimposed over the kneeling woman, written in white script are the words, "There are two little words we don’t pay enough attention to: over and next. When something is over, it is over, and we are on to next. Between those words, we live in the moment, make the most of them."

Gone

30 Gone

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pegkerr: (Both the sweet and the bitter)
Every July 6 for the last 36 years, I have eaten strawberries and cream for breakfast.

This past Tuesday, July 5, was my 36th wedding anniversary. We spent our wedding night at the Sofitel and the next morning, I included a portion of strawberries and cream with my room service order. They tasted so incredibly delicious to me. Well, perhaps it's not so much that they were particularly delicious, but that I was so incandescently happy. I decided right then and there that I would always have strawberries and cream for breakfast on July 6, to remember that moment, that demarcation of my first day as a happily married woman.

This July 6, however, besides being the day I ate strawberries and cream, was significant for another reason: it was the first day I outlived Rob in age. I spent my entire marriage four and a half years younger than him. But it has been four and a half years since he died, and from now on, this date would mark another demarcation: from this day forward, I would be older than him, older than he had ever been...without him.

This Wednesday, July 6, was also notable for something else: after a mere five days of planning, my nephew and his fiancée got married in a small and simple ceremony at my sister's lovely lakeside home. My nephew is the first one of Fiona and Delia's cousins on my side of the family to marry. A new threshold has been reached for this generation.

As I pondered this, I started thinking about the Roman god Janus, the god of thresholds, of transitions, and of marriage. Janus is a two-headed god, looking back in the past and forward into the future. And so I took a picture from my wedding day that the photographer referred to as a "ring picture," as the position of our hands was meant to show off our wedding rings. I never particularly noticed the rings in this picture though; I just saw how incredibly happy and in love we looked. I used my bridal picture for one half of the Janus head, and a picture of myself taken yesterday, on July 6 for the other half of the Janus head. Not as young, not as incandescent. As you can undoubtedly see, it's been 36 years.

Also pictured: the strawberries I had for breakfast yesterday morning, and the hands of my nephew and his new wife, showing off their new wedding rings.

Oceans of love to both of you, my dears. May you enjoy a lifetime of incandescent love and happiness...and all the strawberries and cream you can possibly eat.

Janus

27 Janus

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pegkerr: (Deal with it and keep walking)
I'm stressed out, as evidenced by the fact that I've read 14 books in the last seven days. I'm trying to dive into fiction to forget everything hovering ominously over me.

One source of stress is something that Elinor Dashwood is not talking about, so I'm not going into it.

The other is that I have been contacting contractors about replacing my roof, which is twenty-six years old. No leaks, but...it's time. And painters, because the upper dormers were not done by the painter I hired to repaint the house last year ("too tall, we don't paint that high"). Oh, and there's evidence of squirrel nests in the eaves. That has to be dealt with, too. And that is very, very expensive.

I talked with my financial planner, and...well, let's just say the last two years have been the two most expensive years I've had in a row in the almost thirty years I've lived here in the house. This is definitely exceeding my home repair budget for the year, and she has raised the question that maybe I should find a new job.

Plus there's reviewing contacts, and actually signing them without Rob, my resident lawyer, to look them over and advise me. One thing that really sucks about being a widow is making huge decisions, financial decisions, alone. I can ask for advice (and yes, I have looked into getting nonprofit help since I'm low income and struck out everywhere), but it's different to be asking for advice, but not making the decision in concert with someone, a partner, who has the same financial stake in the decision that you do.

I feel flooded by uncertainty, painfully aware of all the risks. Is this a necessary step for me to take? Have I found the right contractors--plural? If I sink this much money into the house, how will that affect my future money needs, my retirement?

I am, as I have remarked in the past, a Gryffindor with high-security needs. It's enough to make me break out in hives.

(No, I'm not asking or hinting for money from anyone. I just have to figure it out myself.)

This card came together very quickly: the images came easily to my mind, and I put it together in about fifteen minutes.

Image description: Against a background of roof shingles, a woman sits with her hand quizzically set to her chin, her face covered by a cloud, with question marks over the cloud. In front of her is a squirrel holding a nut, with a dollar sign over it. (The squirrel with the dollar sign over it is both a reference to the possibility of squirrels in the attic--expensive to remove--as well as a symbol for retirement, as in saving your nuts for the winter).

Risk

19 Risk

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pegkerr: (candle)
Okay, this one will be long. I re-did this card three times because it was so important to me, and I wanted to get it absolutely right.

I've remarked with some relief that this year I haven't descended into seasonal affective disorder as I often do in the winter. And yet this week has been extra challenging. It's been cold this week, and it's cold AF today (-11°F, -32°F wind chill), and I'm wearing fuzzy slipper socks and bundling up in my fluffy black hooded wrap that's a cross between a jacket and a blanket. I've been reluctant to go out.

Then, there's the pandemic. My employer has told us all not to come into the office. At all. At the start of the pandemic, before vaccination, I went into the office once a week (wearing a cloth mask) to print documents. Things feel different: Omicron is SO contagious and I know people who have been caught it even though they've been vaccinated and boosted and are ultra-careful. I'm wearing an N95 instead of a cloth mask. I'm isolating even more than I did then. My twice-weekly walks with a couple of friends have stopped, and although I started going to church during Advent, I've stopped again.

And there's an anniversary today, and I'm sad. I told my supervisor I would be taking the day as sick time as a mental health day. A grief day.

I'm cocooning.

I watched Encanto with my daughter Fiona, and this week I've downloaded the soundtrack by Lin Manuel Miranda and I'm obsessing. Yes, I've listened to "We Don't Talk About Bruno" loads of times. It's a hit that has taken everyone by surprise, but that wasn't the song that the Encanto production submitted to the Academy for consideration for the Oscar for Best Song. Instead, they submitted "Dos Oruguitas," a song that Lin Manuela Miranda said he composed with the hope that it would sound like a 100-year-old folk song. And it does. It absolutely hit right in the solar plexus of my feels, especially after I listened to the English translation. I will be adding it to my widow playlist on YouTube.

Because of course I identify with Alma's (Abuela's) story. She fell in love with a handsome, bearded man with kind eyes who adored their children, and she lost him too young.

Of course I do. Encanto is a widow's story )

Watch the video. It's only five minutes long. I'll wait:



Here are the lyrics in English )
I kissed Rob goodbye for the last time four years ago exactly today. That devastated look on Alma's face at 1:56 on the video? That was the look on my face, four years ago today.

But I have to be willing to change. I have to be willing to emerge from my own cocoon. In "Waiting for a Miracle," Mirabel compares the gifted members of her family to shining stars. In the last song, "All of You," keeping with the theme of change, Mirabel sings:
Look at this family, a glowing constellation
So full of stars, and everybody wants to shine

But the stars don't shine, they burn
And the constellations shift...
You'll note that at the end of the video I posted, there is now an opening in the valley, a breach in the range of protective mountains. This is an invitation to Albuela and the community: It's time to leave the cocoon.

What does that mean for me?

I'm still trying to figure that out.

All three iterations of the card included Alma and Pedro's last kiss. The first draft of the card included an image of Abuela and Mirabel with the butterflies as the image at the bottom, but then I decided to make it more personal and included an image of myself wearing the black cocoon coat.

Then it occurred to me that I wanted to be holding Rob's candle. This is the candle that was lit for the first time at his memorial service. I have burned it since whenever I was particularly missing him, and now the candle is almost entirely gone, just like Abuela's candle. I was mulling in frustration yet again the problem of how I could take the picture of me holding the candle when it occurred to me for the first time that I could download an app that put the camera on timer. Duh. So you can actually see both my hands! Over that, I superimposed a butterfly's chrysalis. The name of the card is the word "chrysalis" in Spanish. The background is the storm of butterflies.

Here's the card:

Crisálida

4 Crisálida

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Edited to add: Wow, right after I posted this, I checked Facebook, and this came up in my memories from four years ago:

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