2024 52 Card Project: Week 44: Hands
Nov. 8th, 2024 02:06 pmI had some trouble settling on an idea for this week. Again, I was preoccupied by my mom's care (we moved her into her assisted living apartment this past week). In addition, I was coping with a great deal of arthritis pain in my left hand. Finally, it was Halloween and as I usually do this time of year, I watched the movie Coco again.
I have already done collages about all of these topics before. I thought about what might be a common thread tying all these things together, and I started thinking about hands.
Caregiving as my sisters and I had done in the past week was very hands-on: fastening and unfastening the brace, combing Mom's hair, handing her coffee and water cups, holding onto her waist as she took walks, and holding her hand.
Yet I couldn't help much with the tasks of moving Mom from one apartment to the other as my left hand was so dreadfully painful. I thought of the x-ray taken of my hand last April, how it revealed how the cartilage was disappearing, and the way the delicate edges of bones were grinding painfully against each other.
In the movie Coco, as I've previously explained, the story focuses on the bonds of love and loss that tie generations together: children, their parents, aging grandparents, and finally, the dead. One of the first signs that Miguel is in danger of never escaping the Land of the Dead into which he blundered is that his body starts to gradually disappear, revealing the skeleton underneath, beginning with one of his hands.
I mulled over the movie's story this week, thinking about the slow turn of generations my siblings and I are sensing. Babies are born and their parents care for them. They grow older and their own babies come. And then the parents are gone, leaving only memories behind--and the aches in their own bones that tell them that their own time is also coming.
I thought of one of those vivid mental snapshots I made of a moment when I was a child. We were at my Nana's house, doing something together--perhaps putting a puzzle together or playing a card game. I looked at my Nana's hands, wrinkled and shrunken and age-spotted. And I looked at my mom's hands, strong and finely boned and slim. And I looked at mine, a soft child's hand.
And then a day came thirty years later when I was doing something with my mom and Fiona, and I realized that it was my hand that was now strong and finely boned and slim. And it was my mom's hands that were starting to get shrunken and age-spotted. And there was Fiona's hand, soft and baby-smooth.
And my Nana was gone.
Right there, right then, I saw the earlier picture of my memory superimposed on our hands, and I felt the wheel of time make another turn.
Image description: Background: semi-transparent black and white photo of marigolds, the flower traditionally used to decorate ofrendas in Mexican Dia de Los Muertos celebrations. Lower center: a marigold blossom held in a pair of cupped hands. Superimposed over it: a pair of semi-transparent hands in x-ray view. Upper center: a pair of clasped hands (my mom's hand clasped by a friend's).
Hands

Click on the links to see the 2024, 2023, 2022 and 2021 52 Card Project galleries.
I have already done collages about all of these topics before. I thought about what might be a common thread tying all these things together, and I started thinking about hands.
Caregiving as my sisters and I had done in the past week was very hands-on: fastening and unfastening the brace, combing Mom's hair, handing her coffee and water cups, holding onto her waist as she took walks, and holding her hand.
Yet I couldn't help much with the tasks of moving Mom from one apartment to the other as my left hand was so dreadfully painful. I thought of the x-ray taken of my hand last April, how it revealed how the cartilage was disappearing, and the way the delicate edges of bones were grinding painfully against each other.
In the movie Coco, as I've previously explained, the story focuses on the bonds of love and loss that tie generations together: children, their parents, aging grandparents, and finally, the dead. One of the first signs that Miguel is in danger of never escaping the Land of the Dead into which he blundered is that his body starts to gradually disappear, revealing the skeleton underneath, beginning with one of his hands.
I mulled over the movie's story this week, thinking about the slow turn of generations my siblings and I are sensing. Babies are born and their parents care for them. They grow older and their own babies come. And then the parents are gone, leaving only memories behind--and the aches in their own bones that tell them that their own time is also coming.
I thought of one of those vivid mental snapshots I made of a moment when I was a child. We were at my Nana's house, doing something together--perhaps putting a puzzle together or playing a card game. I looked at my Nana's hands, wrinkled and shrunken and age-spotted. And I looked at my mom's hands, strong and finely boned and slim. And I looked at mine, a soft child's hand.
And then a day came thirty years later when I was doing something with my mom and Fiona, and I realized that it was my hand that was now strong and finely boned and slim. And it was my mom's hands that were starting to get shrunken and age-spotted. And there was Fiona's hand, soft and baby-smooth.
And my Nana was gone.
Right there, right then, I saw the earlier picture of my memory superimposed on our hands, and I felt the wheel of time make another turn.
Image description: Background: semi-transparent black and white photo of marigolds, the flower traditionally used to decorate ofrendas in Mexican Dia de Los Muertos celebrations. Lower center: a marigold blossom held in a pair of cupped hands. Superimposed over it: a pair of semi-transparent hands in x-ray view. Upper center: a pair of clasped hands (my mom's hand clasped by a friend's).

Click on the links to see the 2024, 2023, 2022 and 2021 52 Card Project galleries.