pegkerr: (You think the dead we have loved ever tr)
I had some trouble settling on an idea for this week. Again, I was preoccupied by my mom's care (we moved her into her assisted living apartment this past week). In addition, I was coping with a great deal of arthritis pain in my left hand. Finally, it was Halloween and as I usually do this time of year, I watched the movie Coco again.

I have already done collages about all of these topics before. I thought about what might be a common thread tying all these things together, and I started thinking about hands.

Caregiving as my sisters and I had done in the past week was very hands-on: fastening and unfastening the brace, combing Mom's hair, handing her coffee and water cups, holding onto her waist as she took walks, and holding her hand.

Yet I couldn't help much with the tasks of moving Mom from one apartment to the other as my left hand was so dreadfully painful. I thought of the x-ray taken of my hand last April, how it revealed how the cartilage was disappearing, and the way the delicate edges of bones were grinding painfully against each other.

In the movie Coco, as I've previously explained, the story focuses on the bonds of love and loss that tie generations together: children, their parents, aging grandparents, and finally, the dead. One of the first signs that Miguel is in danger of never escaping the Land of the Dead into which he blundered is that his body starts to gradually disappear, revealing the skeleton underneath, beginning with one of his hands.

I mulled over the movie's story this week, thinking about the slow turn of generations my siblings and I are sensing. Babies are born and their parents care for them. They grow older and their own babies come. And then the parents are gone, leaving only memories behind--and the aches in their own bones that tell them that their own time is also coming.

I thought of one of those vivid mental snapshots I made of a moment when I was a child. We were at my Nana's house, doing something together--perhaps putting a puzzle together or playing a card game. I looked at my Nana's hands, wrinkled and shrunken and age-spotted. And I looked at my mom's hands, strong and finely boned and slim. And I looked at mine, a soft child's hand.

And then a day came thirty years later when I was doing something with my mom and Fiona, and I realized that it was my hand that was now strong and finely boned and slim. And it was my mom's hands that were starting to get shrunken and age-spotted. And there was Fiona's hand, soft and baby-smooth.

And my Nana was gone.

Right there, right then, I saw the earlier picture of my memory superimposed on our hands, and I felt the wheel of time make another turn.

Image description: Background: semi-transparent black and white photo of marigolds, the flower traditionally used to decorate ofrendas in Mexican Dia de Los Muertos celebrations. Lower center: a marigold blossom held in a pair of cupped hands. Superimposed over it: a pair of semi-transparent hands in x-ray view. Upper center: a pair of clasped hands (my mom's hand clasped by a friend's).

Hands

44 Hands

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pegkerr: (Default)
This feels like more on the same theme: See Nesting, Thrifting, Pictures and Dismantling. Now that the bookcase is down entirely, I am eyeing my bedroom like a blank canvas and I have been working to determine my own taste and preferences as I consider how to fill it.

It feels quite odd, in a way. I am in an acquisitive mood, almost like a magpie eyeing shiny things to bring home to its nest, which feels unusual. For much of our marriage, the house felt more like Rob's house than my house or our house, just because of the enormous amount of stuff he put in it. We didn't have money for decorating, and it seemed pointless with so many things in the way. And so I buried the desire to make purchases, the desire to make my home my own. There didn't seem to be any purpose to it.

Now it is my house. What do I want it to look like? I am craving...beauty. I am seeking out the elegant, the exquisite, the unique.

On the other hand, as I have been culling Rob's possessions, I have been going through a long period of GETTING RID OF THINGS. It feels weird--and perhaps counterproductive?--to be acquiring again, bringing things into the house. What's more, the places I have been looking have been thrift stores and estate sales. I am keenly aware that this is stuff stocked often because people have passed away. No need to have lovely things if you aren't around to enjoy them. Swedish death cleaning starts for many people around my age.

So I am acquiring, but trying to do it with careful judgment. Just a few small things, and only if they truly capture my attention as beautiful.

Image description: Background: floral porcelain. Upper: a miniature winter landscape oil painting in a gilded frame. Center/lower left: four elaborately floral teacups. Lower right: a small table with a six-volume set of books (an antique heirloom set of Shakespeare), supported by brass bookends shaped as books.

Magpie

37 Magpie

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pegkerr: (Deep roots are not reached by the frost)
I had my yearly physical with my doctor last week. We went over the annoyance of my asthma and discussed changes to my medication. (More money. Groan). We discussed lipid levels, vaccinations, exercise and mental health. And she remarked, "Oh, I wasn't going to do a Pap smear, because technically you're not due for one. But the guidelines don't recommend the test for women after sixty-five--nor will insurers pay for it--and considering your upcoming birthday next spring, we probably need to do one after all."

It took a moment for the significance to sink in. "You mean...this is my last Pap smear?"

She smiled. "Yes. This is your last Pap smear."

"My goodness. We should have confetti. Or balloons."

This time she laughed. "Yes, we should!"

So I got up on the table, and she did the exam in her usual courteous and comforting way. I gave her a high five when we were done.

Wow. My last Pap smear.

It does seem like such a milestone. Our culture talks about menarche, and new motherhood, and menopause. But it hadn't occurred to me that there would be one more significant marker to signal that, well, my reproductive life is effectively over.

I have really entered the crone years.

I thought about that this week. In general, I don't believe that I am afraid of aging. It helps that my mother has aged so gracefully and so well. I'm not bothered by wrinkles or gray hair (an easy thing to say because I seem to be graying later than many of my peers). Well, okay, I'm less blasé about the extra moles I seem to be accumulating as I get older, but that's a minor detail.

I talked today with a friend (in her eighties) about the gifts that aging brings. You can be calmer, and more self-confident. Things don't seem to be so do-or-die dramatic. You can roll more easily with the punches. Your time is more your own.

Hopefully, this stage will bring wisdom.

I took a picture of myself and prematurely aged it to make this collage.

Image description: lower left corner: a doctor's examination table with the stirrups extended for a Pap smear. A raven perches on the head of the table. Lower right corner: a bunch of brightly covered balloons. Upper right corner: an old woman with her head propped on her head smiles (Peg, aged a couple of decades in advance). Upper left corner: a pair of aged, cupped hands hold a piece of paper with the word 'Wisdom." Just below the cupped hands, set at an angle, are the Maiden/Mother/Crone symbols (waxing moon, full moon, waning moon).

Crone

36 Crone

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pegkerr: (Default)
This week, both theme-wise and visually, is a follow up to last week's card, Arthritis. As I've been doing physical therapy on my hand, I've also been thinking a lot about the aging of my body in general. My foot has been hurting, where I broke my toe and had arthritis flare last summer. My joints in general feel stiff and tight, and I KNOW I should be doing weight-lifting. Frankly, I hate it, and it's hard to make myself do it.

As the same time, work is going through a weird time. We have a new bishop-elect, but she hasn't started yet. A couple of my coworkers have already found new jobs and it is very probable that more will follow. We had lunch with the bishop-elect, and to our relief, she said she isn't going to be making staff changes immediately. But I know changes are coming. I have to think about what I want (and will learn what is possible) with the knowledge that my 65th birthday is coming up next year. What about retirement? I have to research Social Security, which is extra complicated by the fact that my work situation could unexpectedly change, and I'm already drawing social security benefits. Figuring this all out, with factors outside my control, will be tricky. But I can't ignore the situation. My life is going to change, whether I like it or not, and that will be uncomfortable.

In the middle of thinking about all of this, I ran across a video by a motivational speaker that I'm been pondering ever since. He was saying that discomfort is something that you need to learn to tolerate and even embrace, because when you are uncomfortable, that is when you make the most life-satisfying changes.

I've been thinking about that, and I've realized it is true. I got a black belt in karate because I was willing to go to class and do a million slow kicks and sweat and work hard. I even got a concussion from sparring. At our final black belt exam, our instructor told us, "Think back to your first white belt class, and how many other people were there. Think of how many of them have fallen away for one reason or another. You are the few, the very few, who stuck it out. And you are the ones who will be getting a black belt today."

Writing a novel is like that, too. I am not one of the ones for whom writing is effortless. I have to tolerate discomfort of the uncertainty, the blundering about trying to figure out a plot, the hours spent in front of a keyboard. But I have two novels published, and I'm about to pass 40,000 words on my third.

I will have to ramp up the exercise program again. Do the mobility stuff, do the weight lifting stuff. I have to figure out what my work life will be like under all of these changes, and if that isn't meant to be, what my retirement will be like. It is ironic that as a species, we are wired to seek comfort. We want to be warm, and fed, and to cuddle with our mates and to have no troubles or worries. But that is not what is best for us.

Boats are safest anchored in sheltered harbors. But that is not what boats are for.

I initially thought to start the image with a bed of nails, but I couldn't find an image like that in the public domain, and so I decided to make it a bed of brambles instead.

Image description: Bottom of the card: dry, cracked earth overlaid with brambles with sharp thorns. Card center: a bronze statue of a woman lying on her side. Behind and above her is a lush flower garden.

Uncomfortable

23 Uncomfortable

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pegkerr: (All we have to decide is what to do with)
I learned recently of the death of a good college friend, which was a shock. As I reflected upon my friend's life, I found myself feeling extremely sad for her. Her relationships with every person in her life had suffered profoundly: she broke with every member of her family, she had three failed marriages, she lost many of her possessions in an apartment building fire, she struggled with alcohol and mental health issues, she was unable to find meaningful work in the last decade of her life, and in the end, she died alone. I'm not saying that she didn't have moments of joy in her life, because she did.

But still...

The week depicted by this collage also included Groundhog Day, which also happens to be the anniversary of Rob's funeral.

Together, along with a Jeep commercial post that floated by me on Facebook, this got me to start thinking about the Bill Murray movie Groundhog Day. I saw a post online years ago about this movie that I have wished many times that I could read again, but alas, I didn't bookmark it.

The post argued that Groundhog Day is a really remarkably profound movie about life and its search for meaning. Bill Murray's character in this film is a cynical news reporter sent to cover the Puxsawtawney Phil celebration on February 2 who discovers, to his consternation, that he is repeating the same day over and over again. He goes through countless reactions: disbelief, destructive anger, a cynical willingness to take advantage of a life with no consequences, and suicidal despair. He is finally jolted into a new way of thinking by the realization that there is a man he encounters every repeated day who dies during the course of the day, and he cannot save him. Death, he comes to realize, limits us all, so what kind of life is he willing to make for himself within those limits? Even if that limit is just one day?

Why not make it the best of all possible lives?

In my reading of Jane Austen fanfiction, I have come across four different retellings of Pride and Prejudice using this Groundhog Day framing, of a day repeated over and over again. I was initially surprised by this, but then realized that it makes sense, because the central plot in Pride and Prejudice is examining at least some of the same questions that underlie the movie Groundhog Day. In the development of their relationship with one another, Darcy and Lizzy each have to wrestle with the question: what kind of person am I? What kind of life do I want to live? What constitutes a worthwhile life? What kind of relationships do I want to have with the people around me, and do any of them include love?

I spend Groundhog Day reading one of these four variations, Elizabeth Frerichs's The Riches of a Well-Lived Life, which I very much enjoyed. (I had picked it up because I was quite pleased with an earlier book of hers, Through the Lens of a Letter). The other variations that I know of using this same Groundhog Day premise are Jayne Bambour's Madness in Meryton (which, interestingly enough, chooses the exact same day from the novel to repeat, the date that the Bennet sisters walk to Meryton and meet Wickham), Elizabeth Adams' The 26th of November, and Beau North and Brooke West's The Many Lives of Fitzwilliam Darcy.

Mulling this over got me to think about again something I have considered before: what, to me, would be a well-lived life? I remember when I lost my job at the law firm and did a lot of analysis of this question and came up with an answer I rather like: a well-lived life is living in the right place, with strong connections (of friendship and love) to the right people, doing the right work on purpose. I will be thinking more about this (as I mentioned before, this year is going to include a lot of change), as I try to envision the right life for me.

This collage is inspired by the lovely cover of Elizabeth Frerichs' book, taking care, however, not to appropriate the copyrighted art.

Edited to add: After posting this, I went to my friend’s funeral. The eulogy was delivered by her younger brother, the sole remaining member now of their immediate family. After speaking movingly of his sister’s struggles, he closed with some words that dovetailed so exactly with the thoughts of this post that I asked him to send me a copy of his remarks and he obliged. He closed with this:
What I do know is this: setting aside for a moment our hope and faith in the life to come, death gives this temporal life great meaning. Precisely because we will not live forever, how we live each and every day matters. Because we cannot stop time, time is precious… do not let any more time go by before you hug tight those that you love, before you tell them, over and over and over again, the joy they bring to your life, that you make sure they know that nothing they do or say can separate them from the love you bear them.
For you have a history left to write with them. Write it well.
(Image description: Background: Watercolor wash in blues and purples. Center: an old-fashioned pocket watch, with a picture of a waltzing Regency couple in the center. Top: the words 'The Riches of a Life Well-Lived. Bottom left: a handler in a top hat holds Punxsutawney Phil aloft. The words 'Work,' 'Friends,' 'Travel,' 'Family,' and 'Love' are written on the background in the lower part of the collage.

Groundhog Day

5 Groundhog Day

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pegkerr: (All we have to decide is what to do with)
I wrote in my holiday letter at the end of last year that I know that 2024 will include a lot of changes.

Fiona will be starting her plumber's apprenticeship program and getting married.

Delia will be graduating from college and moving from Wisconsin to find a job in Minnesota.

As for me, I know that my job will be changing. I work in the office of the Bishop of the Minneapolis Area Synod for the Evangelical Lutheran Church of America. Her second and final term will end this year and a new bishop will be elected the first weekend of May.

The bishop's staff serves at the pleasure of the bishop, and so we all have to tender our resignations and then wait to find out whether the new bishop (and at this point, we have no idea who it will be) will hire us back.

Since we work for a church-based organization, if we DON'T get hired back, we get no unemployment. I guess that the custom is that we would get three months of severance. But that's it.

What's more, the synod is struggling financially--we get the money for our budget from what people put into their offering plates in our congregations on Sunday mornings, and between the pandemic and inflation, that number has dropped substantially. I have a hunch that while the staff is being shaken up anyway, it might look like it would make the most financial sense to combine my position with one of the Assistant to the Bishop positions. So my job is looking increasingly precarious.

I have been trying to gear myself up for the changes to come. Even if I get to stay in my job, I fully expect that I will be losing my boss (the bishop) and my supervisor, someone with whom I work very well.

At the Epiphany service at my church, we followed the custom we've been doing the past couple of years: everyone was offered a sticker with a word on it, something to contemplate in the coming year.

My word was "Acceptance."

I have often joked that I am a Gryffindor but with high-security needs. Brave, when I need to be (and I have needed to be, especially since losing Rob), but change is still hard.

In fact, I did a Hard Thing in the week that this collage covers to try to get ready for that change. It didn't work out (Peg says vaguely) but I will keep trying.

Change is a-coming. And I will have to accept it when it does.

I do rather like the way this collage turned out. When thinking about 'change' and acceptance,' I was thinking about some of the principles of Zen Buddhism, about balancing stones. Stones may seem changeless and immovable, but the sea will polish them away and tumble them over, and as they grow smaller, you can pick them up and carry them around. I think the curves in the outline of the phoenix are mimicked by the shape of the stone heart, and the slant of the fiery bird is echoed in the slant of the words.

The bird, of course, is a phoenix, the mythical creature that dies and is reborn in fire.

I can feel the sparks starting to stir under my own breastbone.
I know they will get hotter.

Image description: background: semi-transparent picture of a rocks that have been smoothed by the ocean. Lower right corner: three rocks piled one atop the other, with an open bloom tucked in at the side. An old-fashioned key rests on the top one. Lower center: the word 'Acceptance' is written. Center/left: a bird made of fire (a phoenix) with wings outspread. Upper right corner: a heart shaped from smooth pebbles. The word 'Change' is overlaid over the heart.

Change and Acceptance

2 Change and Acceptance

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pegkerr: (All we have to decide is what to do with)
Sometimes, coming up with the theme for the digital collage of the week is easy.

This wasn't one of those weeks.

The problem, I reflected rather gloomily as I mulled over the question, was that I have already done collages about all the most obvious things. This week, I read fanfiction, obsessing over my favorite fandom. I exercised. I wrote fiction. I mulled over new career directions. I practiced French. I cooked, trying out healthy recipes. I could talk about Halloween, and the tarot reading I'd done, but I've done that as a collage before, too.

I'd spent last week trying to go out and do different things I hadn't tried before. But now it seemed that I was back doing the same old usual routine.

Did I truly have nothing new to say? What WAS this week all about?

One small thing did happen this week, that has been niggling at the back of my mind:

My mom told me, on our usual weekend visit, that she was making arrangements to bring her cello to a musical instrument consignment shop.

I've mentioned with pride before my Mom's devotion to music. She just had her 95th birthday, and she has played the cello for 85 of those years. What an extraordinary accomplishment!

Mom plays the cello


But her eyesight has been growing worse, and she's becoming more frail. Hefting a cello and driving to orchestra rehearsal is not in her wheelhouse anymore. And so, soon the cello will be gone, hopefully to someone who will be delighted with it and who might play it another half century or more.

One of the things I have always admired about my parents the most was the way that they continually stretched themselves to stay engaged with the world, getting out and doing things as they grew older. When my Dad was 82 years old, he went to the Dominican Republic to install bio-sand water filters to give poor people clean drinking water--he'd spent the previous year raising $40,000 dollars to fund the project. My mom continued traveling, playing music, and socializing into her 80s and 90s. They have been a downright inspiration to my siblings and me.

The natural tendency for many people, I have often thought, is for their lives to become smaller as they age. I had been rather shaken, as I reported a few weeks ago, by some physical setbacks. I could see how it would be easy to reason, 'Well, I'll just ease up on things a little. Not go out as often. Skip the walk around the lake. That lecture looks like it might be interesting, but I'd rather stay at home." Little by little, if I let myself, my life could get narrower and narrower.

Maybe it's partly losing Rob, and the memories that always come back this time of year. I still have years of healthy living to look forward to, but I can feel the press of time, and even my own mortality. I am sensing that the event horizon is not infinite.

I will not be able to read all the books I intended to read before I die.

I was brooding over all of this when I met my friends Eleanor Arnason, Naomi Kritzer, and Lyda Morehouse for Zoom coffee, as we faithfully do every Friday. I do my weekly collage during these Zoom coffee sessions, and this week, more than usual, I spoke with them to help me pin down my thoughts about my worry that if I am not careful, my life could become more and more constricted. They instantly understood what I was struggling to articulate.

"It's more than one thing you're talking about here," Lyda pointed out. "There's having a regular routine that you follow because you have to maintain your life--or because you can't think of anything else to do. But you also repeat things because they have become ritualized, because repeating them brings you comfort."

That was true, I realized. I have often thought that the passage of time may seem like a wheel, as in the wheel of the year, but it is also like a spiral, like a nautilus shell. You come back around again, but you are in a slightly different place, because you have changed in that year, and you are not exactly the same person.

A life can become more constrained as you age, as you begin to face your mortality. But the trick, as my parents knew, is to live your life as adventurously as possible as long as you possibly can, so that when the natural constraints of aging come, it's still a pretty damned wonderful life.

I got my karate black belt at age 51. I don't practice karate anymore because my knees gave out. But damn it, I have a black belt, and no one can ever take that away from me. How much smaller my life would have been if I reasoned at age 43 I'm too old to be doing karate.

My mother is giving up her cello. But she played that cello for 85 years, and she has a lifetime of wonderful memories to hold close to her heart, not to mention the admiration of the countless people (including her own children) who heard her play. Her dogged determination to keep playing music for so long is doubtless one of the reasons she remains so sharp and acute into her old age. Even now, at the age of 95, she exercises, socializes with the others in her senior unit, enjoys time with her family, and goes out to concerts. She is living a full life.

I will have more adventures in my future. I still have to figure out what they might be. But with my parents' example to follow, I am sure I will live a fully realized life, too.

(I really like how this collage came out aesthetically. There are only three elements to it, but I think it's beautiful. The way that the curve at the cello's base echoes the curve of the nautilus shell's inner divisions is very satisfying to me.)

Image description: Background: A stylized nautilus shell shape set against a richly hued dark blueish-green background. Overlaid over that: another nautilus shell, cut away to show the spiraling inner compartments. Overlaid over that: a cello and bow.

Mortality

44 Mortality

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pegkerr: (Even the wisest cannot always tell)
When you set out to make major upheavals in your life, it takes some serious self-examination if you want to do a good job of it: remembering, pondering, cataloging, prioritizing, and daydreaming about alternatives.

That is what I have been doing this week. It has been very uphill work, but I hope it will pay off. I also hope that Elinor Dashwood will be able to explain more soon!

I tried two or three various approaches to this collage, so it took a bit longer to make than usual. I looked at various images for mirrors, and I experimented with skewing the first image I found but wasn't satisfied with the result. I had to hunt a bit to find a nice-looking mirror held at the correct angle. And then the picture of me holding up a mirror and looking into it just seemed too simple to be satisfactory or complete, and I decided to add the lotus for enlightenment and an owl for wisdom. When I came across this particular owl, I was immediately struck by the idea that it looked as though it could be peering in the mirror, too, which I thought added a slightly humorous touch.

This one I'm pretty pleased with.

Image description: Background: water droplets trail down window glass. A woman (Peg) looks into a hand mirror. An owl behind Peg's shoulder also peers into the mirror, its head cocked in apparent curiosity. Foreground: a pink and white lotus in full-bloom is superimposed over Peg.

Self-Examination

18 Self-Examination

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pegkerr: (All we have to decide is what to do with)
This card is a follow-up to last week's collage, about all that stuff I'm mulling over that I'm not talking about in public yet. (Sorry.)

Although I had a strong idea for the collage by midweek, I flailed around over how to pin down the idea precisely. Choices? Decision-tree? Crossroads? Maze? Labyrinth?

This meant I wasted much too much time on this collage. As with the Loneliness collage I did the year before last, every image I thought of seemed so cliché, and I'm not entirely happy with it as a result.

I spent an inordinate amount of time wandering through images of Jane Eyre at the crossroads of Whitcross. (Too dark, and it didn't have quite the right feel--that stand at the crossroads in Jane Eyre was a desperate and despairing attempt to escape something, not exactly the situation here). I looked at pictures of mazes and labyrinths, but the lighting and perspective weren't right. I pursued a line of thought about the story of 'put-the-big-rocks-in-the-jar-first" but then ran across this pointed essay and decided to abandon that approach, too.

Anyway, here's the result, and it's being posted not because I'm satisfied with it, but just because I'm done messing with it. The champagne flute shows the mimosa I had at the restaurant where I went for breakfast today. Because it's my birthday, dammit, and I am working to make my life closer to the way I want it to be.

Image description: A mysteriously lit path in a dark wood splits into two to go both directions around a large tree. At the foot of the tree, two arrowed signs pointing in opposite directions read 'This way? That way?' In the foreground hovering over the path is a champagne flute mimosa.

Decisions

17 Decisions

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pegkerr: (All we have to decide is what to do with)
I'm going to be a little bit cryptic about this one, because it involves something I'm not quite ready to talk about yet (note the Elinor Dashwood tag, which I use when I want to be reserved about something). But this collage is about a conversation I had this week with someone I really trust to give me solid life advice. What this trusted person told me is that it is time for me to make a specific life change. A big one. Huge. It will mean a lot of life upheaval. And while what she was advising to do is something that has crossed my mind for several years (since the pandemic started), I think that she made her case so well that I am seriously reassessing things. I think I am going to do it.

If I can.

The first card in the tarot deck is the Fool. The zero card. The Fool is usually depicted as a beggar or a vagabond, wearing ragged clothes & stockings. He is gazing upwards toward the sky (and the Universe) and is seemingly unaware that he is about to skip off a precipice into the unknown. Over his shoulder rests a modest knapsack containing everything he needs – which isn’t much (let’s say he’s a minimalist). The white rose in his left hand represents his purity and innocence. And at his feet is a small white dog, representing loyalty and protection, that encourages him to charge forward and learn the lessons he came to learn. The Fool represents new beginnings, having faith in the future, being inexperienced, not knowing what to expect, having beginner's luck, improvisation, and believing in the universe.

This is the Fool as depicted in the Rider–Waite deck:

tarot fool


I've sometimes told people that I'm a Gryffindor, but one with high-security needs. What I am thinking of doing, what I am actually going to start trying to do will definitely take courage. But--if I am lucky, if my faith in the future is justified--it might address some of those needs that have been unmet for so long.

The background of this collage is a card that my kind mentor gave me when we ended our session. Although you can't see it, I posed for the picture on my back stoop (where I fell and got my concussion last year). The stick on which I hung my sack is my karate bo. I used a picture of my daughter Delia's dog Violet for the dog at my heels.

(See this earlier post I made about The Fool).

Image description: Against a background of words of life advice, Peg stands in the pose of the Tarot Fool: looking at the sky, holding a stick with a sack of possessions in one hand and a stem of flowers in the other (didn’t have a white rose and so used a bunch of silk peonies). A dog capers at her feet.

Reassessment

16 Reassessment

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pegkerr: (Bloody brilliant!)
This one will seem a little odd, because I am not going to explain it fully. In fact, it won't make a lot of sense to you if you aren't in my critique group and familiar with my novel as I've written it so far.

I'd mentioned that I'm 20,000 words plus into a book I'd started over twenty years ago. One thing I've often remarked about my writing process is that I am the opposite of what is called a "pantser," i.e., someone who writes by the seat of the pants. I have to figure out something/know where it is going before I can write it. Sorry, those of you who are good at writing exploratory drafts; I am just not that way.

Okay, the next is going to be a bit purposely vague:

Through great effort, picking up from where I left off twenty years ago, I had inched forward enough to finish a new chapter five, and then...I was floundering around, trying to come up with an idea for something that would subvert the rules I had set down for magic in my first book, but still not violate the spirit of what I was trying to do. I planned to introduce some cross-cultural experiences and I wanted to introduce, if you will, a new cultural metaphor, a different way of seeing the world, which could apply to the magical system I set up in the last book, but have it work in an entirely different way.

So I started googling cultural metaphors, and I won't rehash the way my thread of thought unspooled, exactly. But it suddenly occurred to me that the four characters I have been thinking about for over two decades embody--in the story, and in their characters--the entities of Fire, Air, Earth, & Water. And this raises aaaaaaalllllll sorts of possibilities about how the magical system will work, with a cross-cultural twist.

It's weird to be overwhelmingly seized by an idea in the creative process that seems so key, so breathtakingly important--but I can't quite explain it, because my thoughts about are still so incoate. But I think it will really work, and it will help, I think, with structuring the book. And since "structuring a book," i.e., plot, is always the area that I feel the weakest, this is very encouraging, and definitely gives me more hope that I will actually manage to someday finish this book.

I've been rather shy about talking about them (I think one reason the Ice Palace book failed was that I made the mistake about talking too much about it online). But this is a big enough step forward, that I think I can take the risk of introducing you to my four main characters. The costumes aren't right, but ignore that: you'll get an idea of my feel for Falco (Fire), Reynardo (Air), Tavia (Earth), and Elodie (Water).

Tavia and Elodie are twin sisters, and I was perplexed about how to find images for them. But then it suddenly occurred to me: Elodie is a bit crispy about being a twin, and she chopped her hair off to distinguish herself from Tavia. So I googled "Haircut makeover long hair to short hair" and came up with these two images. Am rather smug about that.

The symbols over Falco (upper left), Reynardo (upper right--the original character I started with twenty years ago), Tavia (lower left) and Elodie (lower right) are the Hellenic symbols for, respectively, Fire, Air, Earth, and Water.

Elements

24 Elements

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pegkerr: (Default)
I read a Facebook post essay this week that gave me much food for thought. The writer recounted his experience going through his possessions as he and his wife were downsizing, and his realization that he achieved peace and satisfaction at his discovery that what he had, in the end, was ENOUGH. Someone in the comments recounted the tale of Joseph Heller the time he went to a party at the home of hugely rich hedge fund manager. Another guest told Heller that the host had made more money in the past year than Heller had made from thirty years of his royalties from his book Catch-22.

Heller retorted that on the contrary, he had something much preferable that his host could never hope to have. He had enough.

The essay made me think about the line I discovered in a list of life goals that Rob wrote out in his twenties. He wanted to be not poor--but not rich, either. He just wanted enough.

That impressed me. I thought it was rather wise.

I realized over the course of this week that in fact, I have been mulling this concept over in a number of different aspects of my life.

Of course, I have been posting quite a bit over the past few years about culling possessions in the aftermath of Rob's death. What is the right amount of things, of stuff, to have around? How much is enough?

What is the right balance to strike in things like my diet? My exercise program?

I have been thinking about my neighborhood, because there has been, unhappily, a rise in crime in my area, and I have been thinking about personal security. How much of a sense of safety is enough? (I have in the past jokingly described myself as a Gryffindor with high security needs).

I have always said that part of the appeal I find in tarot is that it emphasizes and guides toward moderation.

Edited to add: see also my comment about the children’s book The King’s Equal.

The thinking I've done about this helped determine the design of the card: back when Rob was alive, when I was most exasperated with the glut of his possessions, I used to say that if it were not for his insistence on keeping so much stuff around, my bedroom would ideally only contain a simple bed and a vase with pussy willows.

Enough

45 Enough

Click here to read about the 52 card project and see the year's gallery.
pegkerr: (All we have to decide is what to do with)
This card grew out of several different threads of thought this week.

One: I'm continuing to do yoga every day and have been thinking about the instructor's continual reminders that of course, you should do your best, but at the same time be satisfied with where you are/what your body can do at this particular moment (which can vary from day to day).

It reminds me of the thinking I've done over the years about the Holy Tree described in Yeat's poem The Two Trees: There is a beautiful and blessed Tree in each of us, a manifestation of the divine within, if you will, and the temptation is to see it as a barren and twisted tree--but this is a lie, suggested by the "glass" (i.e., mirror) "the demons hold." I've written about this before (in fact, this blog is named after this poem): You have to have faith that the Holy Tree is within, but it is hard to see/recognize it in oneself (I have come to recognize the "glass [the demons hold]" as depression--distorted, overly critical thinking about oneself).

Two: I'm continuing to do various actions to improve things: I've started doing hamstring stretches each morning before getting out of bed. Continuing to diligently practice Sleep Boot Camp to try to address my insomnia. Trying to eat Whole Food Plant-Based. Working to stay within my budget. Fixing up my house (a new bathroom faucet went in this week). Taking walks. Using my lightbox.

Possibly because I've been practicing yoga, I'm been paying more attention to what's going on within me--mindfulness. I can hear the inner sotto voce voice running continually in commentary inside my mind. It can be helpful, as it is an extension of my superego trying to help me live my very best life: Add some more vegetables to that stir fry! Don't forget to do your hamstring stretches! Maybe it would be a good idea to read this book right now--learn something new! But that voice can easily tip over into angry critical noise, as the light fades in the autumn and especially whenever I'm tired or bothered with grief: You didn't balance your budget like you told yourself you would do. When are you going to buckle down and do it? Careless! Lazy! Ugh, are you really eating that? Quit wasting your time reading fanfiction! You should be writing! Why haven't you picked up your hand weights? When are you going to wash the kitchen floor? What a slob you are!

Three: I re-took the IDI assessment (Intercultural Development Inventory) which I last took in 2017. It measures where you are on a continuum of intercultural competency.



I was disappointed in my score again, as I was back then. I had progressed further along the continuum, however. In addition, the assessment evaluates where you think you are versus where you actually are--and the disparity had lessened somewhat, which indicates I'm perceiving myself and my inner work to become less racist more realistically.

So: all week I've been thinking about all the things about myself (and things around myself over which I have control, i.e., the house, the budget, etc.) where I am trying to improve things. It took me quite a while to hit upon the one word that summed up this week's theme. "Self-improvement" was my first thought, but that wasn't quite right. The term 'self-improvement,' as one of my friends in today's coffee group remarked, has been rather ruined by the self-improvement industry. It can smack of a somewhat smug self-absorption, of a tendency toward perfectionism. And what I was trying to pin down is not just about me, but about things around me (like the house, for example).

After messing around with a thesaurus for while, I finally hit upon the word "betterment."

I do not think perfectionism is at all helpful. From my own experience, I know that trying to become perfect is a hopeless business and a setup for depression and anxiety. No, I do not want to be perfect.

But I want to be better. Maybe my hamstrings will be a little more flexible today. Maybe I will manage to squirrel away a bit more money. Maybe I will eat more vegetables than I did yesterday. Perhaps I will be more patient, kinder, less insufferable, a better parent and friend.

It is a sort of mental trick I am trying to master, holding two possibly mutually exclusive precepts in the mind simultaneously: I want to be better, and yet, I don't want to live a life where I am continually unhappy with where I am. I try to remember that the Holy Tree is always within, whether I see it or not. That's what the guidance from the yoga instructor I have been watching on YouTube is all about: strive for improvement, yes, but accept and honor where you are at each particular moment. "You already have within you," the instructor tells her students, "everything that you need."

The background of this card is the pattern of my yoga mat, which I picked because it reminds me of the Holy Tree. Over that I laid what at my office we call the Wellness Wheel: we talk about how our lives are made up of all these different aspects (financial, work, spiritual, mental, creative, etc.) and they are all part of the whole.

As I was mulling over this theme for the week, the line from Hamilton soundtrack jumped out at me in my memory: "I've never been satisfied." So I put in the logo from Hamilton, with his outstretched, reaching hand (always reaching, always striving) pointing to the center of the Wellness Wheel ("Your Life"). Over the star of the Hamilton logo, I pulled the world icon from the IDI logo. That world icon echoes the Wellness Wheel in shape.

I could have stuck more elements into it, reflecting all of the aspects in myself I'm trying to improve, but instead, I decided to go for more simplicity. I ended up rather pleased with this one, aesthetically.

Betterment

41 Betterment

Click here to read about the 52 card project and see the year's gallery.
pegkerr: (Deep roots are not reached by the frost)
It's difficult to describe what the last week in Minneapolis has been like if you're not living here. If the verdict in the Chauvin trial had not come in, this past week's card would have been about the National Guard occupation, which was extraordinary, unlike anything I've seen in my entire life. (A headline that I photographed and planned to put over photographs of boarded-up buildings read "Guard Tightens Grip on Metro.") That's what it felt like, with military vehicles trundling by in long processions, armed guards on the streets, toting firepower, and pallets of barriers piled up at all the highway on-ramps, ready to close off highways at a moment's notice.

People were on edge as they went about their business. And then the word came down that the verdict would be announced within the hour.

I know that people were listening around the entire world as the verdict was read, and the city gasped out a big exhale of relief.

Derek Chauvin was convicted on all three charges.

I thought about joining the gathering at George Floyd Square afterward. (The photograph here shows the street leading up to it, strewn with flowers.) I did not. Instead, I sat in my home and thought of him, and all the people who fought to seek justice.

(Compare the design of this week's card to last week's.

Convicted

Convicted

Click here to read about the 52 card project and see the year's gallery.
pegkerr: (Dark have been my dreams of late)
The intention of this project is to make an image of what I have been thinking about/focusing on each week. So...

The title of the previous card was "Hope." The title of this card is "Despair."

The city of Minneapolis, as I have mentioned before, is in a state of high tension due to the ongoing Derek Chauvin trial (the police officer who killed George Floyd).

On Sunday, April 11, Daunte Wright, a 20-year old father, was stopped by the police in Brooklyn Center, a twin cities suburb. Ostensible reason for the stop was an air freshener was hanging from the rear view mirror, and expired license tabs (Daunte had just acquired the car the previous week). Police determined that he had a warrant and tried to take him into custody, and a 25-year veteran police officer shot him in the chest (claiming afterward that she instead meant to fire a taser). Daunte tried to flee but died not far away. His body lay in the street for six hours.

The card depicts a faux cemetery set up in South Minneapolis, a couple of blocks from where George Floyd died. Every name on every tombstone is the name of a Black person who died as a result of police violence. I presume Daunte Wright's name has now been added.

I hate this card.
I hated making it.
I knew that this was what the week was about, but I delayed making it.
I hate that it feels performative.
I hate that I feel so helpless.
I hate that I am using these images of these victims of police violence. It feels like I'm stealing them--one more indignity after the outrageousness of their deaths.
I hate my own privilege.
I hate that even saying this makes it feel like I'm the worst sort of oblivious white ally: making it all about me.

Despair

Despair

Click here to read about the 52 card project and see the year's gallery.
pegkerr: (All we have to decide is what to do with)
*Deep breath*

Okay.

This is maybe the most complicated-in-thought card I've ever done (the card is at the end of this rather long post). I will try to explain it, and doubtless, some will be TL;DR and/or I may miss the mark in explaining it (if so, sorry!), but, well, it is important to me. And it's been the result of/prompted by the sort of deep reflective inner work that I hoped this project would spark, so I'm pretty pleased with it. Both aesthetically and what it's opened deep within myself.

The card started with my tuning into one of the prayer gatherings being held at 8:00 a.m. every morning while the Chauvin trial is going on, hosted by the organization Healing Our City (some of the organizers have ties to the Minneapolis Area Synod for the ELCA, my employer, and several of my coworkers are tuning in every day).

The day's reflection leader, Rev. Frenchye Magee of Hennepin Avenue United Methodist, invited the listeners to reflect on an image, a plant growing in a fractal pattern, which is common in nature, as we considered the thought, "What we practice of the small becomes the practice of the large." Large changes, she explained, begin with the smallest changes we make in ourselves as we engage in the work of social changes and justice, and those changes spiral out, becoming an opportunity to repeat the pattern in ever-enlarging arcs of love and hope and healing that transform the world.

As I thought over the next few days about this meditation, I made the connection with what I am doing in my own life. Last week's card, Books, was about the small, laborious changes I am making in my own life to open up space for something new. This past week, I shipped off my wedding china to a company that deals with used china as part of this downsizing/changing process (see the teacup in the upper right).

"Wait a minute!" you cry in outrage. "Stop right there! How dare you turn a meditation about the changes necessary to bring about social justice into a rumination about downsizing and decluttering. How self-centered and self-absorbed can a white woman be!" Well, yes, but please give me a moment to explain. I promise I will tie it all together.

I have been studying the concept of hygge for the past couple of years, and as I have been dealing with All of Rob's Stuff, I have become aware of the Swedish term döstädning, or as it's called in English, Swedish Death Cleaning. As I have struggled to go through all of Rob's stuff, I have sworn to myself, time and time again, I WILL NOT DO THIS TO MY GIRLS. I am aware that I have to make the hard choices, the small changes--but it's not only about simplifying my life to be kind to others after my death. I need to be aware of the changes I need to make in my mentality--caring more about people than things--not just in preparation for my own death, which hopefully, will be a long ways off yet. But also it's necessary to open up space for the life I truly wish to live.

There is nothing like becoming a widow to make you think about preparing for death. I saw how Rob became less and less tethered to his possessions as he lay dying in the hospital. He didn't care to read or open his laptop, and he didn't show as much interest as expected in the gifts we brought him, certainly far less than usual.

What ties it all together was something prompted by a song included as a part of worship in another Healing Our City gathering later in the week: People Get Ready:

People get ready
There's a train a comin'
You don't need no baggage
You just get on board
All you need is faith
To hear the diesel's hummin'
You don't need no ticket
You just thank the lord

(See the ghostly train at the top of the card.) The song, as well as all the thinking I have been doing about making small changes in my life, made me remember J.R.R. Tolkien's great story "Leaf By Niggle." (You can listen to a lovely recording of the story being read here. Which is coincidentally where I got the script spelling out "Leaf by Niggle" in a font based on Tolkien's own lettering, that you see overlaying the ghostly train. Niggle's perfect leaf, dappled by dew, is underneath.)

Niggle was preoccupied by his own concerns, his hope of painting a perfect tree, leaf by glorious leaf. He is annoyed by the constant demands put upon him by his neighbors, especially the intrusive Parish. The constant interruptions cause him to neglect his work; in turn, his inability to finish his work caused him to be insufficiently concerned about his neighbors. Finally, he was called away from his work because he had to go on a long journey on a train, clearly a metaphor for death ("There's a train a comin' / You don't need no baggage / You just get on board"). It is not until he undergoes a series of small changes (in a realm that reflects Tolkien's Roman Catholic conception of Purgatory) that his heart opens up to his neighbor Parish, and in return, he discovers his Great Tree, a real living tree, as he pictured in his imagination but could not quite capture.

Luke 12: 13-21 tells the story of the rich fool, who cared only for building barns and piling up his wealth, until God required his soul to come to death, and what good did his riches do him then? A related parable is the story of the rich man and Lazarus in Luke 16:19-31: a rich man thinks only of his possessions and his own pleasures, ignoring the downtrodden Lazarus outside his gate until both come to death, and what good did his riches do him, in comparison to what he should have done for Lazarus? (“Business!” cried the Ghost, wringing its hands again [in Dickens' A Christmas Carol]: “Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence, were all my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!”)

What should we do for Lazarus? What should we do for Parish? What should we have done for George Floyd, who had his life cut short by death? What small changes do I need to make in my life to open myself up to them? I hasten to explain that I'm not trying to say that de-emphasizing possessions is the work here; it's part of it, but mostly I'm pointing that process out as a metaphor for the work. I hope I can escape self-absorption, and make the changes to turn my attention away from mere things to the people around me: my neighbors Lazarus, and Parish, and George Floyd. And I have to make the small changes to root unhappy patterns out my life, including, yes, the inner racism I am training myself to see, the small selfishnesses, like putting away and getting rid of the old familiar things in my life that are no longer appropriate to the life I wish to lead. And in doing so, I think I can open myself up more fully to truly seeing and helping my neighbor.

It is difficult. It will take many small changes. But death is one of the few certainties in life. It puts so much into perspective, and things become so much clearer.

(So...did I manage to tie it all together? And did you actually read through all the way to the end???)

Changes



Click here to read about the 52 card project and see the year's gallery.
pegkerr: (Default)
This is a really excellent blog post by my friend [personal profile] naomikritzer (a fellow local SF/Fantasy writer who is getting a solid reputation as a political writer; she does a deep dive every election examining state and local races). Naomi's one of my closest friends; I have coffee with her every Friday. Anyway, she does a great job here of laying out a timeline of events and presenting evidence about who the actors are and what is their motivation. What do you think of her analysis?

[personal profile] naomikritzer’s post here
pegkerr: (cherry tree in the storm)
I keep thinking about Lincoln’s second inaugural address, in which he said:
”...Yet, if God wills that it continue until all the wealth piled by the bondman's two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said, "The judgments of the Lord are true and righteous altogether."
I’m grieving about the property damage, yes—-the terrible loss of Uncle Hugo’s Science Fiction Bookstore and Uncle Edgar’s Mystery bookstore particularly hurts—but people are more important than property, and the protests over the death of George Floyd are righteous. Justice for George Floyd trumps everything. Echoing Lincoln: could it be that all the burnt buildings, all the destroyed buildings are divine justice, a mere drop in the bucket of expiation for the robbing of black Americans of their economic justice? The stolen wages of slavery and sharecropping, the redlining and higher mortgage rates for would be black homeowners? The denial of GI penefits, jobs and pensions?

A comment on Twitter last night: don’t expect people who are shut out of the benefits of the social contract to adhere to it.

(I’m still glad that the neighborhood watch saved the Nokomis Library last night from the knuckleheads who tried to burn it down.)

Edited to add: And I wholeheartedly append to this post [personal profile] naomikritzer's comments below.
pegkerr: (Both the sweet and the bitter)
I went to Minicon 54 this past weekend and it was good.

It was good last year, too, my first after Rob's death, which sort of surprised me. And then I fell apart spectacularly the day afterward. I feared that this time, too, grumbling to myself that I didn't have time for a grief storm, what with work heating up so much right now. And I really didn't have one.

This was the first time I faced Minicon without ANY of my family. Fiona and Delia bailed this year.

Had breakfast with Jane Yolen both days, and really, what an excellent way to start any day.

I decided quite deliberately to sign up for panels in order to keep myself busy, and that worked well. One was on the tie between mental health and creativity, and how creative people can use art to keep depression at bay. I brought my soul collage cards and talked about them, and people were definitely interested. I put out about forty or so for people to look at after the panel, and quite a few people lingered to see them, which was gratifying for me. Adam Stemple was also on that panel, and he brought some research with him that fit with everything I've thought about the subject: creative people ruminate, meaning, they think deeply and repeatedly about certain subjects, turning them over and over in their mind--but rumination can also be at the root of depression.

Another panel I thought was extremely interesting, with lively discussion, was about assumption of commonality. I may have derailed it a bit when the moderator got to me and I started talking about how I'm concentrating these days on trying to see beneath the assumption of commonality, and trying to deconstruct my own privilege by noticing how we are different, and I brought up one of the examples I'd learned about in my racial justice task force training: many of us had checked into the hotel for the weekend and found, as always, the little samples of shampoo that the hotel provided. I said that I had always assumed that was a nice, welcoming gesture--until someone pointed out that those are always, always, always, hair products for white people. Black people have different hair with different textures that often require different hair products. That had never occurred to me until it was pointed out to me. Anyway, the discussion was respectful, interesting and thoughtful (to me at least), and I enjoyed it very much.

Also was on a fanfic writing panel with Naomi Kritzer, Lyda Morehouse, Ruth Berman, with Katie Clapham as the moderator. Got to talk about Alternity, which was fun.

I bought too many books. I also discovered another reason to miss Rob: he was the one who kept the mental inventory of what books to buy next in the series we both collected.

I bid on something in the art show, the only time I've done so in all the years I've gone to Minicon. Wouldn't you know, it ended up being the only item in the entire show that went to auction (it was a dishtowel with mathematical symbols, with the value of pi woven into the number of threads in the stripes; I'd wanted to get it for Fiona. I met with the other bidder and we worked it out, and Fiona is now the proud owner of an overpriced dish towel that she will love very much.

Eric stopped by the hotel briefly to see me on Saturday night. I got to introduce him to a few friends in the Green Room. Minicon in the evenings is not quite what it was a decade or two ago, however. He didn't stay long, but I was touched that he came out to see something for himself that is, after all, quite important to me and part of my personal history.

The hardest part came at the end, sitting through Closing Ceremonies. I was a bit teary when I walked out--not just because Minicon was over, which always brings me down a bit, but because Rob and I generally went our own separate ways at Minicon, but we always, always sat together at Closing Ceremonies, so that is when I miss him the most.

This came up in my Facebook memories feed today: Rob and I sitting together at Closing Ceremonies at Minicon 46 in 2011. Rob, of course, is wearing a Minicon shirt.

pegkerr: (I told no lies and of the truth all I co)
Here's a new card I made tonight that I quite like.

I've taken the Strengthsfinder test, and my very top strength is "Strategic."

The Woman Who Copes Ahead - Committee Suit
I am the One who plans ahead to make the future as successful as possible. I can instantly plot the best path through the maze. I am the Ant who brings in the harvest, who keeps an eye on the clock and the calendar, who saves for emergencies and retirement and always remembers to pay the insurance bill. I am gifted, wise, confident, and clever. My family benefits from my foresight and organization.

I am the One who plans ahead to make the future as successful as possible. I can instantly plot the best path through the maze. I am the Ant who brings in the harvest, who keeps an eye on the clock and the calendar, who saves for emergencies and retirement and always remembers to pay the insurance bill. I am gifted, wise, confident, and clever. My family benefits from my foresight and organization.

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