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Yes, of course I might have been delighted that the Two Towers movie has gotten the cover story in this week's Time Magazine. But the condescension of this article makes me want to scream:
Fantasy is "a nostalgic, sentimental, magical vision of a medieval age."
"The clarity and simplicity of Middle-earth are comforting, [Middle-earth? Simple?], but there's also something worryingly childish, even infantile about it."
and
"Are we running away from reality when we indulge in fantasy? Or are we escaping reality just to find it again and wrestle with it in disguise?"
The authors conclude by comparing America bearing its burden [is it supposed to be manifest destiny or something?] to Frodo's bearing the ring. They do seem to concede, at least, at the end, that LOTR is a "grown up" story. Apparently that point was in doubt, because it's a fantasy?
I want to send the authors a copy of Emma Bull's "Why I Write Fantasy." Key sentences I'd underline:
I do get so tired of this attitude, that Americans like the Lord of the Rings because we long to retreat to simplistic comforting pap in the wake of 9-11.
Muck, I say.
(Ahem.) Just had to get that off my chest.
Peg
Fantasy is "a nostalgic, sentimental, magical vision of a medieval age."
"The clarity and simplicity of Middle-earth are comforting, [Middle-earth? Simple?], but there's also something worryingly childish, even infantile about it."
and
"Are we running away from reality when we indulge in fantasy? Or are we escaping reality just to find it again and wrestle with it in disguise?"
The authors conclude by comparing America bearing its burden [is it supposed to be manifest destiny or something?] to Frodo's bearing the ring. They do seem to concede, at least, at the end, that LOTR is a "grown up" story. Apparently that point was in doubt, because it's a fantasy?
I want to send the authors a copy of Emma Bull's "Why I Write Fantasy." Key sentences I'd underline:
I know why I write fantasy--I know it somewhere down below and behind my lungs. But I can explain it somewhat less well than I can explain why breathing puts oxygen in my blood. I know I don't write [fantasy] so that someday teenagers will grow up and stop liking my books. No, there's something I want to get across--to both adults and kids--that just won't take root and grow in the otherwise fertile ground of realism.From Pulphouse: The Hardback Magazine Issue Six (Winter 1990).
I know that other writers have felt the same way. The tradition of fantasy is as old as literature; Western literature begins with fantasy, with Gilgamesh and the Illiad and the Odyssey. Beowulf pits a mortal man against ghastly supernatural foes . . . and if you respond that this is literature from the "childhood" of civilization, I'll warn you that you're badly underestimating your ancestors.
I do get so tired of this attitude, that Americans like the Lord of the Rings because we long to retreat to simplistic comforting pap in the wake of 9-11.
Muck, I say.
(Ahem.) Just had to get that off my chest.
Peg
