pegkerr: (Default)
Have been thinking the last couple of days that this obsessional stage that I'm in is waxing rather strong, to the point that I am becoming, well, rather unbalanced.

The family and I went to see Harry Potter and the Chamber of Secrets on Friday night. It was Rob's birthday, and he quite gracefully resigned himself to the inevitable; he has known for months how it would be celebrated. I enjoyed the movie, for the most part (that is, of course, until the very last scene, which just about killed it; that's the director's fault I suppose. It felt as if there was any attempt to hit any honest emotional notes in that scene, everyone missed by several thousand miles). I have mixed feelings about Rupert Grint's mugging: close, but perhaps a tad over the top. Will withhold judgment for the time being. Will be curious to see how the next director handles him. I am perfectly willing to acquiesce with [livejournal.com profile] epicyclical's decision to award Dan Radcliffe the "My, How You've Grown" award. [livejournal.com profile] alexmalfoy and [livejournal.com profile] epicyclical, you two can slug it out on who should enjoy the favors and undivided attention of Mr. Coulson; I feel no urge to get involved on that particular issue. I don't find him particularly attractive (Besides, let's be honest: he's more than a couple decades younger than me, which probably means he wouldn't be very interested in me anyway. It Wasn't Meant to Be).

If you want further reviews of the movie, there are plenty of people who will give you their exhaustive opinion. I'm a little surprised at myself that I haven't been thinking about it very much. Well yes, I saw it twice, and I liked it, but I am not sure that I will see it again for a while. I'm not as caught up in that movie as I was in the first one that came out last year. I think I will be more interested when the fifth book comes out.

Instead, I've fallen into another obsession spiral over The Lord of the Rings, and this one looks as though it is going to go very deep.

I blame the extended version DVD, and the fact that I bought a number of the books that have come out about The Two Towers. I am in a fever state of anticipation about the movie release next month. I still can't watch the movie DVD all the way through (from the Mirror of Galadriel on it just keeps freezing every three seconds or so). But I watched the new scenes in the first half, and I watched the appendices disks this weekend. I realize that I've spent a dreadful amount of time the past two weeks thinking about both the book and the movies.

Part of the problem is that work is extremely slow right now for me. As in, just dead. Nothing at all to do . . .unless I beg the other secretaries for work, and then they give me mind-numbing scut work that they don't want to do themselves. I just don't have enough to fill my thoughts during the day. I noticed that I have been skipping between reading about three different books this week, a bad sign--that means that I am having difficulty paying attention to one. I had started planning a new book to write, but unlike all of you who are merrily churning out words for nanowrimo (yes, you [livejournal.com profile] sallygardens, [livejournal.com profile] redbird and [livejournal.com profile] peacockharpy, I'm talking about you!) I am still missing an elusive element in the plot, something that would put me past the tipping point and allow me to start writing. I went to World Fantasy, and a panel there got me thinking about LOTR again.

Then the LOTR:FOTR extended DVD came out, and . . . I realized that I didn't exercise at all this past week. I was staying up too late at night, watching the DVD, or reading the book I got about the Two Towers movie, or thinking and so wasn't able to drag myself out of bed at 5:15 a.m. to do step or weightlifting. I also suddenly realized that I've had a couple hypoglycemic spells in the last week, too--that's because I haven't been the least bit interested in cooking or eating. I am isolating myself in my office, and snapping at my family because I don't want to be interrupted. And I'm shorting myself on sleep.

Not good, Peg. I probably need to start doing the light box again . . . it's dark enough that perhaps the seasonal affective disorder is starting to affect me, which isn't helping.

Sermon this morning was on the gospel parable of the talents. I have always interpreted that story as a warning to me that I should be writing, rather than frittering my time away.

Well, I know what the problem is (too much fannish obsessing, pulling my life out of balance). Not sure I have the will power to do what I must, which is to put away all the stuff I am obsessing about. But I really must wrench my attention back to the new book.

Peg
pegkerr: (Default)
Talked to [livejournal.com profile] kijjohnson today, who, to my delight, is finally reading the Lois McMaster Bujold books. She made some remark that she hasn't been able to do anything else, but has simply been gulping them down one after another.

This started a chain of thought for me today that led me to brood on the issue of obsessiveness (a topic which I have obsessively considered before). Right now, I'm re-obsessed with Lord of the Rings, as I just got my DVD copy of the first movie. Kij is like this, too, and in fact, that's one of the bonds between us. Other obsessions I have had over the years, starting from when I was very small:

The Chronicles of Narnia
the Bible
fairy tales
Laura Ingalls Wilder's books
the Lucy M. Montgomery books (Anne of Green Gables and its sequels)
Star Trek
Star Wars
Beauty and the Beast (the television show)
the King Arthur tales
Robin Hood
LOTR, as well as Tolkien's other works
Harry Potter
Jane Austen
Georgette Heyer
Lois McMaster Bujold

This tendency in myself to obsess about story has been an extremely strong aspect of my character, beginning since, I would judge, I was about eight years old. I like stories with a wide scope: many characters, vivid scenery, heroes to cheer for, villains to hiss at. Essentially, I like a fully imagined world (scenery AND character AND history AND . . .), where I can totally lose myself.

This has always totally baffled my family (by which I mean my family of origin; my husband understands this completely). Why is Peg going to see Star Wars for the ____nth time? I couldn't explain it when I was 16 years old, and it always rather embarrassed me. Other people around me were able to read a story or see a movie and shrug and say, "Well, that was interesting" or "I suppose that was rather good," and then go away and forget about it. But not me. My imagination has always seemed to need some story that I turn over and over and over in my mind (like Gollum muttering over his "Precious," I suppose--I forget who it was who remarked that Gollum is a picture-perfect example of the psychological concept of addiction).

As I've grown older, I understand it a little better, I think, although it still is somewhat embarrassing to admit, even to myself. I tend to hide the full extent of my obsession from the people who know me (by which I mean the Muggle, or mundane world: my coworkers, for example). And yet, I have to admit to myself, that a large part of my life is spent simply thinking about whatever it is I am obsessing about the most. At work nowadays, I replay the LOTR:FOTR movie continually in my head, or listen to the soundtrack in my mind, or think about the fanfiction I've read lately, all while continuing to do my work. I would estimate that at least 50% of every day sometimes is spent just thinking about whatever my current obsession is. At night, I'll surf the Internet, or read essays about an author, or simply brood. I turn stories over and over in my mind, thinking about how the author created them, how the characters interact, how the world is made vivid, and about the issues and themes revealed in the story: how do you go on with your life if your greatest love was someone has died? How do you get over being betrayed? How can you be a hero when you are scared to death? How do you show faith when you have never had anything to depend on in your life? How do you come to know and understand yourself truly in your relationship with other people--both in people you love and people you hate? Who are you, and how does that change as your role in life changes, and as you make hard choices?

Why do I do this? I don't know. Sometimes (quite often, really) I wish that I didn't, and I get totally exasperated with myself. But I have done a good deal of reading about the creative process, and I have learned that this is a tendency that is shared by many other creators. C.S. Lewis wrote approvingly of those readers who read stories over and over; he thought more highly of them than readers who read something only once. The Bronte children, for example, built a whole imaginary world as children, based on the toy wooden soldiers that Branwell owned, which they turned into a series of stories set in "Glass Town," later "Verdopolis" and "Angria." Tolkien himself is another great example, of course, brooding over his imaginary languages and the history of Middle Earth. I take comfort sometimes, when I get too discouraged over the fact that I have been blocked from writing fiction for a number of years, by remembering that Tolkien himself was a blocked writer, and the book that he wanted to publish the most he never finished, although he put fifty years of work into it (The Simarillion).

I find that my tendency to obsess is closely related to my tendency to feel stories deeply. Stories move me more than most people, I think. I say this and wince--it seems downright conceited somehow (I feel more deeply than you do). Yet I really believe it's true. Someone who knows me pretty well once remarked that I have less of a carapace protecting me from the outside world than most people do, and so that I get much more rocked my life's joys and woes than most. Powerful stories feed right into that, plugging right into my imagination, jolting me like someone mainlining heroin.

It's both a curse and a gift, I think. Obsessing can give me wild delight, but it also uses vast reserves of physic energy, reserves which the wise part of me knows I should be using creating my own work, but I don't because I'm obsessing over someone else's work. I worry, too, that I might lose track of my own life because I've sunk so deeply into an imaginary one. Perhaps it has gotten worse since I have discovered the Internet. It used to be, when I was stuck in a particular obsession, I would quietly keep it to myself because I didn't know any other people who felt about a certain story as I did. Now, with the Internet, it's very easy to find many, many people just as obsessed as me. The possibility for endless time-wasting, in discussions, in speculations, in mutual delight, grows exponentially.

I think that the Internet has made things both easier and harder for the obsessive creator. We have the ability to find each other now. But if you want to create your own stuff, as, say, a fantasy novel fiction writer, the Internet can stand for a continual temptation to forget your own work and immerse yourself in someone else's work. Who knows how many great Tolkiens this generation might have produced who instead frittered all their time away playing computer games on line?

Throwing this out for thought. I think I'll go re-read "Leaf, by Niggle" by Tolkien, which he wrote in conjunction with his essay "Tree and Leaf," about fairy stories. He wrote it as he was struggling with the fear that his obsessiveness over detail would prevent him from ever finishing The Silmarillion.

Cheers,
Peg

P.S. Aargh. There's a bat flying around in the house. Must go deal with this.
pegkerr: (Loving books)
A few weeks ago, I was going around the office asking people if they'd ever heard of the illustration of quantum theory involving Dr. Schrödinger's cat. Nobody had.

I've mentioned the web page newsletter I write at the office. One of the features I write every month for it is a parody column. One of my attorneys had been suffering a whole series of travel-related fiascoes, involving mishaps at hotels, changes of airplane schedules,arriving for depositions in the wrong cities, and the whole thing reminded me of Connie Willis' hilarious story "At the Rialto." It occurred to me that I could write something kind of like it for the newsletter--maybe tell the story of an attorney trying to take the deposition of a quantum physicist, and just as in Connie's story he wouldn't be able to check into his hotel, for reasons that could be explained by quantum mechanics. But it wouldn't be funny to my intended audience if they weren't familiar with the quantum mechanics concepts such as the Dr. Schrödinger's cat paradox.

"Why do you want to know?" asked one of the contract attorneys, puzzled as to why this secretary was quizzing her about physics. So I sighed and explained what I was thinking about doing, mentioning Connie's story in passing. I gave up the whole idea in disgust and forgot about the incident.

About a week later, that attorney came up to me in great excitement. "Thank you so much for turning me onto Connie Willis's work. I read 'At the Rialto.' You're right! It's hilarious!"

I was astounded. "You've read it?"

"Yes, I went out and bought the collection of her short stories. I loved it. Particularly 'Last of the Winnebagos.' I'm thinking of trying one of her novels. What about To Say Nothing of the Dog?"

"Read Three Men in a Boat by Jerome K. Jerome first," I advised.

Today, she told me she's halfway through To Say Nothing of the Dog (after re-reading Three Men in a Boat--she realized she'd read it before "but didn't sufficiently appreciate it up until now") and she's loving it.

I was very struck by my reaction to these conversations. I'm a fast reader and I read an enormous number of books. And I'm so used to telling people "you should read such and such; you'd love it" and being totally ignored. They never pick up any of the books that I suggest. Having Frances actually remember my offhand comment about "At the Rialto" and then follow up on it, going on to discover an author I admire was wonderful. It made me immediately want to get to know her better. And I realized, it's sadly all too rare an experience for me.

Another man at work is starting to read Lord of the Rings. He saw the movie and got interested, and started reading the book, talking to me about it because he knows I'm steeped in Tolkien. He's a slow reader, so he's been reporting his progress to me over the course of a few weeks. "Now they're at Rivendell." "Merry just fought the battle against the witchking, with Eowyn." He looked off into the distance a little thoughtfully and added, "That was so awesome." I got him to tell me what he thought would happen next as he went along. I'm tickled pink that he's so thrilled to discover this world I've loved so long. It's so much fun to re-experience vicariously the pleasure of reading Tolkien for the first time.

I love to share books. I love to discuss novels and the ideas they give me, but so many of the people I interact with on a daily basis are indifferent to them. (A few people at the office I work at have read the books I've written, but maybe only six out of almost seventy people. None of them are attorneys.) When I find someone who actually reads something I suggest and loves it as much as I do, that's an extremely powerful connection. Sort of a friendship-aphrodisiac, if you know what I mean.

[livejournal.com profile] kijjohnson raved about Georgette Heyer to me for years before I actually picked up one of her books, and it's a great source of delight for her that I've come to love them as much as she does. And I'm delighted that for the first time she's starting to pick up Lois McMaster Bujold's books. Can't wait to discuss the books when she's further along in the series.

In order for me to really open up heart to heart with someone, they have to love books.

Cheers,
Peg

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