I'm on my second read-through of
Fudoki. I must admit I'm feeling a little fried on critiquing, since I've been pushing hard on it the last several days, but I want to get my comments finished up so I can hand the MS back to
kijjohnson at World Fantasy.
It's been very interesting. I think that the book is splendid, but it
is a first draft, and I do have suggestions for her, some of which I gave to her over the phone this weekend. I've been very aware, this second time through, of the nature of the book being as it because of the way Kij writes, the method I've been experimenting with on my third novel: little patchwork bits that are sewn together. There are structural comments that I have as a result, because she hasn't had time yet to reconcile what she says about the characters all across the book (e.g., mentioning that the main character had a daughter . . . and then never mentioning it again). Kij is still trying to figure out what she is doing with some symbolic stuff, too . . . the "golden eyes" of several characters, mice, etc. I asked her if she was doing something with the color blue-green, too, a question which puzzled her greatly, as she wasn't aware that she was doing anything with it! I'm trying to mark all instances of blue-green through the MS as I go, so she can see what I mean.
A lot of what I do when critiquing is marking what works, of course, and there is
a lot that works. Kij is a wonderful writer, and there are many, many passages that are just delightful. But what I am also doing is trying to bring to consciousness little things that might niggle you about a book, that ordinarily you might just read right over, but not realize until the end that they bother you.
Why does Ake want to adopt Kayaga-hime, when Kayaga-hime doesn't show much warmth toward her? The princess mentions a man's sash left behind in her bed that she has treasured throughout the years on p. ___. Where do we see Domei
leaving the sash later in the book, as the princess writes down her memories? What happened to the priestess? She just sort of disappeared at the end of the book.
And, of course, I'm coping with my own feelings as I read it. Kij has written a wonderful third book. Will I be able to do so? Fortunately, Kij and I have always been scrupulously up-front about the issue of professional jealousy, all throughout our relationship, and we talked about it again on the phone this weekend. She laughed when I mentioned my feelings of envy. "All I can say is, if
I can write a third book, honey, so can you."
So that is why I am doing the very best job I can, critiquing the book for her, reassuring her that basically it's wonderful (which it is) because I know this is a nerve-wracking stage for her, but giving her my very best insights so that she can tune it up and make it even more fantastic for publication.
I know that she will be delighted to do the very same for me.
I'm not sure when
Fudoki will hit the stores.
kijjohnson and I will let you know when it does. Buy it when it comes out. It's going to be great.
Cheers,
Peg