pegkerr: (Do not speak of such things)
Yet it is important, and it arises out of a number of conversations I have been observing unfold over the past couple of years.

I would like to say this is a Council Card and not a Committee Card (i.e., an aspect of me), but I don't want to be as oblivious as the subject of my card by denying my own privilege. I could have avoided the whole issue by making the subject a white man, but I wanted to remind myself pointedly of my own personal privilege rather than to sooth myself with the idea that 'this is about someone other than me.' Therefore, I made the subject a white woman, like me. I will identify the card with both suits, a bridge card.

img_privilege


Privilege - Committee/Council Suit
I am the One who is unfairly advantaged over others due to race, class, gender, education, sexual orientation, country of origin, or other characteristics outside my control, yet oblivious to that advantage. Instead I assume my success is due to my own personal merit.

This seems to me to be one of the most uncomfortable cards I've made. I also hesitate to even post it, given how raw emotions are over the recent shooting in California (and yes, I have been reading the hashtag #yesallwomen over on Twitter). But I'm going ahead anyway.

Who was it who said art should afflict the comfortable and comfort the afflicted?
pegkerr: (Default)
I do not like this card. I am not sure whether it's because it's powerful enough to hook into an uncomfortable subject matter, or I'm not pleased with it aesthetically. Perhaps both.

(Plus I lost one of my tools while making it in the hodgepodge of all my folders of images: my burnisher, which I use to press the collage down on the matt boards. Which is extremely annoying.)

Anxiety
Anxiety - Committee/Council Suit
I am the One who is always flinching back from imagined terrors both real and unreal. I live my life in a constant state of apprehension and misery.

I can clearly see the shadow side of this card: if you are familiar with the myth of the sword of Damocles, the person the sword hangs over is powerful. Yet I feel powerless in this card. I threw in a hodgepodge of my standard terrors. I notice that many of them come from above...the sensation that an anvil is about to descend out of the sky, perhaps. The similarity of the pose of the bat and the girl pleases me. It is said that bats are just as afraid of us as we are of them (personally, they just make me come unglued).

The deatheater mask (Bellatrix Lestrange's) really should have been the Dark Mark in the sky, but I didn't have a good picture of that. Still: the deatheater masks were meant to sow anxiety and terror.

It was an uncomfortable card to make. I can't decide whether I'm displeased with it because I would have preferred the Dark Mark to the deatheater mask or because, I dunno, the sort of posed sense that the whole thing has. All the characters in the card are looking out at the audience, rather than reacting to one another.

(The girl with the steel pot over her head reminds me of the Bobs' song about Helmets, which you can hear here. The whole point of wearing a helmet, the Bobs tell us, is that it keeps you calm.)

Perhaps it just a poor choice for a card to make before starting a new work week. Nevertheless, it was the card that needed to be made.

What do you think?
pegkerr: (candle)
I have not been posting much because as you know, hey, cancer. But more than that, a cascade of Bad Events over the past few months (i.e., Rob's cancer), including a few more I haven't even talked about here have made things to start to feel pretty rough after almost a year of feeling quite good.

The Wave - Committee Suit
The Wave - Committee/Council Suit (Bridge card)
I am the One who can see it, in the distance but coming toward me, like a gigantic wave rising over the landscape, a doom I cannot escape. I want to flee, but I know that it's hopeless to even try. I just stand, paralyzed, knowing exactly what will happen as I watch it tower above me, crystal drops scattering like poison, and I wait for it to smash into me, sweeping me away to drown in cold nothingness.

>>>

For me, this card is about the vulnerability of fearing a recurrence of mental illness (specifically, depression in my case). I suppose it could be about anything you see coming toward you that you fear but cannot stop. Actually, now that I think about it, it would be applicable to cancer treatment, too, after you've received a diagnosis and before you start treatment.

It's also a reference to something I found in Tolkien's letters which he eventually worked into his fiction: he had a troubling recurring nightmare for years about a wave coming toward him across a landscape:
At the climactic moment of the Lord of the Rings, Faramir says to Éowyn that he is reminded of a "great dark wave climbing over the green lands and above the hills, and coming on, darkness unescapable. I often dream of it." The couple are as yet unaware of the passing of Sauron, but the symbolism is apt. Tolkien puts into Faramir's words a recurring dream that had troubled him since childhood: a "dreadful dream of the ineluctable Wave, either coming up out of a quiet sea, or coming in towering over the green inlands".

Tolkien felt that this 'Atlantis haunting' was symptomatic of a tale of universal mythic applicability, a theme "so fundamental to 'mythical history'--whether it has any kind of basis in real history…that some version of it would have to come in [to his legendarium]". Tolkien's version of the Atlantis legend was the tale of the downfall of Númenor, explicitly identified with Atlantis in many of the versions of the story that Tolkien wrote. The first was in the sketch for the novel The Lost Road, drafted around 1936 but soon abandoned.
Original reference here.
pegkerr: (Default)
This is a bridge card between two suits, Committee (aspects of myself) and Council (archetypes). This one is related to an earlier card I made, The Voluptuary. Where the Voluptuary, too, is extremely sensual, her sexuality is more benign, and has to do with herself. The Femme Fatale's sexuality is other directed, more calculating: she's thinking of it as a weapon she can use. She may enjoy sex, (and both the Voluptuary and the Femme Fatale are very good at it) but she may be more contemptuous of her partner. The Voluptuary seems to me to be more a purely Committee card.


Femme Fatale - Committe/Council Suit
Femme Fatale - Committe/Council Suit I am the One who is exotic, sophisticated, sensual and dangerous. I use my sexuality as a weapon. I always get what I want.

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