Plan of action re: Ice Palace book
Sep. 21st, 2004 10:12 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I brainstormed in my novel diary re: what I need to do to get the book moving again. I tried to identify what it is that is making me get stuck and think of a plan of action to address the problems.
Points of unease:
Opacity of Jack
Vagueness about how Rolf and Jack are allied
Feel that book doesn't have enough characters. All I really have are Solveig, Ingrid, Agnes, Jack and Rolf.
Lack of knowledge about architecture
Unease about proposed climax of the book. I haven't really sold it to myself; to me it smacks too much of the climax of my first book. Ugh. Like chewing used chewing gum.
Have not convinced myself that I have figured out satisfactorily What Happens To Rolf
I don't know what the fish are up to.
What does magic have to do with the story? The emotional arc?
Unsure about the dream opening sequence.
I thought about that if writing this book is metafiction, then this book is about self-doubt. How does the ice palace fit in?
Plan of action:
1) For the next week, try freewriting any way I can think of to get into Jack's mind:
Write from the P-O-V of someone in his apartment building
Someone who sees him on the bus (does he ride the bus?)
A coworker (not Solveig)
Someone who sees him at the neighborhood coffeeshop (does he drink coffee?)
What would a journalist say who interviews him about architecture?
Try applying the questions in the List Yourself book.
2) Once I have finished reading Tim Powers' Declare, start to try reading possible source books. Architecture, esp. in Twin Ciites. Any folklore (esp. Scandinavian) re: fish.
3) Think about how much time should be devoted to writing (per day? per week?), no excuses.
4) Reassess status of Jack at beginning of October.
Points of unease:
Opacity of Jack
Vagueness about how Rolf and Jack are allied
Feel that book doesn't have enough characters. All I really have are Solveig, Ingrid, Agnes, Jack and Rolf.
Lack of knowledge about architecture
Unease about proposed climax of the book. I haven't really sold it to myself; to me it smacks too much of the climax of my first book. Ugh. Like chewing used chewing gum.
Have not convinced myself that I have figured out satisfactorily What Happens To Rolf
I don't know what the fish are up to.
What does magic have to do with the story? The emotional arc?
Unsure about the dream opening sequence.
I thought about that if writing this book is metafiction, then this book is about self-doubt. How does the ice palace fit in?
Plan of action:
1) For the next week, try freewriting any way I can think of to get into Jack's mind:
Write from the P-O-V of someone in his apartment building
Someone who sees him on the bus (does he ride the bus?)
A coworker (not Solveig)
Someone who sees him at the neighborhood coffeeshop (does he drink coffee?)
What would a journalist say who interviews him about architecture?
Try applying the questions in the List Yourself book.
2) Once I have finished reading Tim Powers' Declare, start to try reading possible source books. Architecture, esp. in Twin Ciites. Any folklore (esp. Scandinavian) re: fish.
3) Think about how much time should be devoted to writing (per day? per week?), no excuses.
4) Reassess status of Jack at beginning of October.
(no subject)
Date: 2004-09-21 08:38 pm (UTC)If I run into anything about fish, magical or otherwise, I'll let you know ;-)
(no subject)
Date: 2004-09-22 04:48 am (UTC)Yeah, ask them what the hell they're up to if you see them.
(no subject)
Date: 2004-09-21 08:48 pm (UTC)Your opening sequence (you read it at World Fantasy 2002, if I remember correctly) is wonderful. The cold air, and the breaking ice, and the shock of falling through, and the eye of the big fish (pike?) regarding little Solveig... I felt like I had plunged through, too.
In a completely unrelated note, I was amused to note that one of the Spanish language channels was playing a video of a Latin singer dancing around in front of... this year's Ice Palace! (Jennifer Pena, I think?) I wouldn't have known it was the Ice Palace if not for you. ;)
(no subject)
Date: 2004-09-22 04:42 am (UTC)(no subject)
Date: 2004-09-22 06:51 am (UTC)(no subject)
Date: 2004-09-22 07:17 am (UTC)Though I normally would not stoop to pouncing on typos, this from you is hilarious.
(no subject)
Date: 2004-09-22 07:24 am (UTC)I wonder if the "living constitution" theorists get tired of zombie jokes?
(no subject)
Date: 2004-09-22 07:44 am (UTC)(no subject)
Date: 2004-09-22 08:09 am (UTC)(no subject)
Date: 2004-09-22 12:33 pm (UTC)Isn't this part of your heart of flesh - heart of stone dichotomy though, the hard becoming soft, the frozen beginning to move? And the phrasing of "coming to life" -- rejecting the heart of stone not just for softness, but for living, for openness to others, for creativity -- is beautifully conveyed through the imagery there.
I say write your opening, and keep going. You can always excise it later if you so choose. Or maybe you can have Solveig dreaming that she is one of the statues, frozen and unable to move, waiting for the Thaw.
(Also, v. amused by "moving statutes.")
(no subject)
Date: 2004-09-21 10:26 pm (UTC)Best of luck with the new plan!
(no subject)
Date: 2004-09-21 10:47 pm (UTC)(no subject)
Date: 2004-09-22 05:45 am (UTC)I wonder if the eating the nuts thing might work with your seasonal magic?
Jack noodling, shut me up if this kind of thing isn't helpful:
You could keep writing Jack from outside until you can see inside. Jack's got to be a real modern person as well as whatever else. He's also a trickster. He must have started off awfully skeptical about the magic. What's his family background? I'd see him as having a little boy who wants to believe, a young adult self who wants to be cynical and it's maybe the connecting of the two that lets him go for the magic even if it's evil, even if there's a price, and then he needs to find a way to be a wise adult with a heart of flesh. So you have the triple woman as three women, and you have the triple man all in Jack, with the wrong adult self in Rolf, who has grown old without growing up. It would seem to me that considering what Jack has to learn from Ingrid and Agnes might be useful.
(no subject)
Date: 2004-09-22 06:30 am (UTC)V. good and helpful thoughts about Jack. What Jack has to learn from Ingrid and Agnes: I will think about that. I remember Tim Powers once saying that it's extremely helpful to find out what your character wants the most and what they fear the most. To drive the plot, try to put those two things in conflict with each other.
I will add all these thoughts to the hopper while pondering. Thanks!
Fish 'N Stuff
Date: 2004-09-22 05:51 am (UTC)What about the symbolism of fish in Christianity? The fish symbol that early believers used thats now been reduced to a bumper sticker?
Then there's the fairy tale about the poor fisherman who catches a magical fish that grants him wishes, but his wife keeps on wanting more & more.
Re: Fish 'N Stuff
Date: 2004-09-22 07:07 am (UTC)Yeah, I need to trace fish imagery/symbology. The motif I seem to be drawn to the most is fish as symbol of wisdom.
Re: Fish 'N Stuff
Date: 2004-09-23 08:08 pm (UTC)Maybe you'll find this funny, but I'm tripping across fish left & right. It got so bad that when I walked into my neighborhood coffee shop & noticed that the owner was wearing a t-shirt with three fishes on it I nearly ran out the door screaming.
Did a little bit of looking into the astrological sign Pisces. One thing that I ran across is that they're a little too "otherworldly", and I thought maybe that's why you're having problems figuring out what the fish are up to. They're on a different plain, and _just_think_different.
Ta.
Fish Are Jumping...
Date: 2004-09-22 06:53 am (UTC)You've probably already said this, but I'm guessing that you're using mainly European magic/myths as sources for fish magic. Have you looked into Native American/First Nation myths? I've a copy of _American_Indian_Myths_And_Legends_ that I can look through for you. (This also has me wondering how European & Native American myths & magic clash with/complement each other. I wonder if there's anything from _American_Fairy_Tales by Frank Baum you could use.)
Also, do you know of the Deaf expression "Fish don't think about water."? If I remember correctly it has to do with how Deaf people don't "think" about sign language, but it could also mean that what is ubiquitious isn't seen.
(no subject)
Date: 2004-09-22 05:09 pm (UTC)Am just an occasional lj-reader, but am interested in the book and know a fair bit about architecture (used to live with an architect) - feel free to mail any questions: arcly_ym@yahoo.co.uk
(no subject)
Date: 2004-09-23 06:41 am (UTC)(no subject)
Date: 2004-09-26 03:53 am (UTC)This prompted me to pull my long-neglected Norwegian Folktales off the bookshelf, and I was astounded to find that not a single story included a fish character -- only props. I wonder why that is, though one possibility is that much Norwegian folklore comes from the interior counties, among the mountains and fjords.
The fact that the last tale in the book was a Norwegian version of The Wild Swans (with ducks) seems to be a sign that this is a fruitful avenue to pursue. I think I'll ask my mom if she recalls being told any fish tales as a child.