Tarot Reading
Mar. 28th, 2005 11:12 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Laurie WInter did a tarot reading for me on Sunday, as she has done the past several years. (I don't know which deck it was, sorry). I have mixed feelings about tarot. I don't fear them as instruments of the devil (Tim Powers, for example, despite having written a novel all about the power of the Tarot, will not allow a deck in his house), although I am at times a little uneasy about them. I guess I treat them, as Kij has said, as something that might open a window of thought that might help you to think about your life in a different way. I have known writers who have found them to be at times helpful to use when thinking about their books.
The question (which I didn't tell Laurie) "What do I need to know about getting the ice palace book going and moving toward a full, confident, successful writer's life?
The Signifier: 2 of Pentacles, showing a woman on a tightrope, holding a pentacle in each hand. "Balance or focus." Oh, yeah. I laughed when I saw that. That's what I'm all about, definitely.
Situation Surrounding You: King of Swords, reversed. Cruel and crafty, untrustworthy, crafty pig-headed. This could be a person, but no one sprang to mind for me. It felt to me instead like writers block, like the pig-headed stubbornness of my back brain to produce words when I ask it to.
Recent past: 7 of Wands, showing a man standing on a hill, with wands pointed at him from the foreground. Being prepared for whatever comes, you've picked your high ground. Forces are arrayed against you, but you operate from a position of strength.
Bridge or barrier: Ace of Swords. Shows a sword, surrounded by flowered garlands, but the sword pierces through them. Attainment of power or goals. insight/mental/mind, "cutting through the crap."
Near Future: Page of Wands. She stands holding a tall wand with a crystal at the top, emitting rays. Firecrackers at her belt. Harnessing available energy. It felt like a card showing "focussing," which was hopeful, suggesting getting in touch with whatever-it-is that makes me write well.
Root: 5 of Pentacles. Shows a ragged man in the snow, facing away from a stained glass window (the five pentacles are in the stained glass). Another hooded woman lies huddled in the snow under the window. Not taking help available, turning away, choosing to step outside, do it my way. It felt like writers block again, the feeling of being out in the cold, not making it on my own. The writing has felt impoverished in the past.
Goal: 6 of swords, reversed. Shows a man in a boat with swords in it, floating without his guidance into a cave. Trip to higher consciousness is advised. Reversed it means you have doubts about obtaining your goal. I asked her, "Doubts about achieving it or doubts about wanting to achieve it? "Excellent question," she replied.
How you see yourself: Chariot. Balance again. About not driving (the driver is holding a lyre rather than the reins). He is focused on his art, rather than the journey, driven at high speed. This felt like another balance card, and the feeling of being slightly out of control. Interestingly enough, it was the only major arcana card in the entire reading.
How others see you: 8 of swords, reversed. This is a scary looking card, with a bound blindfolded woman surrounded by cards, but since it's reversed, the meaning is respite from fear, new beginnings, freedom, release. A very hopeful meaning.
Hopes and fears: 10 of cups. Happy family, surrounded by abundance. Home, joy, familial bliss, contentment of heart, peace, respect from others.
Up until this point, I had felt that the reading was moving in a very hopeful direction. I had been blocked, but somehow I was going to get focused and move in the right direction. Then Laurie turned over the last card.
Outcome: 6 of pentacles, reversed. Shows a man holding a scale, with hands reaching out to him. Reversed, it means unstable finances, frustrated plans, jealousy can cause harm.
I stared at the card, disappointed. Rats.
Laurie suggested that since there was only one major arcana card, this might be interpreted as a very short term reading. Perhaps the last card was a caution, rather than a prediction. Jealousy, I thought, and laughed a little. I told her how I had sat next to Jane Yolen at the signing, and there had been a long line at the table for her to sign (
serendipoz probably had at least fifty books for her) and nobody had one of mine. Yeah, I have to beware of jealousy, of comparing myself to others; it will only make my frustration/dissatisfaction about the progress of my career worse.
Comments, especially about that last card?
The question (which I didn't tell Laurie) "What do I need to know about getting the ice palace book going and moving toward a full, confident, successful writer's life?
The Signifier: 2 of Pentacles, showing a woman on a tightrope, holding a pentacle in each hand. "Balance or focus." Oh, yeah. I laughed when I saw that. That's what I'm all about, definitely.
Situation Surrounding You: King of Swords, reversed. Cruel and crafty, untrustworthy, crafty pig-headed. This could be a person, but no one sprang to mind for me. It felt to me instead like writers block, like the pig-headed stubbornness of my back brain to produce words when I ask it to.
Recent past: 7 of Wands, showing a man standing on a hill, with wands pointed at him from the foreground. Being prepared for whatever comes, you've picked your high ground. Forces are arrayed against you, but you operate from a position of strength.
Bridge or barrier: Ace of Swords. Shows a sword, surrounded by flowered garlands, but the sword pierces through them. Attainment of power or goals. insight/mental/mind, "cutting through the crap."
Near Future: Page of Wands. She stands holding a tall wand with a crystal at the top, emitting rays. Firecrackers at her belt. Harnessing available energy. It felt like a card showing "focussing," which was hopeful, suggesting getting in touch with whatever-it-is that makes me write well.
Root: 5 of Pentacles. Shows a ragged man in the snow, facing away from a stained glass window (the five pentacles are in the stained glass). Another hooded woman lies huddled in the snow under the window. Not taking help available, turning away, choosing to step outside, do it my way. It felt like writers block again, the feeling of being out in the cold, not making it on my own. The writing has felt impoverished in the past.
Goal: 6 of swords, reversed. Shows a man in a boat with swords in it, floating without his guidance into a cave. Trip to higher consciousness is advised. Reversed it means you have doubts about obtaining your goal. I asked her, "Doubts about achieving it or doubts about wanting to achieve it? "Excellent question," she replied.
How you see yourself: Chariot. Balance again. About not driving (the driver is holding a lyre rather than the reins). He is focused on his art, rather than the journey, driven at high speed. This felt like another balance card, and the feeling of being slightly out of control. Interestingly enough, it was the only major arcana card in the entire reading.
How others see you: 8 of swords, reversed. This is a scary looking card, with a bound blindfolded woman surrounded by cards, but since it's reversed, the meaning is respite from fear, new beginnings, freedom, release. A very hopeful meaning.
Hopes and fears: 10 of cups. Happy family, surrounded by abundance. Home, joy, familial bliss, contentment of heart, peace, respect from others.
Up until this point, I had felt that the reading was moving in a very hopeful direction. I had been blocked, but somehow I was going to get focused and move in the right direction. Then Laurie turned over the last card.
Outcome: 6 of pentacles, reversed. Shows a man holding a scale, with hands reaching out to him. Reversed, it means unstable finances, frustrated plans, jealousy can cause harm.
I stared at the card, disappointed. Rats.
Laurie suggested that since there was only one major arcana card, this might be interpreted as a very short term reading. Perhaps the last card was a caution, rather than a prediction. Jealousy, I thought, and laughed a little. I told her how I had sat next to Jane Yolen at the signing, and there had been a long line at the table for her to sign (
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Comments, especially about that last card?
Don't feel bad!
Date: 2005-03-30 12:57 pm (UTC)I adore Jane as a person and admire her writing; it's not that I'm resenting her success; it's that I'd like some of my own! (I don't think that success is a zero sum game: i.e., in order for me to have some, she has to fail.) I suppose part of the reason I didn't feel the greatest, too, was that I was reflecting that Jane has worked awfully hard to deserve that success (all those books she's written) and I, on the other hand, was reaping the just reward of the lazy slacker. No one was coming up to have my book signed because I haven't had a new one out for years. Does that make sense?
Anyway, career envy is something I'm aware of, that I'm not proud of, that I struggle against. At any rate, my career envy is no reason for you not to get your books signed! I love to get books signed, myself. Rob and I have hundreds of signed books in our house.