pegkerr: (Default)
Delia is thinking in terms of colleges now. She knows that she wants to apply to schools where she can study an arts emphasis, and that means starting to build an artist's portfolio. I had a scathingly brilliant idea: I told her I would commission an art piece for her to display in my office cubicle. I wanted something that would display her skills as an artist and something that would make me happy when I look at it.

So I decided to commission a picture of The Holy Tree, the concept that has been so important to me from Yeat's poem The Two Trees. She started talking about initial concept with me last night, and had a cool idea for three little mini pen and ink drawings to the side and then the main piece would be larger. I'm excited to see what she comes up with. I will pay her when it is completed, so it is a real artist commision. And she'll have something to add to her portfolio!

This is one of the ideas I suggested as an influence: Tolkien's conception of the Two Trees of Creation:


Telperion and Laurelin, the Trees of Valinor
Telperion and Laurelin, the Trees of Valinor



My holy tree will have both flowers and fruit, and I told her I particularly like the trumpet-shaped flowers on the golden tree here.
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I'm having terrific troubles with my computer, which has been fritzing out and crashing repeatedly (which has been driving me up a wall), and I've been excessively distracted with all the end of the year stuff and Other Stuff Elinor Dashwood Does Not Mention. I'm afraid I have been very spotty about responding and may have missed some things. Leave me a comment here if you need to yell to get my attention for something. I do not usually feel like such a ditz, but somehow I am this week (Exhibit A: my last entry).
pegkerr: (Default)
I have been thinking about this.

My family has some problems that have just seemed absolutely intractable. Some of these problems I talk about in public. Some of them Elinor Dashwood is talking about in smaller locked groups on this blog on Livejournal and Dreamwidth. Some I talk about only in person, to just a handful of people.

We are trained to want the happy ending. Let's face it, happy people and winners are culturally preferred. Everyone appreciates a winner.

People in pain? People who can't get it together? People who continue to hurt, even when the people around them, the people who love them, keep trying to help them find their way out of the morass that surrounds them? Not so appealing.

I don't know quite what to do when I can't report the happy ending, both to myself, to my family and friends, and to readers of this journal.

I'm ashamed in a way. I am rather scrupulous at self-examination, and this is what I have been mulling over lately.

One of my soul collage cards is a Committee card (i.e., an aspect of myself) called The Bearer of Burdens:


The Bearer of Burdens
The Bearer of Burdens - Committee Suit
I am the One who is dependable, who bears the unbearable weight. I keep moving forward steadily through the desert that no one else can cross. I carry all that I need with me using my own inner strength. I can carry the burdens of others as well as my own.

I have been thinking lately that when I started walking across this desert, I had no idea that the journey would be so long. You keep going and going and going, reasoning, okay, this can't go on forever; sooner or later you have to get to an oasis, and you'll be able to lay this burden down. But I haven't been able to do so. And after awhile, you start to feel like a fool and a sucker for continuing to trudge forward, but what is your alternative when all around you all you see is a sandblast of desolation? Who else would pick up the burden? And if you stopped now and try to go back, who's to say whether or not you wouldn't end up just walking farther than if you just keep going in the direction you're going? There is no one to tell me. No one.

I lost one of the most important relationships in my life, I think, because the other individual, for reasons that elude me even now, said, "I'm not going to stick around any longer with you on this journey because I'm just tired of waiting for you to get to the oasis." Look, I'm tired of it, too. But I can't find any other way out of this desert than to keep walking.

I would never have believed, three years ago, that Rob would STILL not have a permanent job. I never would have believed some of the other things are still going on that I am struggling with. I can't believe I'm still walking through this desert, and the fear keeps stealing up that it looks as though I'm on the brink of dying of thirst. But what the fuck else am I supposed to do? There are no maps. No vehicles swooping down to pick me up.

I am sorry. I have no idea how long it will take or whether I will ever find the cool waters and restful shade I long for, or whether I'm even destined to get out of the desert at all. I might die of thirst out here all alone, but I have no idea which ending will happen. If only I knew. If I knew that it wasn't going to work out, I suppose at least I could put the burden down and just rest as I waited for the ending.

But I don't. If there's any chance I'll ever see the end of this desert, there isn't anyway I'm going to get out of it except under my own power.

So no, I cannot report the period of unemployment has ended, the marital and mental health problems have been solved, the house has been cleaned and the financial picture is more stable. I'm sorry, and it's getting downright embarrassing, but I just can't. The future may involve foreclosure, bankruptcy, homelessness, hospitalization, divorce. It may involve none of these things.

I don't know how this will end. But I can't see any alternative but to keep going.

(Edited to add: The ironic thing is, I am also actually on both sides of this divide, within my own immediate family.)
pegkerr: (Default)
I have been thinking about this.

My family has some problems that have just seemed absolutely intractable. Some of these problems I talk about in public. Some of them Elinor Dashwood talking about in smaller locked groups on this blog on Livejournal and Dreamwidth. Some I talk about only in person, to just a handful of people.

We are trained to want the happy ending. Let's face it, happy people and winners are culturally preferred. Everyone loves a winner.

People in pain? People who can't get it together? People who can't seem to solve their problems? Not so appealing.

I don't know quite what to do when I can't report the happy ending, both to myself, to my family and friends, and to readers of this journal.

I'm ashamed in a way. I am rather scrupulous at self-examination, and this is what I have been thinking about lately.

One of my soul collage cards is a Committee card (i.e., an aspect of myself) called
pegkerr: (candle)
I am going to make it through this year if it kills me.
pegkerr: (candle)
Here's a fanfic in the Lord of the Rings universe, which is one of the best fictional depictions of depression and what it's like that I've ever seen. Another Way of Leaving. About this story, the author, Jodancingtree, writes:
What if Frodo had not been given the option of going with the Elves? His wounds are not healing, and the desire for the Ring torments him. Is death his only escape? Caution: suicidal depression.
I was so impressed by it that I wrote to her a number of years ago, and she replied, mentioning, if I remember correctly, that she had a relative who committed suicide. She gets it. A wonderful character in the story is Radagast the Brown, a minor character in Tolkien's work, the wizard with dominion over animals and birds. The story isn't long, only a little over 10,000 words or so.

She went on to write a much longer work which recounts the tale of how Frodo goes with Radagast back to Mordor and in doing so, was healed from his despair: Following the other wizard: Journey into Healing. Moving and insightful. (Also notable in that Frodo actually makes friends with orcs, which is something I've not seen before. It's not played for laughs, and she absolutely makes it work. She wrote two more sequels after this, following the story of one of those orcs: The Queen's Orc and The Grey at the End of the World.)

Anyway, I highly recommend the first two stories for anyone who has ever had to deal with mental illness (or loved someone with it), especially depression. If you read them, drop me a comment to respond; I'd really like to hear from you.
pegkerr: (Default)
This singer is fourteen, exactly four days older than Delia.

Somehow, it's what I really needed to hear right now.


pegkerr: (candle)
I screwed up a couple days ago and posted an entry publicly that should have been locked to a very few. If you saw it for the few minutes it was up (until someone kindly alerted me to fix it), you know that our family is going through a tough time. A very, very tough time.

We are getting help. Fortunately. Because OMG we need it. Badly. It's a little hard to know what to say, other than this. Sometimes families go through crisises, and they can let other people know so that their friends can rally around with love and prayers and covered casserole dishes. Sometimes, due to individual privacy preferences, things are kept more undercover. Icebergs under the surface, Elinor Dashwood and all that.

We are still getting casseroles, fortunately. But I just wanted to put out this vaguer, more general message, too. We could really use your good thoughts, your prayers and a lit candle or two. Think of us, please, as we go through this.

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