pegkerr: (Default)
I had a bit of trouble coming up with a topic for this week's collage, because what has preoccupied me the most for this particular week were two topics I'd done collages about before: the arthritis in my hand and my sleep disorder. Both have been extremely troublesome.

But I've done those subjects before, as I said, and frankly, they are pretty damned depressing topics. Good lord, I don't want to be a tiresome old lady who natters on boringly about details of her life that cannot possibly interest anyone else.

After the election, I wanted to do a collage about something hopeful.

Upon thinking about it further, I realized that I did have something hopeful to talk about specific to this week.

Every year, the week of Veteran's Day, my Dad's birthday, and Rob's birthday, I always plant an amaryllis bulb. I do this at this time of the year because if you time it this way, the bulb will usually flower right around Christmas.

Planting a bulb for Christmas does not cost very much at all. I usually buy a bulb at Ace Hardware every year for about $12, which includes the soil and the pot, but I always use the same red pot I got years ago and use only for this purpose. This year, I am simply re-planting the bulb I used last year as an experiment. I had put it in the basement in the dark for several weeks in preparation--we'll see if it works.

It is a Christmas ritual that is dependable, comforting, and cost-effective (which cannot be said of all Christmas traditions). And it is hopeful. I plant the bulb and can look forward to a huge, extravagant bloom.

I need some hope this year.

Edited to add: A friend just emailed to remind me of this song, Amaryllis by the Flash Girls.

I can't get the embed code, but you can listen to it here.

Background: fallen autumn leaves on concrete. Lower center: a red ceramic pot planted with an amaryllis bulb. Hovering over the pot: a semi-transparent red amaryllis flower in full bloom.

Amaryllis

46 Amaryllis

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pegkerr: (Default)
This week's collage isn't a collage--just a picture. And not a very good one either--the people pictured are distracted and a bit tired-looking, rather than smiling at the camera, but I was so busy getting Christmas brunch on the table that I didn't have time to get a good one. Eh, whatever. This brunch with the girls and their partners was held later in the week. Eric joined me Christmas Eve and Christmas morning, but I didn't get good pictures for that, either.

Maybe it's the fact that it's a holiday week, or that I still have a Covid cough hanging on. It was a satisfactory Christmas, but I don't have a kick-ass collage to show for it. I thought of adding closeups of a few other elements--the Nutella Star pastry, or the candlesticks that belonged to my grandmother, that will be turning 100 years old this year. But they didn't quite work, and in the end I decided not to. One thing that the girls and I assured each other this year was that we wouldn't worry about having a picture-perfect Christmas. And because this collage project has been running for several years, I can be okay with a week that isn't as strong.

I plan to continue with the collage project next year. I am considering whether to do landscape orientation collages rather than portrait orientation. I will loosen my rule, allowing more than one word in the title.

Christmas

52 Christmas

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pegkerr: (candle)
This is late.

I have Covid. Peg, why couldn't you skip doing a collage this week?

Because I can't, that's why.

Nevertheless, explanations will be abbreviated.

This is a card about the pleasures of baking yummy things. Our family annual cookie bake often coincides with St. Lucia's Day. Longtime readers of this journal know I've celebrated this holiday for years.

Compare this previous collage, for the same week, also titled "Baking." Sorry that I couldn't come up with another subject, but I have no brain.

Baking helps keep the darkness away.

Unfortunately, not Covid.

But that's next week's card.

Image description: Background: christmas cookies spread in rows on a long table. Overlaid over that: coffee and lussekatter (saffron buns for St. Lucia Day celebrations). Overlaid over that lower right: a woman dressed as St. Lucia: white dress, red sash, crown of candles. She holds her hands in a position of prayer.

Baking

50 Baking

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pegkerr: (candle)
This is one of the weeks that has convinced me that next year I will loosen the rule I'd set for myself of titling each card with just one word. In reality, the trip I made this past weekend wasn't to a market.

It was to the European Christmas Market, an annual event at the St. Paul Union Depot.

I had tried to get several different people to go with me, but I ended up going alone. It was cold, and it was expensive (a cup of French Onion Soup cost $11), but I still thoroughly enjoyed myself and was glad that I went.

This was my favorite picture taken that day:

Christmas Train


I tried to fit it into the collage, but it was too different thematically. But I liked what I came up with, which was an amalgamation of the various things I found hanging in the front of the market booths.

Image description: Upper center: A lit paper multirayed star. Upper left: a stylized snowflake. Hanging around the star and the snowflake are various ornate Christmas ornaments. Lower left corner: a mug with the words "European Christmas Market - 10th Anniversary." A chalk sign, lower right corner, reads "European Christmas Market."

Market

49 Market

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pegkerr: (candle)
Happy 2023! This card is meant to celebrate the New Year.

My family (my parents, brother and sisters, and their spouses and kids) has been celebrating New Year's Eve together for over 35 years (aside from a couple of years when we couldn't meet due to the pandemic). We actually get together in the evenings all week between Christmas and New Year's. We eat tons of hors d'oeuvres, eat Chinese food, drink cocktails, play games, and talk about all sorts of things. Some people have passed on (Dad and Rob), but we are adding new sweeties of the nieces and nephews, and after all these years, we still do hugely enjoy each other's company. I do love this ritual very much.

However, this card is supposed to be about the turn of the new year rather than the ending of the old. Eric drove me home that night and we did a quick toast to the new year, and I went to bed before midnight (with my sleep disorder, I had no choice).

The next day, New Year's Day, was quiet. I lit ice candles when darkness fell. As dessert after my dinner, I took out the small plum pudding that I'd purchased for a reasonable price from an upscale grocery store, and I lit it on fire with brandy.

Jennifer Cutting released a beautiful song that I discovered this past week: The Turning Year: A New Year's Toast. About this song she wrote:
Dear Friends... I wrote this song specifically for New Year's Eve, as an acknowledgment of what we've lived through for the past 3 years, an ode to our resilience, and a wish for joy, health, and peace in the New Year. I hope you can hear and feel my loving wishes for all of you!




Background: A double row of lit ice candles line a sidewalk in the snow. Lower center: a man's hand and a woman's hand tilt champagne glasses toward each other in a toast. Center: a woman's hand holding a ladle with ignited brandy pours it over a small plum pudding on a green plate.

Turn

1 Turn

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pegkerr: (candle)
I spent over 3 hours trying to put a card together without success. I didn't quite take the right pictures to capture my ideas that would crystalize the week. Or perhaps I did, yet I couldn't put them together into a pleasing composition design.

So I finally decided to throw in the towel and declare the project done for the year with just one image. Hey, I'm on vacation this week, and I'm not going to struggle with this collage anymore. Sometimes enough is enough, you know? I AM proud of what I've done with the collage project this year, and I intend to continue with it next year.

See the link to the gallery below. What was your favorite digital collage of the year?

Image description: A closeup of a silver star ornament on a Christmas tree

Christmas

52 Christmas

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pegkerr: (candle)
I had plans for Solstice. I had rejected the idea of holding a Solstice party since Solstice was in the middle of the week. Still, I thought that at least Eric and I could get together and have a relaxed evening with roasted chestnuts, mulled wine, nibblies, and some quiet conversation.

Yeah, snow/polar vortex and driving--clearly not a good combination. My church canceled its evening Solstice service. Obviously, the best thing to do was to scale back plans. So Eric and I reluctantly called off the idea of getting together, and I just curled up on my own couch by myself.

I still made the nibblies! And I ate them all myself. They were delicious ;-) And I lit my ice candles outside and over twenty candles on my first floor and listened to this playlist and goodness, it was a lovely evening.

The days are now beginning to get lighter.

Image description: In the darkness, lit ice candles border a sidewalk leading to the front steps of a house. Upper left: a lit Christmas tree. Upper right: a vase with Christmas greenery surrounded by lit candles. Lower center: a platter of nibblies: crackers, cheese, nuts, fruits, and vegetables. The dark scene is surrounded by a border of golden stars and glitter.

Solstice

51 Solstice

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pegkerr: (candle)
This one feels a bit like double-dipping, as it focuses on a project that I've already spoken about, the Advent Snapchats I've been doing and sending out to a small circle that I mentioned in my post about the Rituals card. Here I've gathered together a number of the subjects I've featured thus far.

It's been fun, looking for Christmas-themed things I see around me. I keep an eye out when I'm driving, and I've stopped hastily to take a picture of a cheerful family of snow people, or the Cottontail Along the Trail, the bronze bunny statue at Portland Avenue, all decked out in his Christmas finery.

Eh, I'm not going to describe this one exhaustively. Just: a card with a Christmas border, crammed full of various Christmas-themed things (ornaments, a St. Lucia figure, snowmen, etc). Lower left: a bitmoji cartoon me, smiling in the center of a wreath. Lower right: the word "Advent" in red.

Advent

50 Advent

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pegkerr: (Default)
This week, as I have done every year since 1986, I started preparing my annual holiday letter, which I send out with a photo card of my family. The girls still put up with this, although assembling us all for a photo is getting more and more difficult. This year, our respective sweeties (Eric, Alona, and Chris) were included in the photo, too, thanks to my brother-in-law good-naturedly snapping a few pics at our Thanksgiving gathering.

Updating the addresses on my list and getting the cards assembled and sent can be a little bit of a pain, but sending the letters and photos out is important to me. I am in touch with some people only this one time a year. I thought a lot about this when Rob passed away, and I continued to send the cards out to my husband's friends, too: his law school buddies, his college buddies, guys on the bowling team he was on years ago, his cousins, aunts, and uncles. Even the people I've never met. I enjoyed getting family news every year because I liked seeing pictures from those trips to Paris, and I wondered who beat that cancer, and where the kids ended up.

This year, I decided to use a format for the letter I've sometimes used before: It's a sort of impressionistic thing, just short words and phrases, snippets of things my girls and I have sent to each other in Snapchats, etc. Small sample:

• best hoodie ever • puzzle rings • getting rid of books • new kitchen floor • repainting • visiting Mom each weekend • Aldi’s • the kindness of friends • Zoom writing sessions • mentoring •

I closed the holiday letter the same way I always do when I use this format (see below):

Frame: a holiday letter border with gold/brass foil Christmas trees. Within that border: top: french horns tied with Christmas greens. Lower left: corner holly greens Lower right: a smiling snowman gestures toward the center of the card. Center reads "this is our life / this is what we say / this is what we do / this is how we love."

Cards

49 Cards

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pegkerr: (Default)
This is one of those weeks where I was a little bit at a loss as to what the week was about, and so what would I do the card about? This is week when I start to move the felt ornaments over, one on each day, on my Advent wall hanging. I did a card about that last year. Why bother to do the same card all over again?

I realized that this slotted nicely into something I've been mulling over, not quite consciously this week. I want to talk about rituals, and the place they have in my life, specifically, when regular rituals that have been a great comfort for a long time no longer fit or feel quite right, and in fact, start to feel almost like a burden.

As I explained last year, my sister Betsy gave me the Advent wall hanging as a gift years ago.

Advent Calendar


For the last several years, I've taken a picture every day as I've moved an ornament over and sent them as a Snapchat picture to the people I'm closest with.

But this year, as I set up the wall hanging, I wondered...should I send out the pictures every day again this year? I've done it before. Heck, I could just send out last year's pictures again, and who would know the difference? What would be different about it? Have I just become a bore? But I liked sending out a picture every day to my loved ones during Advent.

So I decided to continue to take pictures of the felt Advent tree every day, but instead of sending them to that small circle, I would post them to my story. People could look at them if they want. But I would also instead send different Advent pictures out every day to my circle of loved ones. Something I found that was lovely and Christmas-y, things I saw when I was out and about. Something different. Here are the two I sent out yesterday and today:






The first picture I took at the garden section at Home Depot, and the second was a close up of an ornament display at a local grocery store. I'll continue to send out pictures of found things like these every day until Christmas.

As I said, rituals are extremely important to me: going to the Renaissance Faire every year. Washing my face with morning dew on May Day. Lussekatter on St. Lucia's day. Eating strawberries and cream for breakfast on July 6, the day after my anniversary.

But life changes. I've lost my husband, and my children have left home. Some of the entities that supported important rituals are gone (no more May Day parade by Heart of the Beast. No more lovely lazy afternoons shopping at Sophie Jo's Emporium). And so rituals slowly have to change and adapt, too, as the people you shared them with move away, or the rituals themselves don't fit your life anymore. And that can be difficult and sometimes painful. The girls and I have agreed not to exchange holiday gifts this year. It makes sense--we're experiencing a financial pinch, I'm trying to eliminate more stuff coming into my life, and we're undergoing some stress. I am trying to keep the rituals I love, yet make them over to fit my life now and not the life I had five years ago or ten years ago. Even if that means changing the rituals or even letting beloved rituals go.

It means putting up a smaller Christmas tree, and not hanging every ornament I own on it, even the ones I love very much.

I created this card around the Wheel of the Year, a concept that gives structure to the rituals I follow. I put a ritual object in each corner for the four seasons of the year. For spring, I put the Tree of Life from the Heart of the Beast's May Day parade, an annual ritual that has ended as the Heart of the Beast could no longer survive at the same financial level. For Summer, I put in the strawberries and cream I eat each July 6, remembering the day after my anniversary. For fall: the feathered fan with the mirror at its center reflecting my face is the one I bring to the Renaissance Faire every year. For winter, I included a picture of my breakfast of lussekatter I eat every December 13 for St. Lucia day.

(It would have been nice, design-wise, if I could have found/thought of something round to represent Spring, to echo the round shapes in the other three corners and the wheel itself. But the Tree of Life still felt like the best thing to choose.)

Wooden carved Wheel of the Year. Lower right corner: a red bowl of strawberries and cream. Lower left: lussekatter (saffron bun) on green holly plan, two taper candles, and a cup of hot chocolate. Upper right corner: Heart of the Beast Tree of Life (a giant puppet with outstretched arms, crowned with birds). Upper left: a feathered fan with a mirror inset. A woman's face (Peg) looks back at the viewer, reflected in the mirror.

Rituals

48 Rituals

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pegkerr: (candle)
So I've been thinking about the cross quarter day that fell this week, at the midpoint between the winter solstice and the spring equinox (each year somewhere between January 31st to February 4th). It is believed to have been observed as a festival/holiday as far back as the Neolithic when megalithic chambers marked the light of the rising sun on this day. It was only a few years ago that I learned the name for this day: Imbolc. [personal profile] haddayr had some things to say about this fire festival on Facebook (quoted with permission):
Tonight [January 31] is St. Brigid's Eve, Oiche Fhéile Bhríde, or Imbolc Eve.

If you wanna do something Imbolc-y and in honor of Naomh Bríd you might make some butter or a St. Brigid's Cross, and/or leave out a white cloth for the saint to bless as she goes by with her cow. I'm sure the cow would not sneer at some hay.

St. Brigid is Mary of the Gaels, but she is also connected to Scotland as she spent some time on the Isle of Iona before being whisked by angels to midwife Mary as she gave birth to Jesus.

Ignore whether or not the dates match up; that's irrelevant.

Her cloak is a powerful one for protection but also for fighting the patriarchy: she asked a bishop for land for an all-women's monastery (unheard of at the time or now) and he sneered and offered her as much land as her cloak would cover.

She threw it down and it expanded for acre upon acre upon acre until the bishop begged her to stop, and she got her land.
She's in charge of a lot of stuff: beer, milk, women, labor, the forge, the fire of inspiration, the fire of the hearth, healing.

I love the traditional song to her because it reminds me that somewhere, if not yet in Minnesota, the earth is warming. It ends, translated, like this:
The house of winter is very dark
Cutting with its sharpness
But on Brigid’s Day
Ireland's spring is nearby.
Here's how to make a St. Brigid's Cross. These videos are good, but please ignore him when he says the four-legged one is the 'traditional' one. St. Bride's crosses, like everything else in Ireland, is regional.

Here's a four-legged version of the cross from County Leitrim.

Here's a three-legged one which is the one I find easiest to make for beginners, from County Donegal.

And this astounding creature is from Wexford
More interesting bits here:
Imbolc, which falls on the 1st of February, is one of the cornerstones of the Celtic calendar...As winter stores were getting low, Imbolc rituals were performed to ensure a steady supply of food until the harvest six months later. Over time, the church swallowed many facets of this of this festival, mainly due to Highlanders reluctance to lose such an important part of their culture and the churches pragmatism in adapting seemingly conflicting ideologies when it suited.

So Imbolc became Candlemass and the pagan goddess Bridhe associated with it became St Bride.
And here:
Brigid’s worship was absorbed by the Church where she became known as St. Brigid, but she is one of the few goddesses whose honorary rituals still survive today. (This is likely due to the fact that neither the Romans or Christianity never quite managed to fully colonize Ireland.)
Remnants of this awareness of the beginning of spring in the midst of winter also pop up in our modern civic holiday Groundhog's Day.

So why have I been thinking about Imbolc? Well, I've always been fascinated with the concept of light in dark places. It seems all the more powerful to me this year, as we drag further into the pandemic. Imbolc is about being in the middle of winter. Winter behind us, winter ahead of us, but there are signs that we aren't going to suffering through winter forever. So we take hope from that. Snowdrops will be coming up soon. Maybe a groundhog will see its shadow (although in this dumpster fire of the year of Our Lord 2022, Milltown Mel died just before Groundhog Day, forcing Milltown, New Jersey to cancel its planned Groundhog Day celebrations since all the pinch hitter groundhogs were still in hibernation).

Here's the song that first put Imbolc on my radar a number of years ago: Don't Be Afraid of the Light That Shines Within You by Luka Bloom:



The card shows (over a background of blurred candlelight) a table set for St. Bridgid's Eve. Behind the table can be seen a dignitary holding up a crabby groundhog, a Bridgid's cross trimmed with greenery, a Bridgid corn doll, and some snow drops, one of the first signs of spring.

Imbolc

5 Imbolc

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pegkerr: (Both the sweet and the bitter)
I had such hopes for this holiday season.

I spent it last year alone, and I was so looking forward to getting together with my family. We have had some holiday rituals that we've done for decades: my extended family gathers between Christmas and New Year's every year, and I was excited to see everyone. We are all vaccinated and many of us have received boosters, and we are all willing to wear masks. It felt like our reward for being so diligent about keeping safe all year.

My nephew Lewis flew in from New York. He tested twice before getting on the plane and was negative each time. He came home to my sister Cindy's...and then tested positive the next day (Christmas Eve). Cindy, too, had really been looking forward to Christmas: this was the first year in decades that they would have been gathering in their own home instead of going out East. But now this meant that Cindy and her husband were forced to go into isolation, and her other two sons, Mitch and Stuart, could not come home. It also meant that my brother Chet's family canceled their trip to join us--they had intended to stay with Cindy's family (although one nephew did travel separately later). Disappointment #1.

I had planned an event during this family week for the women of the family, a cream tea at Bingley's Teas, but since our group was now reduced by one-third, I regretfully canceled it. Disappointment #2.

I spent Christmas Eve with my sister Betsy and her family, including my mom. Mitch and Stuart joined that party.

Christmas day, Eric and I had intended to go over to Fiona and Alona's for breakfast--but Eric tested positive that morning and so couldn't join us. His sons subsequently tested positive over the next several days. Disappointment #3.

That evening, Christmas night, I invited over Mitch and Stuart, Cindy's two sons who hadn't been able to go home for drinks and appetizers.

Delia had planned to come to Minneapolis with her boyfriend Chris on Tuesday the 27th. All of us--Fiona, Alona, Chris, Delia, and I tested negative that morning, so I went over to Fiona's and we had our gift opening. Yay! We had planned two more days of get-togethers before Delia and Chris had to head back to Eau Claire.

The next day, yesterday (Wednesday) Mitch called me to tell me that although he had tested negative on Christmas day, he was now testing positive. So now I am in isolation and unable to get together with Fiona's household, including Delia and Chris. I will not be able to see them again before they leave town to go back to Eau Claire. Disappointment #4. I will spend New Year's Eve alone again.

I thought of making another plum pudding on New Year's Eve, as I did last year. What better way to recognize the end of a difficult year than by setting something on fire in my living room? But I have a colonoscopy scheduled for next week and have to start limiting my diet, and I have to avoid some of the ingredients in the plum pudding a week out. That also means I will have no 12th night celebration--I will be fasting that day. Disappointment #5.

I'm grateful that my family and I are all on the same page, getting vaccines and boosters and wearing masks and testing before getting together. But despite our best efforts and diligence and cooperation, people have fallen sick. Omicron is just so damned contagious.

I am trying to keep my spirits up, and I'm glad that at least I did have a few get-together's, and the girls and I got to open our presents together. I will see Eric soon again and we can exchange gifts between the two of us then. But it's still hard, and this still sucks.

Edited to add: I took a rapid test tonight, five days out from my Christmas day exposure (per CDC guidelines), and it was negative.

The background for the card is the charcuterie board I created for my nephews Mitch and Stuart on Christmas night, with a rapid Covid test in the center. Upper left: Covid virus (wearing a Scrooge hat), with a dialogue bubble that reads "Humbug." Upper right: logo for Bingley's Teas with "no" sign. Lower right corner: Fiona and Delia overlaid with "no" sign. Lower left corner: Eric overlaid with "no" sign.

Humbug

52 Humbug

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Woo hoo, I did it! 52 collages for the year completed!

Which one did you like the best?

I will continue the project next year, starting a new gallery with my next collage.
pegkerr: (candle)
The Winter Solstice has slowly been growing in importance for me over the years. It's odd: I pay very little attention to the Summer Solstice. But when you have seasonal affective disorder, the Winter Solstice (particularly in northern climes, where sunlight is scarce in winter) is a REALLY BIG DEAL. I held a Solstice party a few years ago, and were it not for the pandemic, I would have held it again this year: a quiet gathering with friends, mulled wine, and delicious food. *sigh* But I celebrated it this year in my own way.

Churches are beginning to notice this, too: a growing trend in congregations is a service before Christmas, around the Solstice, which some have dubbed "Blue Christmas." My church has always had an outreach to people suffering from mental illness, so this is right in our wheelhouse. As it happens, I have had no issues with seasonal affective disorder this year at all (thank heavens), which I attribute to good diet, regular exercise, and the fact that I have finally conquered my struggles with sleep for the first time in almost half a decade (thank you, Sleep Boot Camp). Coming into this darkest period of winter, I feel good.

Anyway, Blue Christmas. My church held a quiet, elegant, lovely service called "The Longest Night" last night. We incorporated two songs by Peter Mayer, one of my favorite singers (I introduced his music to our music director and she has taken to him as much as I have). One song was "Green," which I sang as a solo, and then the congregations joined as we segued into "Joy to the World."



The other song included in the service is one of my favorite pieces of Solstice music of all time, "The Longest Night." I incorporated some of the lyrics into this week's card.



After Pastor Sara's reflection, the small gathering wrote their prayers on slips of paper left in the manger and then came to the center of the circle to light candles.

I went home and turned off all the lights and lit candles throughout the downstairs. Lots and lots of candles. I listened to a peaceful solstice mix of music, roasted some chestnuts, and brewed myself a mug of mulled wine.

Two lit candles on a table. In front sits a large glass much with mulled wine with cranberries and oranges


Delicious. Then, utterly at peace with myself and the world, I sat down and created this card.

Solstice

51 Solstice

Just one more card and then I'm done for the year! I have had so much fun with this project and have found it to be so valuable (both in terms of creativity and in working things through for myself) that I have already decided that this project will continue next year. I will start a new gallery after the first of the year, but will include a link from the prior gallery to direct people.

Click here to read about the 52 card project and see the year's gallery.
pegkerr: (candle)
Two events this week: the women in our family had our annual cookie baking gathering this past Saturday. This week also featured St. Lucia Day. Fiona has often baked lussekatter for me, although this week she didn't quite have the spoons for that, and so I picked up some lussekatter at Fika Cafe at the American Swedish Institute for all of us, delivering some to Fiona's household and some to Eric. So we all could enjoy lussekatter on December 13.

Common theme: baking, by women, to drive away the darkness (note the candle is right over my mom). The turning over of generations, the importance of coming together at the holidays to make truly delicious food. As long as there are cookies and lussekatter, there is hope for the future.

We missed cookie baking last year due to the pandemic. It gives us such joy, and I realize how important it to us. There, along the top of the card are three generations: me, my Mom, and Fiona. My St. Lucia Day candle, lussekatter and coffee are in the center, and the bakers are at the bottom. The semi-transparent background (bakeground?) is, of course, cookies.

Baking

50 Baking

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pegkerr: (candle)
One of the best Christmas gifts I ever received was from my sister Betsy: when I was a young mother, she handmade an Advent banner with a Christmas tree and all the felt ornaments to hang on it. It was a huge delight to my girls and me to move the ornaments from the bottom of the banner to hang on the tree one by one as we counted the days down to Christmas. (To avoid arguments, Delia did the even ornaments and Fiona the odd ones.)

Advent Calendar


This week, I pulled out the banner and hung it again with all its ornaments. Each morning, I shift one of the ornaments to the felt tree at the top of the banner and take a picture which I send out to the girls and a few others as a Snapchat.

This is just one of the rituals we have for the season of Advent and Christmas. Long-time readers of this blog are probably familiar with some of them: I have a whole collection of Christmas pins that I pull out and wear through the month of December. There are decorations we put up every year. We have done annual portraits for years that I use to create a photo card that accompanies a holiday letter I send out to about 120 people. The girls and I do an annual cookie bake with my sisters and my mom. Fiona makes lussekatter for us to eat on December 13 in celebration of St. Lucia day. We have an elaborate Christmas breakfast. We gather with my family in the week between Christmas and New Year's in the evening. Then we round out the holidays with a 12th-night breakfast.

We've had to adjust these rituals as the girls have grown and moved away to make homes of their own, and, of course, when I lost Rob. Last year, the pandemic threw EVERYTHING up in the air, too. It has prompted a great deal of thought about what I truly like doing in the lead up to the holidays, versus what is just an unnecessary burden. I am trying to be flexible: this year, Christmas breakfast will be at Fiona and Alona's house (Eric and Alona's mom will come, too), but Delia and Chris will not be able to join us. As I am working to envision the years to come, as our family grows and Eric and I figure out how we want to intertwine our lives together, rituals will have to change and grow.

I do love those Advent (and Christmas and New Year's) rituals so very much.

This week's card is based on the Advent banner. I made the top part of the banner semi-transparent with my own Christmas tree superimposed over the felt tree, with a scattering of my Christmas pins encircling it.

Advent

48 Advent

Click here to read about the 52 card project and see the year's gallery.
pegkerr: (Default)
Not very happy with this one aesthetically, but it's my own darned fault. I was too busy enjoying Thanksgiving dinner with my family to think of taking pictures. Well, I DID think of taking pictures, but I pulled out my camera in order to take pictures of the girls and myself and our respective sweeties, with plans to use them for a holiday card.

The next day, I did quite a bit of facepalming as I realized I had taken no pictures at all of the table set with the Thanksgiving feast with all the smiling faces around it. So, regrettably, I had to resort to stock art instead of using anything that really reflected the day as I experienced it. The one part of this collage that has a personal connection is the wooden figurine of the turkey and pumpkin. These are long-time holiday decorations that I put out on my front table during this season.

Sorry. I guess that it is inevitable that occasionally I do a collage that's somewhat lame. But that's just because I was concentrating on other things, which in this case I think was justifiable.

I hope you all had a wonderful holiday. I certainly did.

Thanksgiving

47 Thanksgiving

Click here to read about the 52 card project and see the year's gallery.
pegkerr: (All was well)
I'm knocking this one off early, as I had such a strong (and fortunately positive) impression of Halloween, as I described in my post about doing the Deathly Hallows tarot spread. I recommend that you read that post to make sense of this collage.

The three tarot cards from my Harry Potter deck at the top of the collage are the three cards I pulled for the spread. At the center are the central characters from the movie Coco, which I really recommend. Watching that movie is my new Halloween tradition.

This was a fun card to do that I'm pleased with aesthetically, and I'm glad that my associations with Halloween are cheerful again.

Halloween

44 Halloween

Click here to read about the 52 card project and see the year's gallery.
pegkerr: (candle)
Just as I did in 2018, I decided on Halloween to use my Harry Potter tarot deck to do a Deathly Hallows tarot reading. I like doing this spread on Halloween. As I noted in my post about the 2018 reading, Halloween is the anniversary of the awful day that Rob and I learned that the suspicious PET scan he had recently received was not lymphoma coming out of remission, it was leukemia (caused by the first chemotherapy he'd received) that would go on to kill him a little less than three months later.

Samhain, the day when the souls of the dead are said to approach as close as they ever do to the living, or Halloween, the day before All Soul's Day, seems to be an appropriate occasion to do the Deathly Hallows tarot spread.

1 2 3



1: The Elder Wand - something that is both winning and losing
2: The Resurrection Stone - what has been lost and will not, cannot, come back
3: The Invisibility Cloak - what you've come to accept

Here is the Tale of the Three Brothers and the Deathly Hallows:



I drew three cards.

1: The Lovers - Remus and Tonks

VI The Lovers (Remus and Tonks)

The book that came along with the deck explained that there are two traditional approaches for this card: either an established couple, or a man making a choice between two potential lovers. (In my Jane Austen deck, for example, the VI card shows Darcy sitting with Caroline Bingley but looking longingly out the window at Elizabeth Bennet). Remus actually fits both of these traditional approaches: he and Tonks were lovers, but a choice is also involved, because Remus lost faith in his relationship with Tonks and then chose to go back to be a husband and father again (after getting a scolding from Harry).

Three years ago, I drew the King of Cups card for the Elder Wand card, which I associated with Rob. I associate the Lovers card, of course, with Rob and myself. But it's a winning and losing card because while we were lovers, and our marriage grew stronger throughout the cancer journey, I of course lost Rob to cancer.

But this card can also represent myself and the new person in my life, Eric. I've lost Rob, but I have a new relationship. Yet, there is a choice buried in that fact, too. Do I cling to my old relationship, to my status as Rob's widow? Do I move forward into the new relationship, even to the point of marriage? I am trying to decide that. Is that winning? Is it losing?

Another way to think of the card is that it simultaneously reflects me losing Rob and winning Eric.

2: the Four of Swords - Truce

4 of Swords - Truce (Chess pawns with crossed swords)

This card shows the moment when the trio tries to cross the chessboard but they are blocked by the crossed swords of the pawns. They have to pause and regroup and figure out what to do. Cards with the number four are associated with stability: four sides make a square, a very stable, balanced form.

If the card in this position in the reading represents something that I have lost forever, that, too, makes sense: I have lost stability. My married life wasn't always easy, but I knew what to expect. Now my life seems upended, and as a widow living through a pandemic, I have no idea what to expect next.

3: the Seven of Swords - Deception

7 of Swords - Deception (Monster Book of Monsters)

This card depicts seven sword-like teeth of the Monster Book of Monsters. Traditionally, (as in the Rider-Waite deck), this card shows a man carrying away a pile of swords. There is an element of sneakiness to the card. Another traditional meaning to the card is "betrayal."

I thought about how this card and meaning applied, in terms of something I have come to accept. I mentioned that Halloween has been so hard for me the past several years, because it is such a painful anniversary. It was the date that we learned that Rob's lymphoma was now leukemia, the disease that would go on to kill him. He was betrayed by a sneak attack: the chemotherapy that was supposed to save him ultimately was what killed him.

But although I have suffered from this memory for the past several years, I am definitely coming to accept it. I had fled the celebration of Halloween every year since Rob's death--turning out the lights, leaving the house, unable to bear the parade of cheerful children in costumes. Halloween was just too painful.

Until this year. I carved pumpkins and put them out on the porch with lit candles. I bought candy and handed it out. I lit all the candles in my living room, curled up with a cozy blanket, and again watched the movie Coco. For the first time since Rob's death, I actually enjoyed the holiday. And that makes me genuinely proud of myself.
pegkerr: (Default)
"So I have a thing for us to do," [personal profile] minnehaha Karen told me. "Be ready to go at 5:45 pm on Tuesday night."

"Go where?"

"It's a surprise."

I thought about what she might have in mind to do in the second half of October. "I'm not particularly fond of haunted houses," I said a little doubtfully.

"No, nothing like that. It's something that should be sweet and fun. Nothing gross, I promise."

Okay.

When I got into the car, she handed me a stack of blank postcards:

Front:



Back:



And then we had an entirely satisfying time driving around looking for houses decked out to the max for Halloween, as the harvest moon, glowing orange, rose above the city. When we found one where the homeowners had exerted themselves with panache and creativity, we wrote: "To the spooky folks at..." and added the address. The postcards will be dropped into the mail, sent on their way to be a little surprise/day brightener, just to tell complete strangers, "I notice what you've done, and I appreciate you."

The whole experience gave me much food for thought, as I tried to analyze why I found the exercise to be so much fun. There's a difference between gratitude, I think, and appreciation. I was talking today with my Friday coffee group about why I've always found the common advice to people coping with depression to keep a gratitude journal to be unhelpful/smack of condescension: "well, you really have no reason to be sad; look at all you have to be GRATEFUL for!"

They understood instantly what I meant. "You were never getting depressed because you weren't grateful enough for good things in your life," Naomi Kritzer said. "You had genuinely awful things happening to you over the years, and of course you couldn't make them disappear by trying to ignore them."

But appreciation is different, Naomi pointed out. Appreciation is connection, and connection is powerfully effective at keeping people healthy and happy. As we have all discovered during the pandemic, haven’t we?

I have never found practicing appreciation to be oppressive at all. Telling other people that I appreciate them always makes me feel good, and I certainly love it when someone tells me that they appreciate me. Unexpected appreciation can also be a delightful surprise.

Appreciation

42 Appreciation

Click here to read about the 52 card project and see the year's gallery.
pegkerr: (A light in dark places ice candle)
I spent it alone. I decided that since 2020 was such a dumpster fire that I should celebrate New Year’s Eve by setting something on fire in my living room. Why not? So I spent the day making a plum pudding (as I did back in 2013) and then set it ablaze. What fun!


Ignited brandy is poured over plum pudding



Happy New Year!

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