pegkerr: (Cooking for Ingrates)
This is one of the rare weeks where I had a difficult time coming up with a concept for a card. Really, my life has felt so quiet and small lately. I still work only sixteen hours a week. Since I'm restricting my spending due to the new roof and I'm wary of going anywhere and doing anything because of the BA5 Covid resurgence, I've been staying quietly at home. I'm still fighting that weird fatigue, and the heat and humidity discourages doing anything energetic. So I've been reading books and cooking my meals. That's about it.

Perhaps out of sheer boredom, I've been making an extra effort to make the meals interesting, and as I've been thinking about trying to get as healthy as possibly (partly related to the investigation into the fatigue issue), I've been trying to up the proportion of fruits and vegetables in my diet.

My informal rule for the names for these digital collages is that the titles of each collage should be one word, but occasionally I've cheated by using an acronym, as I did this week. WFPB stands for Whole Food Plant-Based. Originally, I was going to name this card "Vegetables," but there are strawberries and tomatoes (technically a fruit) in the images I used. Therefore: WFPB.

It was entirely unintentional, but I like the way that round shapes kept repeating in the images I used to make up the collage.

I look at this picture of the foods I've cooked for myself, and two things occur to me: first, it all looks pretty good, and I'm proud of the level of effort I've put into making beautiful, delicious, and healthy food for myself.

Secondly, this is exactly the sort of food I could have never served my family, in the days when I used to joke about the sad fact that I should write a cookbook called Cooking for Ingrates. Well, perhaps they would have deigned to eat the homegrown tomatoes or the strawberries and cream (and Fiona would have even refused the cream). But nothing else.

Image description: against a cutting board background are images of various dishes prioritizing fruits and vegetables. Upper left: a blue bowl with homegrown tomatoes. Upper right: two flour tacos on an orange Fiesta plate: portobello mushrooms over brown rice/quinoa mixture with tomatoes, cabbage and avocado. Middle: flowered bamboo tray with a plate with brussel sprouts/Swiss chard/potato hash, topped with vegan cheese and pickled red onions. Also on the tray: a cup of coffee and small bowl strawberries and cream. Lower left: a strainer filled with broccoli florets and spiralized broccoli stems. Lower right: a bowl of eggplant baba ganoush.

WFPB

29 WFPB

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pegkerr: (Both the sweet and the bitter)
Every July 6 for the last 36 years, I have eaten strawberries and cream for breakfast.

This past Tuesday, July 5, was my 36th wedding anniversary. We spent our wedding night at the Sofitel and the next morning, I included a portion of strawberries and cream with my room service order. They tasted so incredibly delicious to me. Well, perhaps it's not so much that they were particularly delicious, but that I was so incandescently happy. I decided right then and there that I would always have strawberries and cream for breakfast on July 6, to remember that moment, that demarcation of my first day as a happily married woman.

This July 6, however, besides being the day I ate strawberries and cream, was significant for another reason: it was the first day I outlived Rob in age. I spent my entire marriage four and a half years younger than him. But it has been four and a half years since he died, and from now on, this date would mark another demarcation: from this day forward, I would be older than him, older than he had ever been...without him.

This Wednesday, July 6, was also notable for something else: after a mere five days of planning, my nephew and his fiancée got married in a small and simple ceremony at my sister's lovely lakeside home. My nephew is the first one of Fiona and Delia's cousins on my side of the family to marry. A new threshold has been reached for this generation.

As I pondered this, I started thinking about the Roman god Janus, the god of thresholds, of transitions, and of marriage. Janus is a two-headed god, looking back in the past and forward into the future. And so I took a picture from my wedding day that the photographer referred to as a "ring picture," as the position of our hands was meant to show off our wedding rings. I never particularly noticed the rings in this picture though; I just saw how incredibly happy and in love we looked. I used my bridal picture for one half of the Janus head, and a picture of myself taken yesterday, on July 6 for the other half of the Janus head. Not as young, not as incandescent. As you can undoubtedly see, it's been 36 years.

Also pictured: the strawberries I had for breakfast yesterday morning, and the hands of my nephew and his new wife, showing off their new wedding rings.

Oceans of love to both of you, my dears. May you enjoy a lifetime of incandescent love and happiness...and all the strawberries and cream you can possibly eat.

Janus

27 Janus

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pegkerr: (cherry tree in the storm)
Re: SCOTUS (again)

I don't think I have ever felt this sickened and angry in my entire life. I am not sure I can quite explain it, especially to the men in my life: it is like a depth charge stun grenade in the soul, a shock like I've never experienced before to have stripped away the constitutional right of my own bodily autonomy I've known was there my entire adult life. Even though I'm past child-bearing age. (Yes, I recognize and acknowledge within my shock the parameters of my own privilege, that I've never encountered its like before).

Honest question: what on earth do I do with all my rage?

Image description: Peg sits dressed in black, cross-legged and stern-faced with her fists on her knees against a background of radiating lightning bolts. Her heart is made of fire. Above her head is spelled out the word "Rage" in fiery letters.

Rage

26 Rage

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pegkerr: (It is plain enough what you are pointing)
I took a vacation this week, but I didn't go anywhere in particular. Last week at this time, I also took a staycation and spent it through boxes from Rob. This year, I did not put much in the way of demands on myself. This was partly due to the fact that I am facing fewer boxes, and partly due to the heat. It hit 100° and I don't have central air.

(Jane Austen: "What dreadful hot weather we have been having! It keeps one in a constant state of inelegance").

I did knock off a few gardening tasks, cooked, puttered around, and read. And I met Patricia C. Wrede, one of my writing mentors, for a story conference on the new book, which was gratifyingly successful. I mentioned the mental breakthrough I'd had last week. This conference with Pat was another one. Pat and I had worked together in a novel writing group a couple of decades ago, and she's the midwife for my first book, the one who led me through a series of questions that helped me figure out the plot of Emerald House Rising.

I've often said that for the decade or so that I was writing short stories, the way that story creation worked for me was that I would get one idea, and it would be like dropping a seed crystal into a supersaturated solution: with that one idea, an entire story idea would bloom in my mind, and I would write it down. That was the reason I had such a difficult time switching from short stories to novels: I just had no experience at working the story idea out. Pat helped me/showed me how to do that, asking me leading questions that helped me grope my way to uncovering the plot. We did it again at the Good Earth restaurant this past Wednesday, and I'm sure the waitress was baffled by a series of excited exclamations coming from our table as pieces of the plot started falling into place:

"That's who wrote the letter!"

"Ooo! Ooo! The Aquamarine's consort--turns out, she's a dear friend of Lady Claudella!"

"But of course, THEY ALL WENT TO TERGOLIA!"

I've worked out critical details of one character's family tree, and what happened to the various members is a lot of the engine for the plot. The story, in part, is about inheritance, and about actions taken in the hopes that a certain consequence will happen--and then something else, entirely unexpected, takes people off in different directions.

I love these moments in the creative process of writing a book--call it synergy or illumination or inspiration or...I just wish they happened more often.

Thanks, Pat!

Image description: The background is a (very faint) image of a cave, illuminated by an opening through which sunlight pours. Overlaid over that image is a tree with fantastically shaped roots, with sunlight shining through its branches. Over the patch of sunlight a hand hovers, holding a golden puzzle piece. At the foot of the tree branches is a crystalline gemstone structure.

Illumination

25 Illumination

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pegkerr: (Bloody brilliant!)
This one will seem a little odd, because I am not going to explain it fully. In fact, it won't make a lot of sense to you if you aren't in my critique group and familiar with my novel as I've written it so far.

I'd mentioned that I'm 20,000 words plus into a book I'd started over twenty years ago. One thing I've often remarked about my writing process is that I am the opposite of what is called a "pantser," i.e., someone who writes by the seat of the pants. I have to figure out something/know where it is going before I can write it. Sorry, those of you who are good at writing exploratory drafts; I am just not that way.

Okay, the next is going to be a bit purposely vague:

Through great effort, picking up from where I left off twenty years ago, I had inched forward enough to finish a new chapter five, and then...I was floundering around, trying to come up with an idea for something that would subvert the rules I had set down for magic in my first book, but still not violate the spirit of what I was trying to do. I planned to introduce some cross-cultural experiences and I wanted to introduce, if you will, a new cultural metaphor, a different way of seeing the world, which could apply to the magical system I set up in the last book, but have it work in an entirely different way.

So I started googling cultural metaphors, and I won't rehash the way my thread of thought unspooled, exactly. But it suddenly occurred to me that the four characters I have been thinking about for over two decades embody--in the story, and in their characters--the entities of Fire, Air, Earth, & Water. And this raises aaaaaaalllllll sorts of possibilities about how the magical system will work, with a cross-cultural twist.

It's weird to be overwhelmingly seized by an idea in the creative process that seems so key, so breathtakingly important--but I can't quite explain it, because my thoughts about are still so incoate. But I think it will really work, and it will help, I think, with structuring the book. And since "structuring a book," i.e., plot, is always the area that I feel the weakest, this is very encouraging, and definitely gives me more hope that I will actually manage to someday finish this book.

I've been rather shy about talking about them (I think one reason the Ice Palace book failed was that I made the mistake about talking too much about it online). But this is a big enough step forward, that I think I can take the risk of introducing you to my four main characters. The costumes aren't right, but ignore that: you'll get an idea of my feel for Falco (Fire), Reynardo (Air), Tavia (Earth), and Elodie (Water).

Tavia and Elodie are twin sisters, and I was perplexed about how to find images for them. But then it suddenly occurred to me: Elodie is a bit crispy about being a twin, and she chopped her hair off to distinguish herself from Tavia. So I googled "Haircut makeover long hair to short hair" and came up with these two images. Am rather smug about that.

The symbols over Falco (upper left), Reynardo (upper right--the original character I started with twenty years ago), Tavia (lower left) and Elodie (lower right) are the Hellenic symbols for, respectively, Fire, Air, Earth, and Water.

Elements

24 Elements

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pegkerr: (The beauty of it smote his heart)
The weather in Minneapolis is in that perfect sweet spot: not too hot, not too cold, not too humid, no need to shovel snow, no need to mow (I have a mowing service), garden is nicely established.

Yes. Porch season has begun. On days I work from home, I'm now taking my computer out there and working on the porch.

There was a porch in my first childhood home, and I loved it so much, that I insisted we buy a house with a porch. Didn't get the fireplace or the built-in buffet, but I got the porch.

I have a deep affection for my porch. During the years that my house was so chaotic because of all of Rob's stuff, I insisted that at least the porch must be cleaned off at all times. Sometimes when the house was driving me mad, the porch was my only oasis. I put pots of flowers out there and hung blue lanterns that I lit with candles at night, and I would take my newspaper and coffee out there to read in the morning. It is beautifully shaded by a hugely overgrown evergreen bush. Fiona used to climb the branches to get up to her haven, the porch roof. Several home contractors have told me to cut it down. Too big. Too close to the foundation.

I don't care. It shades the porch splendidly, and it's staying.

I got a beautiful flowered bamboo tray to take my plate, silverware, and coffee cup out when I go sit on the porch. It is such a simple luxury that gives me an inordinate amount of pleasure.

tray


I used an older picture for this: the seat cushions are different, and there is a different rug, blue with white stripes. I tried to cut them in with editing tools, but it didn't quite look right. So...not quite contemporaneous, but you get the idea.

Image description: Peg has her feet propped up on a glass porch table, which holds a pot of flowers, a coffee cup, and a newspaper. In the background are wildflowers from Peg's bamboo tray and two moroccan lanterns lit with candles.

Porch

23 Porch

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pegkerr: (Well if this isn't the crown of all)
My house and garage have new hats, so to speak.

The company sent a quick, professional crew who did a great job cleaning up afterward. And I have the satisfaction/ease of mind that comes from having a new roof and not having to worry about leaks anymore.

Here's the garage:

Old roof / New roof:



old roof


new roof


Image description: Workers work on the reroofing of a blue house with white trim, seen from two different angles, against a blue sky. Upper right corner: a small wooden house topped with a blue and white striped hat.

Roof

22 Roof

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pegkerr: (All that I have done today has gone amis)
This collage attempts to depict a mental state: rumination - the state of turning thoughts over and over in the mind. The word is derived from the class of animals known as "ruminants," of the suborder Ruminantia: cloven-hoofed, cud-chewing quadrupeds such as domestic cattle, bison, buffalo, deer, etc.

Of course, it would be nice if one could dwell on wonderful things that makes one happy. That's not the way it usually works for me.

In my experience, it's about the state of mind you get into when you can't stop yourself from dwelling on all the ways in which you are the absolute worst. All the things you have to do and haven't done, all the people you've hurt or offended or annoyed. All the foolish, all the clueless, all the inept, all the embarrassing. Over and over again. Chewing the cud, as it were.

It's tied to depression, naturally.

Minds are annoying, occasionally. Mine certainly is right now. (But I rather like this collage.)

Image description: A sketchified woman (Peg) holds her hand to her temple in the lower right. She looks sad and preoccupied. Above and behind her arises a chaotic thought cloud, indicated by disorganized lines and symbols. A black and white cow stands to her side, eyeing her quizzically.

Rumination

21 Rumination

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pegkerr: (Constant vigilance!)
I've signed the contracts for the roofer, the painter, and the pest control company (to evict the squirrels). The projects will be scheduled for later this summer.

Let me be clear: I have the money in hand to do this. But my financial plan for my future, worked out between myself and my financial planner, did not envision this project would be quite this expensive. I can still do it and pay all my bills. But I am looking ahead and making changes now so that my financial plan in the future will still allow me to do everything I want to do. That means I must look for ways to either reduce my expenses or increase my income right now.

And so I am thinking about retrenching.

The word "retrench" calls to mind this scene from Chapter 1 of Jane Austen's Persuasion. Sir Walter Elliot, the father of the novel's protagonist Anne Elliot, is a fool who spends an absurd amount of money to keep up the appearance that he thinks is necessary to uphold his dignity as a baronet.



Unlike Sir Walter, I am determined not to be a fool. I am (and have been all along) paying all my bills. I am still eating, I am still finding ways to entertain myself, and enjoy my life. But I've decided to stop drawing upon one of the resources I had been tapping, in order to stretch out my ability to do so in the future. And that has meant overhauling my budget. To do so, I have been drawing upon skills that I developed back when Rob and I were going through the three years that he was unemployed, the year and a half that I was unemployed, and when his income was cut back due to cancer. I also hope to find an additional one-day-a-week job to bring up my income a little.

Some of these are skills that my mother taught me, and in turn, I have tried to pass them on to my daughters (Fiona has commented appreciatively that she is very glad that I taught her about frugality, and she has said it has given her a huge advantage over many of her college friends). Also unlike Sir Walter, I'm really quite good at frugality. And I actually enjoy it--it's almost like a game.

I have done some investigation about what programs I'm eligible for, and I just sent off my application for the Minnesota Energy Assistance program. If I get it (no guarantee; some years they run out of funds early) I would also be eligible for the Weatherization program, where I can get up to $1,000 of products (insulation, etc.) that would help lower my energy costs. I have changed how I allocate my dollars to pay for my food and actually have had a lot of fun in the past week trying new recipes and doing batch cooking to make up for the fact that I'm stopping eating out.

Image description: Against a background of coins, an elegantly dressed Sir Walter Elliot holds a pair of gloves. Behind him are bags of groceries. In the right corner, a woman's hand puts a coin in a piggy bank.

Retrench

20 Retrench

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pegkerr: (Deal with it and keep walking)
I'm stressed out, as evidenced by the fact that I've read 14 books in the last seven days. I'm trying to dive into fiction to forget everything hovering ominously over me.

One source of stress is something that Elinor Dashwood is not talking about, so I'm not going into it.

The other is that I have been contacting contractors about replacing my roof, which is twenty-six years old. No leaks, but...it's time. And painters, because the upper dormers were not done by the painter I hired to repaint the house last year ("too tall, we don't paint that high"). Oh, and there's evidence of squirrel nests in the eaves. That has to be dealt with, too. And that is very, very expensive.

I talked with my financial planner, and...well, let's just say the last two years have been the two most expensive years I've had in a row in the almost thirty years I've lived here in the house. This is definitely exceeding my home repair budget for the year, and she has raised the question that maybe I should find a new job.

Plus there's reviewing contacts, and actually signing them without Rob, my resident lawyer, to look them over and advise me. One thing that really sucks about being a widow is making huge decisions, financial decisions, alone. I can ask for advice (and yes, I have looked into getting nonprofit help since I'm low income and struck out everywhere), but it's different to be asking for advice, but not making the decision in concert with someone, a partner, who has the same financial stake in the decision that you do.

I feel flooded by uncertainty, painfully aware of all the risks. Is this a necessary step for me to take? Have I found the right contractors--plural? If I sink this much money into the house, how will that affect my future money needs, my retirement?

I am, as I have remarked in the past, a Gryffindor with high-security needs. It's enough to make me break out in hives.

(No, I'm not asking or hinting for money from anyone. I just have to figure it out myself.)

This card came together very quickly: the images came easily to my mind, and I put it together in about fifteen minutes.

Image description: Against a background of roof shingles, a woman sits with her hand quizzically set to her chin, her face covered by a cloud, with question marks over the cloud. In front of her is a squirrel holding a nut, with a dollar sign over it. (The squirrel with the dollar sign over it is both a reference to the possibility of squirrels in the attic--expensive to remove--as well as a symbol for retirement, as in saving your nuts for the winter).

Risk

19 Risk

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pegkerr: (howitzer cat)
Slight edit to temper my language.

So I am sort of breaking my rule that each card should be titled with one word. SCOTUS is a very commonly recognized acronym for Supreme Court of the United States but don't come at me with any lip about it this week. In fact, don't come at me with any lip at all because I will TOTALLY SMITE YOU.

I am enraged by this week's news. Enraged. Not only Roe, but despite his protestations, Alito's reasoning would take an axe at the rights that underlie Obergefell, Griswold and even Loving.

Scrapping fifty years of jurisprudence as if it were garbage. I don't want my girls to face their reproductive lives in the world this Supreme Court wants to create. I don't want to live in a country where we do not have a right to privacy or bodily autonomy.

Image description: Lady Justice in a flowing white dress falls off a cliff. She grips the flailing scales in her left hand but her right hand has let go of her sword, which falls after her.

SCOTUS

18 SCOTUS

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pegkerr: (Glory and Trumpets)
I got an email from LiveJournal noting that April 27, 2022 is the 20th anniversary of my setting up my LiveJournal.

So I've been thinking about this, and about what starting to blog on LiveJournal and later Dreamwidth opened up in my life.

As I had noted in my very first entry, I had kept a daily personal journal for 25 years at the time I started my LiveJournal. So I was very familiar with the process of writing about my life.

What was different and what proved to be almost seductive was that for the first time in 25 years, I got reactions to what I was writing.

I wrote about my family, about parenting, about my fandom obsessions, about writing, about my struggle to cook for my family. I wrote about politics. I wrote about all our family rituals (May Day, 12th Night, etc.). I wrote about my karate journey, from white belt to black belt. I wrote about depression. I wrote about whatever I was thinking about. Eventually, I wrote about Rob's illness and death.

Twenty years ago was a more innocent age, and I would probably make different decisions about how frankly I spoke about things if I had known then what I know now when starting to write. But for the most point, opening my life in this way has been a blessing, and I have made so many remarkable friendships. Online friendships ARE real ones.

The background of the collage includes text from my very first entry, and the color green is the green I used in all the icons I created. Otherwise, it shows various things that have cropped up in my journal over the years. I certainly didn't have room to include them all. I think I may create a separate Soulcollage card for "Blogger." Edited to add: And I have done so, here.

Blogging

17 Blogging

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pegkerr: (Both the sweet and the bitter)
This past weekend, Easter weekend, was Minicon 55, the first time the convention has been held in three years. It was the 37th Minicon I've attended, and only the third without Rob.

It was bittersweet.

I stayed at the hotel. The girls didn't come. The convention was small, and there were many missing faces. Besides those who did not choose to show up for one reason or another, the convention announced the names of about fourteen people who have died since the last Minicon was held in 2019.

I was scheduled for three panels, but one was canceled because one of the guests of honor, Elise Matthesen, was unable to attend:

Saturday 1:00 PM
Perfection as the enemy of creativity: When is good enough good enough?
'Pobody's Nerfect!' is not just a t-shirt, it's a way of life. Where does the need to be perfect come from? Where is the balance between wanting something to be enjoyed, and wanting it to be seen?

Danith McPherson (m), Alison Sommer, Adam Stemple, Rick Snyder, Elise Matthesen, Eleanor Arnason, Peg Kerr

Saturday 4:00 PM
Planning the unpleasant-to-think-about
Health care proxies, directives, and advance planning. What sort of paperwork should a person have? How will medical professionals know who to contact? How does a person best set up their end-of-life arrangements?
What components are important to a Will - Specifically, how do people make arrangements for their belongings, including the significant assets, and the errata? What are components of a good will? What is to be done with 'intellectual property'? Are there issues unique to fans and their interests? Why isn't everything marked 'collectible' actually worthy of collecting? Even if that hand crank nut chopper isn't important to you, what if it's important to one of your grandchildren? Bring your friends and discuss the inevitable!

Naomi Kritzer (m), Magenta Griffith, Peg Kerr, Shaun Jamison

Both were pretty successful.

At the freebie table, I picked up an old copy of Rune, the publication put out by the sponsoring organization of Minn-stf. It included pictures of Rob and myself from the Minicon held in 1988, with an excerpt of the log I wrote as the Communications Officer. Rob was the Head of Operations, responsible for running the convention. The pictures brought tears to my eyes. Minicon was big and booming, in its heyday; Rob and I were young and having fun. And I was still friends with Kij. Here are the pictures I found:

(image description left: Rob, standing, looks at the camera while on the telephone. Image description right: Peg sits at a table [the Minicon Bridge] reading aloud from the log book in front of her, laughing.)



Image description:
Lower left: Peg in an N95 mask at a convention panel (photo credit [profile] d_db), behind a microphone. Background: cover of the program book for Minicon 55, showing jewelry made by Guest of Honor Elisa Matthesen. Signage from the convention scattered around the collage: Green Room, Bozo Bus Tribune, Consuite, Freebie Table, Party Rooms, Registration.

Minicon

16 Minicon

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pegkerr: (Deep roots are not reached by the frost)
This is slightly late, because I ordinarily do my collages on Friday during my Zoom with my coffee group. This past Friday, however, I was getting ready for Minicon instead. (Minicon will probably be the subject of this week's card, which I’ll do on this coming Friday.)

Anyway: a week ago Friday, I went to the doctor's for my annual checkup and rather rashly decided to load up on three vaccines at once: my second Covid booster, my ten-year tetanus booster, and the pneumococcal vaccine. And lordy, lordy, it absolutely wiped me out. I could barely get off the couch all weekend, which I expected, but I didn't expect to be pretty much useless for the entire week. I was totally exhausted. I lasted barely a half hour at my writing group meeting on Wednesday night, and then the critique group ordered me to go to bed and kicked me off the Zoom.

I tried to comfort myself by reasoning that my immune system was revving up, doing what it needed to do to get ready to handle All The Things. But good heavens. That was rough.

The text on the pillowcase is from a button I once gave Rob (I used to give him one on his Christmas stocking every year).

Image description: Background: a muscular woman with her back to the camera lifts weights. Foreground: a woman lies in bed, holding glasses in one hand, covering her face with a pillow with the other. Overlaid on the pillow are the words "It may look like I'm doing nothing, but on a cellular level I'm really quite busy."

Immunity

15 Immunity

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pegkerr: (Enchanted quill 2)
Sometimes these digital collages come together really easily.

This was not one of those cards. I spent about two hours on an approach that I ended up scrapping altogether and then spent another two hours coming up with this.

This is entirely appropriate because it is about something that has given me fits of agony for more than the last quarter-century: writing.

After I finished The Wild Swans, I made several attempts to start a new novel, without success. One attempt was the Ice Palace Book, and one was a sequel to Emerald House Rising. I agonized and flailed and wrote scads of entries on LiveJournal and Dreamwidth about my writers block, but I never figured it out. It's not surprising, really: I was attempting to work full time, raise a family, and manage a household (of which the three other members all had ADHD). And write. My back brain just didn't have the bandwidth to do anything creative. And so after a lot of grief and self-flagellation, I effectively put my writing away (picture it locked away in a trunk) and didn't attempt again to write anything publishable for almost twenty years.

The Alternity Game helped. That convinced me I could still write. Soul Collage and this digital card project helped, too. That showed me that I still have a creative side.

Several years ago, I extricated from a pile in my office the four chapters I'd written that were meant to be a new Piyanthia novel:
Chapter One


Reynardo was correcting student exercises when Bevan paid an unexpected visit to Freneca Hall and asked to see him. That must have been the reason, he decided later, that he was foolish enough to be glad that his old schoolmate had come.

An apprentice directed him to the south solar, where Bevan had been ushered to wait. It overlooked the garden, and he was standing at the window when Reynardo opened the door. It was a fine clear morning in early summer, and just below the window outside, bees were making a low thrum in the yellow patch of sweet lord’s buttons that Master Lionel tended so faithfully. Whenever Reynardo thought of the interview afterward, that was part of the memory: the warm, heady perfume of the garden in full flower, and the drone of the bees in the background, soporific and faintly menacing.
With some diffidence, I passed them on to Delia to read. "Mom! You should do something with this. It's really good! I want to see you finish it." I thanked her, and didn't do anything about it, but that raw encouragement continued to lurk in the back of my mind.

For the last several years, I have been having coffee every Friday with three other writing friends: Eleanor Arnason, [personal profile] lydamorehouse and [personal profile] naomikritzer. When the pandemic came, we switched to meeting over Zoom every Friday. They have all published more books than me and certainly have had more successful writing careers; we've had different life paths. But they did me the great courtesy of still considering me to be a writer too and gently encouraged me to keep revisiting the idea of writing--for publication or simply for fun. Lyda formed a writing critique group last year and assured me that I would be welcome to join.

And so I did. I dusted off those four chapters and ran them through the critique group, where they were well-received. But I wrote those chapters twenty years ago. How could I pick the book up again, particularly after failing so miserably the last time? I had no idea what happened next.

Then Lyda and Naomi told me that they were getting together an hour a day four days a week, on Zoom, simply to write. No talking. Just showing up and clicking keyboards. Would I like to join? No pressure. Just show up if you want, and if you can't, no sweat. The invitation was out there for several months. I kept making excuses. I got a concussion. I needed to recover. Ack, could I do it?

This past week, for the first time, I showed up.

I have written 1,231 new words on a book I began twenty years ago. Here is the opening of the new chapter I started this week:
Chapter Five


Of course, joining the players involved a certain amount of negotiation—and wrestling with his inner pride—over one issue: money.

“You will share in the profits, of course,” Tavia said briskly, “after a month, once we’ve had a chance to see that you will settle in well with us.” And I’ve had the chance to determine that you’re useful was the clear implication.

Reynardo swallowed. “Am I to eat during that month? I fear my hose will be hanging quite loose if I cannot. Hardly a look that would appeal to the audience.” He offered her his most blinding smile. “And I always make it a point of pride to appeal to the audience.

Tavia’s lips thinned, and he could sense that she was suppressing a sigh. Perhaps profits had been rather low lately. “I will stake your belly during that first month. No alcohol, though,” she added quickly. Drunken louts, clearly, were not useful.
I still have no idea whether I can finish it. I have no idea of my way through. But now I am 1,231 words closer to the end.

You have NO IDEA what a big deal this is.

Image description: Background: a sketchified picture of a pathless forest. A crossroads sign stands to one side, but the markers pointing in various directions are empty. Lower left foreground: an open wooden trunk. A woman (Peg) stands beside it, peering inside. Behind the trunk and the woman, overlaying the forest hovers a semi-transparent image of a woman's hand holding a quill pen, writing. Upper edge: individual thumbnail images of three women on Zoom: Naomi Kritzer (left), Peg (center), Lyda Morehouse (right).

Writing

14 Writing

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pegkerr: (Do I not hit near the mark?)
I've been feeling, I dunno, vaguely fretful this week. The weather has turned cold again [c'mon, spring, where are you?] The news is so awful. I mean...setbacks in abortion rights, trans rights, corruption on the Supreme Court, inflation, the pandemic dragging on, the war in Ukraine. It is SO AWFUL.

My ability to deal mentally with SO MUCH AWFUL seems to have worn thin, to say the least. I was talking with a friend about how I seem to be short on spoons. (If you are not familiar with Christina Miserandino's Spoon Theory, the metaphor that uses spoons as a unit of cope, see here.) It's as if, I groused, there is a thief going around nicking my spoons or something.

So I've been diving into Bridgerton Season 2.

And I was thinking of that conversation, and why I found Bridgerton so comforting, as I noticed, well, all the spoons as I was watching the show. (After all, one character or another is always drinking tea. Soooooo many spoons).

And then I suddenly remembered, I actually do have some spoons. When I was growing up, my Nana (my mother's mother) gave me a differently patterned silver spoon on my birthday every year. I received twelve spoons before she passed away. It's a slightly odd custom if you think about it. I suppose the assumption would be that they would be useful to me once I established my own household, perhaps for serving tea to company. Perhaps she also gave me the spoons in a range of patterns with the hope that I might like one and choose it for my own when I became a bride and registered for gifts. It was a gift that hinted at the social class of my Nana's generation, a world more extravagant and financially comfortable than my own.

Here is a picture of my spoon collection. You can right click on the picture to open the image in a new tab and then double click on the photo to see the spoons up close. I am particularly amused by the spoon I received in 1968, the fifth from the right--it perfectly embodies late 1960s Flower Power.

spoons


Bridgerton shows a beautiful and appealing world that's comforting to escape into: where everyone is rich, and people from vastly different backgrounds (including races) are accepted. But there still are strains and struggles, and people fumble around trying to figure out relationships, especially love.

I started thinking about the parallels in my situation to the character of Queen Charlotte (frequently shown with a silver spoon in her hand, either to stir her tea or snort snuff up her nose). Queen Charlotte ostensibly has everything, but she's not truly happy. She is someone who (ironically - how meta) is also seeking escapism. Her husband George III is mad, and so poor Queen Charlotte tries to assuage her misery over her marriage and her restlessness with extravagant entertainments. She is also obsessed with the news, in her case the Society Papers of the mysterious Lady Whistledown. Queen Charlotte often fumes in anger about what she reads...but she always craves to read more.

A couple of extremely creative women, Abigail Barlow and Emily Bear, have actually written an unofficial Bridgerton Musical, releasing the songs on TikTok as they worked on them, so successfully that the resultant album has been nominated for a Grammy! Here is their song about Queen Charlotte, "Entertain Me." (I've bought the album, and it's awesome. Highly recommended). Edited to add Sunday night follow up: This album WON the Grammy for Best Musical Theater Album.



For this week's card, I have Queen Charlotte, framed by wisteria, seated drinking a cup of tea. In her other hand, she holds a copy of Lady Whistledown's Society Papers. Behind her is a semi-translucent close up of Lady Whistledown's Society Papers ("Extraordinary People. Extraordinary News.") Hovering above Queen Charlotte's head is a tiara formed from twelve silver spoons.

(With this card, at thirteen weeks I am a quarter of the way through the year.)

Spoons

13 Spoons

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pegkerr: (The beauty of it smote his heart)
The linoleum on my kitchen floor was thirty years old. But now...

I can haz new kitchen floor! It's vinyl planking. I used Ace Handyman again to install it and I'm really happy with the job they did.

(Uh....I'm still trying to figure out how do I clean it???)

Floor

12 Floor

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pegkerr: (The beauty of it smote his heart)
Even though the equinox isn't until this Sunday, we have definitely and noticeably turned a corner toward spring. Thank goodness.

The temperature which was sub-zero so recently has now shot up to the 40s, 50s, and 60s. The dirty snow is melting away.

I am watching one ebbing snowbank in my background with particular interest because when it disappears entirely, I know that bulbs will soon be making their appearances: crocuses, daffodils, tulips, and hyacinths.

To help me with my impatience, I bought a bowl of bulbs, which now sits on my table. The first miniature daffodil has already opened.

Bulbs

11 Bulbs

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pegkerr: (You begin to see with a keen eye)
As I said in my last post, I am starting to feel better--almost entirely well.

The period of concussion recovery was quiescent, necessarily. Now I'm feeling stirrings inside.

There's a feeling--an instinct, almost--beginning to well up in me, whispering that it's time to get moving again. I'm feeling restless and cabin-feverish, and oh, I am so ready for spring. I have cautiously begun to exercise again. Although I'm still careful enough to continue masking when I'm inside in public spaces, the pandemic is easing (for now, at least, until there's another widespread variant).

Winter weather is hanging on here in Minnesota (it was 0 degrees when I woke this morning) but the predictions are that a warming trend will make us see 50 degrees early next week.

That made me think about sugaring season. We have maple trees here in Minnesota, and the local parks and recreation centers schedule sugaring sessions starting about now, when people, especially children, can tour the park and see the process of collecting sap and boiling it down for maple syrup. I checked, and the parks are beginning to schedule these sessions starting this week. The Minnesota DNR website says:
Maple sap runs best when daytime temperatures are in the high 30s to mid-40s and overnight temperatures are below freezing. This cycle of above-freezing days and below-freezing nights needs to continue for several days, although nature occasionally has been known to provide a good run under less perfect conditions.

Sometimes sap flows as early as January or as late as May, but in Minnesota, sap usually runs from about March 15 to April 20.
Thinking about that, I put together this card.

Now, sometimes my ideas for digital collages don't quite work, and I think this is one of them. I feel a little disappointed in the result. I still have the old problem of, 'how do I take pictures of myself when I live alone?' I now employ a delay timer app. But I don't have a tripod (or even a decent camera), and so I have to prop the iPod up on a bookcase (heaven knows I have plenty of those) yet step far enough away that I can pose against a bare wall with nothing in the frame that will prevent me from editing out the background. The end result is grainy because it is taken at a longer than necessary distance with less than ideal light. The background is a little blurry, too.

Plus...I dunno. I sort of wanted to look...archetypal? Primal? Mysterious? Instead, I look like a (regrettably) frumpy woman in her sixties with a digitally overlaid twig crown. The color balance isn't right between the picture of me and the background, and that's something I don't quite have the technical chops (yet) to solve.

Rather than the impression I was hoping for, something mystical, I fear that I look ludicrous. Ridiculous.

Was it too self indulgent to include myself in the picture? I could get the point across with just the background of tapped trees and the twig with the dangling drop of sap, couldn't I? But I'm trying to get across that feeling of something rising ... in myself.

*Sigh* I tried. Never let it be said that I hide my artistic failures!

I thought it was a good idea, anyway. What do you think?

I do like that my head is silhouetted against the drop of sap dangling from the broken twig. The general arc of the twig crown echoes the curve of the drop, and that's at least a little pleasing. And I like that although the background is wintry, the reflections inside the drop of sap behind my head (seen through the scrim of the bare twigs of crown) look spring-like.

Sap

10 Sap

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pegkerr: (Deal with it and keep walking)
I tried going back to work this week. It is not going as well as I hoped.

Monday was my first day back at work since my accident on February 9. I'd hoped I'd be able to work my usual eight hours, but I assumed at least I'd be able to work four.

I barely managed to hold it together for three. And only by turning off the lights over my desk. It seems that the fluorescent lights are causing me difficulties.

Tried working a half-day Wednesday, my usual day off, to make up for not being able to manage a full day on Monday. On Thursday, I developed a crippling headache and so had to take sick time for that half-day of work.

My employer is supportive, but ugh, this is so frustrating.

I am doing screens more--well, I have to, to make this card. Partly that is because I couldn't ignore the war news out of Ukraine, which is terrible, and so I am on Twitter more. I still haven't resumed books, which feels like I'm being punished--before the accident, I was reading a book a day.

So: I am doing more screens than I should, and I am not recovering as swiftly as I hoped.

To be honest, I'm really not doing great. Two years of pandemic isolation, living alone, and now this. I'm lonely and bored and cabin-fevered and oh, I wish at least I could be out on my porch or outside in my garden (but of course if I could, I wouldn't have been slipping on ice, would I?) My walking group stopped meeting due to Omicron. I have been eating for comfort, so I'm at my all-time highest weight. I feel stupid, listless, logy, and gross. Depressed and worried about the news. Depression is a common side effect of concussion. No wonder.

As I was thinking about how to design this card, I looked over the pictures I had taken in the past week, and one thing leaped out at me: I routinely send Snapchats to my girls in order to keep in touch with them, and I habitually download them before sending them. One thing I noticed is that in all of them, I was squinting. I've been light-sensitive, and I'm often tired and/or in pain. And the world seems overwhelming, so I've been instinctively half closing my eyes.









This also seemed like a metaphor. Looking at the news on Twitter about Ukraine is awful, and it hurts, both physically and mentally to read it. But I'm drawn to it, to know. Just as I crave to get back to reading books. So I look, but with my eyes half-closed.

I used a visualization of a woman in profile, her skull semi-transparent to show her brain activity. That layer is itself semi-transparent, too, with an underlayer of a visualization of brain theta waves (the deepest brain activity, present in meditation and healing). Over that, I scattered pictures of my eyes, registering various degrees of pain.

Edited to add: I had just decided to call my doctor about my concussion to see if I needed another follow up. And while I was on MyChart, I clicked on the bill for my concussion diagnosis/care so far.

Understand: they did a diagnostic test (CT scan) and then did nothing more than talk to me and send me home with a prescription for Aleve. No brain surgery involved, in other words.

The bill is one and half months of my take home pay. And I'm insured.

I HATE the American health care system.

I have another appointment scheduled for March 10. More bills.

Squint

9 Squint

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